Radical Poetics and Secular Jewish Culture (Hardback)

Edité par The University of Alabama Press, 2009
ISBN 10: 0817316752 / ISBN 13: 9780817316754
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Language: English . Brand New Book. Kafka s quip - paradoxical, self-questioning, ironic - highlights vividly some of the key issues of identity and self - representation for Jewish writers in the 20th century. No group of writers better represents the problems of Jewish identity than Jewish poets writing in the American modernist tradition - specifically secular Jews: those disdainful or suspicious of organized religion, yet forever shaped by those traditions. This collection of essays is the first to address this often obscured dimension of modern and contemporary poetry: the secular Jewish dimension. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as secular , and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. These poets and critics address these questions by exploring the legacy of those poets who preceded and influenced them - Stein, Zukofsky, Reznikoff, Oppen, and Ginsberg, among others. While there is no easy answer for these writers about what it means to be a Jew, in their responses there is a rich sense of how being Jewish reflects on their aesthetics and practices as poets, and how the tradition of the avant - garde informs their identities as Jews. Fragmented identities, irony, skepticism, a sense of self as other or outsider , distrust of the literal, and belief in a tradition that questions rather than answers - these are some of the qualities these poets see as common to themselves, the poetry they make, and the tradition they work within. N° de réf. du libraire

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Synopsis : 'What have I in common with Jews? I hardly have anything in common with myself!' --Franz Kafka Kafka's quip--paradoxical, self-questioning, ironic--highlights vividly some of the key issues of identity and self-representation for Jewish writers in the 20th century. No group of writers better represents the problems of Jewish identity than Jewish poets writing in the American modernist tradition--specifically secular Jews: those disdainful or suspicious of organized religion, yet forever shaped by those traditions. This collection of essays is the first to address this often obscured dimension of modern and contemporary poetry: the secular Jewish dimension. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as 'secular,' and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. These poets and critics address these questions by exploring the legacy of those poets who preceded and influenced them--Stein, Zukofsky, Reznikoff, Oppen, and Ginsberg, among others. While there is no easy answer for these writers about what it means to be a Jew, in their responses there is a rich sense of how being Jewish reflects on their aesthetics and practices as poets, and how the tradition of the avant-garde informs their identities as Jews. Fragmented identities, irony, skepticism, a sense of self as 'other' or 'outsider,' distrust of the literal, and belief in a tradition that questions rather than answers--these are some of the qualities these poets see as common to themselves, the poetry they make, and the tradition they work within.

Critique:

"Some of the key issues for Jewish writers in the 20th century are those of identity and self-representation. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as 'secular, ' and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. While there is no easy answer for these writers about what it means to be a Jew, in their responses there is a rich sense of how being Jewish reflects on their aesthetics and practices as poets, and how the tradition of the avant-garde informs their identities as Jews. Fragmented identities, irony, skepticism, a sense of self as 'other' or 'outsider, ' distrust of the literal, and belief in a tradition that questions rather than answers are some of the qualities these poets see as common to themselves, the poetry they make, and the tradition they work within."--"Shofar"

Normal 0 false false false MicrosoftInternetExplorer4 "Some of the key issues for Jewish writers in the 20th century are those of identity and self-representation. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as 'secular, ' and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. While there is no easy answer for these writers about what it means to be a Jew, in their responses there is a rich sense of how being Jewish reflects on their aesthetics and practices as poets, and how the tradition of the avant-garde informs their identities as Jews. Fragmented identities, irony, skepticism, a sense of self as 'other' or 'outsider, ' distrust of the literal, and belief in a tradition that questions rather than answers are some of the qualities these poets see as common to themselves, the poetry they make, and the tradition they work within."--"Shofar"

Normal0falsefalsefalseMicrosoftInternetExplorer4 Some of the key issues for Jewish writers in the 20th century are those of identity and self-representation. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as secular, and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. While there is no easy answer for these writers about what it means to be a Jew, in their responses there is a rich sense of how being Jewish reflects on their aesthetics and practices as poets, and how the tradition of the avant-garde informs their identities as Jews. Fragmented identities, irony, skepticism, a sense of self as other or outsider, distrust of the literal, and belief in a tradition that questions rather than answers are some of the qualities these poets see as common to themselves, the poetry they make, and the tradition they work within. --"Shofar""

