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Player Piano and the Edwardian Novel (Hardback)

Cecilia Bjorken-Nyberg

Edité par Taylor Francis Ltd, United Kingdom, 2015
ISBN 10: 1472439988 / ISBN 13: 9781472439987
Neuf(s) / Hardback / Quantité : 10
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Titre : Player Piano and the Edwardian Novel (...

Éditeur : Taylor Francis Ltd, United Kingdom

Date d'édition : 2015

Reliure : Hardback

Etat du livre : New

Description :

Language: English . Brand New Book. In her study of music-making in the Edwardian novel, Cecilia BjA rken-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, BjA rken-Nyberg suggests, the potential for intervention by the mechanical piano s operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction. N° de réf. du libraire AA69781472439987

A propos du livre :

Synopsis : In her study of music-making in the Edwardian novel, Cecilia BjA rkA(c)n-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, BjA rkA(c)n-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E. M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.

A propos de l'auteur: Cecilia BjA rkA(c)n-Nyberg is Senior Lecturer in English at Halmstad University, Sweden.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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