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Realism in the Age of Impressionism: Painting and the Politics of Time (Hardback)

Marnin Young

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ISBN 10: 0300208324 / ISBN 13: 9780300208320
Edité par Yale University Press, United States, 2015
Neuf(s) Etat : New Couverture rigide
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A propos de cet article

Language: English . Brand New Book. The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Francois Raffaelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young s highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art. N° de réf. du libraire AAH9780300208320

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Détails bibliographiques

Titre : Realism in the Age of Impressionism: ...

Éditeur : Yale University Press, United States

Date d'édition : 2015

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young’s highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art. 

Book Description:

This illuminating volume offers the first critical examination of the later Realist painters, who advocated slowness in practice, subject matter, and beholding that opposed the hallmarks of Impressionism and the measured time of modernity.

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