Some of the key issues for Jewish writers in the 20th century are those of identity and self-representation. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as secular, and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. While there is no easy answer for these writers about what it means to be a Jew, in their responses there is a rich sense of how being Jewish reflects on their aesthetics and practices as poets, and how the tradition of the avant-garde informs their identities as Jews. Fragmented identities, irony, skepticism, a sense of self as other or outsider, distrust of the literal, and belief in a tradition that questions rather than answers are some of the qualities these poets see as common to themselves, the poetry they make, and the tradition they work within. --"Shofar""

Some of the key issues for Jewish writers in the 20th century are those of identity and self-representation. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as secular, and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. While there is no easy answer for these writers about what it means to be a Jew, in their responses there is a rich sense of how being Jewish reflects on their aesthetics and practices as poets, and how the tradition of the avant-garde informs their identities as Jews. Fragmented identities, irony, skepticism, a sense of self as other or outsider, distrust of the literal, and belief in a tradition that questions rather than answers are some of the qualities these poets see as common to themselves, the poetry they make, and the tradition they work within. --Shofar"

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Détails bibliographiques

Titre : Radical Poetics and Secular Jewish Culture (...
Éditeur : The University of Alabama Press
Date d'édition : 2009
Reliure : Hardback
Etat du livre : New

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Edité par University Alabama Press 2009-11-15 (2009)
ISBN 10 : 0817316752 ISBN 13 : 9780817316754
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Editor-Stephen Paul Miller; Editor-Daniel Morris; Contributor-Professor Hank Lazer; Contributor-Charlie Bertsch; Contributor-Benjamin Friedlander; Contributor-Marjorie Perloff; Contributor-Paul Auster; Contributor-Charles Bernstein; Contributor-Maria Damon; Contributor-Michael Heller; Contributor-Norman Finkelstein; Contributor-Robert Perelman; Contributor-Dr. Rachel Blau DuPlessis; Contributor-Jerome Rothenberg; Contributor-Joshua Schuster; Contributor-Eric Murphy Selinger; Contributor-Alicia Ostriker; Contributor-Ranen Omer-Sherman; Contributor-Amy Feinstein; Contributor-Thomas Fink; Contributor-Kathryn Hellerstein; Contributor-Adeena Karasick
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Description du livre The University of Alabama Press, United States, 2009. Hardback. État : New. 229 x 152 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Kafka s quip - paradoxical, self-questioning, ironic - highlights vividly some of the key issues of identity and self - representation for Jewish writers in the 20th century. No group of writers better represents the problems of Jewish identity than Jewish poets writing in the American modernist tradition - specifically secular Jews: those disdainful or suspicious of organized religion, yet forever shaped by those traditions. This collection of essays is the first to address this often obscured dimension of modern and contemporary poetry: the secular Jewish dimension. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as secular , and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. These poets and critics address these questions by exploring the legacy of those poets who preceded and influenced them - Stein, Zukofsky, Reznikoff, Oppen, and Ginsberg, among others.While there is no easy answer for these writers about what it means to be a Jew, in their responses there is a rich sense of how being Jewish reflects on their aesthetics and practices as poets, and how the tradition of the avant - garde informs their identities as Jews. Fragmented identities, irony, skepticism, a sense of self as other or outsider , distrust of the literal, and belief in a tradition that questions rather than answers - these are some of the qualities these poets see as common to themselves, the poetry they make, and the tradition they work within. N° de réf. du libraire BTE9780817316754

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Description du livre 2009. Hardcover. État : New. 2nd. 152mm x 36mm x 229mm. Hardcover. Kafka's quip - paradoxical, self-questioning, ironic - highlights vividly some of the key issues of identity and self - representation for Jewish writers in the 20th century. .Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 552 pages. 0.862. N° de réf. du libraire 9780817316754

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Stephen Paul Miller (Editor), Daniel Morris (Editor), Professor Hank Lazer (Contributor), Charlie Bertsch (Contributor), Benjamin Friedlander (Contributor), Marjorie Perloff (Contributor), Paul Auster (Contributor), Charles Bernstein (Contributor), Maria
Edité par University Alabama Press (2009)
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