The Nepalese Legacy in Tibetan Painting (Hardback)

David P. Jackson

Edité par Rubin Museum of Art, 2010
ISBN 10: 0977213188 / ISBN 13: 9780977213184
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Language: English . Brand New Book. The Newar painting style (Beri) in Tibet, which originated in Nepal, is the most recent of two early Indian-inspired painting styles to take hold in Tibet. The style flourished in Tibet for about four centuries, from the late 12th to the early 17th century. Alone among styles, it was adopted universally across Tibet for a century at its height (1360-1460). Later in its development, some of the best-known thangkas in this style were commissioned by abbots of Ngor Monastery, an important Sakyapa monastery in Tsang Province. Most previous scholars linked the paintings in this style exclusively with the Sakyapa religious school and Tsang Province, if not with the monastery of Ngor. In addition to exploring the powerful aesthetic appeal of the Beri style, one of the main goals of this publication is to overcome the erroneous limiting of the style to the Sakyapa and to demonstrate its full historical and religious extent. Another main goal is to introduce a method for analyzing structure and lineages in Tibetan paintings. N° de réf. du libraire

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Synopsis : The Newar painting style (Beri) in Tibet, which originated in Nepal, is the most recent of two early Indian-inspired painting styles to take hold in Tibet. The style flourished in Tibet for about four centuries, from the late 12th to the early 17th century. Alone among styles, it was adopted universally across Tibet for a century at its height (1360-1460). Later in its development, some of the best-known thangkas in this style were commissioned by abbots of Ngor Monastery, an important Sakyapa monastery in Tsang Province. Most previous scholars linked the paintings in this style exclusively with the Sakyapa religious school and Tsang Province, if not with the monastery of Ngor. In addition to exploring the powerful aesthetic appeal of the Beri style, one of the main goals of this publication is to overcome the erroneous limiting of the style to the Sakyapa and to demonstrate its full historical and religious extent. Another main goal is to introduce a method for analyzing structure and lineages in Tibetan paintings. David P. Jackson is the author of Patron and Painter: Situ Panchen and the Revival of the Encampment Style and A History of Tibetan Painting. He is curator of the Rubin Museum of Art's reconstruction of Tibetan art history. Formerly professor of Tibetan at Hamburg University, he lives on Whidbey Island, Washington.

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Titre : The Nepalese Legacy in Tibetan Painting (...
Éditeur : Rubin Museum of Art
Date d'édition : 2010
Reliure : Hardback
Etat du livre : New

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JACKSON, David P.
Edité par Rubin Museum of Art / University of Washington Press, Seattle / London (2010)
ISBN 10 : 0977213188 ISBN 13 : 9780977213184
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Description du livre Rubin Museum of Art / University of Washington Press, Seattle / London, 2010. First Edition. Hardcover. Folio. xxiv + 238pp. Pale green cloth with black lettering to upper board and spine. Lavishly illustrated in full colour. Notes, bibliography & index. Masterworks of Tibetan Painting series book 2. From the publisher: "In this second publication and related exhibition in the 'Masterworks of Tibetan Painting Series', the noted scholar David Jackson identifies the full extent of the Beri style, and shows the chronological development, religious patronage, and geographic scope that define the development of Beri style." A lovely, bright copy, Fine condition in lightly rubbed near Fine dust jacket. NOTE: a large heavy book -will require additional shipping to any international destination and some domestic destinations. N° de réf. du libraire 57701

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Jackson, David P.
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Description du livre University of Washington Press. Hardcover. État : Good. 0977213188 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. N° de réf. du libraire Z0977213188Z3

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Jackson, David P.
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Description du livre University of Washington Press. Hardcover. État : Good. 0977213188 Ex-library with typical stamps and labels. Clean, unmarked, appears unused - mylar protects dust jacket. Purchase of this item will help support the programs and collections of the Johnson County (Kansas) Library. N° de réf. du libraire 114853

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Description du livre John Hopkins University Press. État : New. Brand New. N° de réf. du libraire 0977213188

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David P. Jackson
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Description du livre Rubin Museum of Art, 2010. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire CA-9780977213184

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David P. Jackson
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Description du livre Rubin Museum of Art, United States, 2010. Hardback. État : New. 300 x 254 mm. Language: English . Brand New Book. The Newar painting style (Beri) in Tibet, which originated in Nepal, is the most recent of two early Indian-inspired painting styles to take hold in Tibet. The style flourished in Tibet for about four centuries, from the late 12th to the early 17th century. Alone among styles, it was adopted universally across Tibet for a century at its height (1360-1460). Later in its development, some of the best-known thangkas in this style were commissioned by abbots of Ngor Monastery, an important Sakyapa monastery in Tsang Province. Most previous scholars linked the paintings in this style exclusively with the Sakyapa religious school and Tsang Province, if not with the monastery of Ngor. In addition to exploring the powerful aesthetic appeal of the Beri style, one of the main goals of this publication is to overcome the erroneous limiting of the style to the Sakyapa and to demonstrate its full historical and religious extent. Another main goal is to introduce a method for analyzing structure and lineages in Tibetan paintings. N° de réf. du libraire AAJ9780977213184

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David P. Jackson
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ISBN 10 : 0977213188 ISBN 13 : 9780977213184
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Description du livre Rubin Museum of Art, United States, 2010. Hardback. État : New. 300 x 254 mm. Language: English . Brand New Book. The Newar painting style (Beri) in Tibet, which originated in Nepal, is the most recent of two early Indian-inspired painting styles to take hold in Tibet. The style flourished in Tibet for about four centuries, from the late 12th to the early 17th century. Alone among styles, it was adopted universally across Tibet for a century at its height (1360-1460). Later in its development, some of the best-known thangkas in this style were commissioned by abbots of Ngor Monastery, an important Sakyapa monastery in Tsang Province. Most previous scholars linked the paintings in this style exclusively with the Sakyapa religious school and Tsang Province, if not with the monastery of Ngor. In addition to exploring the powerful aesthetic appeal of the Beri style, one of the main goals of this publication is to overcome the erroneous limiting of the style to the Sakyapa and to demonstrate its full historical and religious extent. Another main goal is to introduce a method for analyzing structure and lineages in Tibetan paintings. N° de réf. du libraire AAJ9780977213184

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David P. Jackson
Edité par University of Washington Press 2010-09-01 (2010)
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Description du livre University of Washington Press 2010-09-01, 2010. Hardcover. État : good. 0977213188. N° de réf. du libraire 621796

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Jackson David P.
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