Musical Ekphrasis in Rilke s Marien-Leben (Paperback)

Siglind Bruhn

Edité par Brill, 2000
ISBN 10: 9042008008 / ISBN 13: 9789042008007
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Language: German . Brand New Book. In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben, based on Rainer Maria Rilke s poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary. This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance. Acknowledging the compositions as examples of musical ekphrasis ( a representation in one artistic medium of a message originally composed in another medium ), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke s poetry, as well as for readers interested in the interartistic relationships of music and literature. N° de réf. du libraire

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Synopsis : In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben, based on Rainer Maria Rilke's poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary. This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance. Acknowledging the compositions as examples of musical ekphrasis ("a representation in one artistic medium of a message originally composed in another medium"), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke's poetry, as well as for readers interested in the interartistic relationships of music and literature.

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Titre : Musical Ekphrasis in Rilke s Marien-Leben (...
Éditeur : Brill
Date d'édition : 2000
Reliure : Paperback
Etat du livre : New

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BRUHN, Siglind
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ISBN 10 : 9042008008 ISBN 13 : 9789042008007
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Description du livre Rodopi Bv Editions, 2000. Paperback. État : Good. Ex-library copy with usual markings and stickers. N° de réf. du libraire mon0001301595

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Bruhn, Siglind
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Description du livre Rodopi Bv Editions, 2000. PAP. État : New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire KS-9789042008007

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MUSICAL EKPHRASIS IN RILKE'S MARIEN-LEBEN -
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Description du livre BRILL, 2000. Paperback. État : NEW. 9789042008007 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. N° de réf. du libraire HTANDREE0833023

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Siglind Bruhn
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Description du livre Brill, Netherlands, 2000. Paperback. État : New. Language: German . Brand New Book. In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben, based on Rainer Maria Rilke s poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary. This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance.Acknowledging the compositions as examples of musical ekphrasis ( a representation in one artistic medium of a message originally composed in another medium ), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke s poetry, as well as for readers interested in the interartistic relationships of music and literature. N° de réf. du libraire AAN9789042008007

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Siglind Bruhn
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Description du livre Brill, Netherlands, 2000. Paperback. État : New. Language: German . Brand New Book. In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben, based on Rainer Maria Rilke s poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary. This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance.Acknowledging the compositions as examples of musical ekphrasis ( a representation in one artistic medium of a message originally composed in another medium ), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke s poetry, as well as for readers interested in the interartistic relationships of music and literature. N° de réf. du libraire AAN9789042008007

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Siglind Bruhn
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Description du livre Editions Rodopi B.V. Paperback. État : new. BRAND NEW, Musical Ekphrasis in Rilke's "Marien-Leben", Siglind Bruhn. N° de réf. du libraire B9789042008007

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Siglind Bruhn
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Description du livre Brill, Netherlands, 2000. Paperback. État : New. Language: German . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben, based on Rainer Maria Rilke s poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary. This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance.Acknowledging the compositions as examples of musical ekphrasis ( a representation in one artistic medium of a message originally composed in another medium ), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke s poetry, as well as for readers interested in the interartistic relationships of music and literature. N° de réf. du libraire BTE9789042008007

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Siglind Bruhn
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Description du livre Rodopi Bv Editions, 2000. Paperback. État : Brand New. 235 pages. 9.30x6.50x0.80 inches. In Stock. N° de réf. du libraire z-9042008008

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Siglind Bruhn
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Description du livre see description. État : New. This item might Printed on Demand, please check. ISBN: 9789042008007. Publisher : Brill | Rodopi. Author : Siglind Bruhn. Publication date: 01-Jan-2000. Binding: Hardback. Number of pages: 236. N° de réf. du libraire HGB-12212

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Siglind Bruhn
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Description du livre 2000. Paperback. État : New. Paperback. In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben, based on Rainer Maria Rilke's poetic cycle of 1912. Tw.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 235 pages. N° de réf. du libraire 9789042008007

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