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La Reine Margot: French Film Guide (Hardback)

Julianne Pudduck

Edité par I.B.Tauris Co Ltd, United Kingdom, 2005
ISBN 10: 1845112156 / ISBN 13: 9781845112158
Neuf(s) / Hardback / Quantité : 10
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Titre : La Reine Margot: French Film Guide (Hardback...

Éditeur : I.B.Tauris Co Ltd, United Kingdom

Date d'édition : 2005

Reliure : Hardback

Etat du livre : New

Description :

Language: N/A. Brand New Book. Patrice Chereau s 1994 film La Reine Margot paints a vivid canvas of political intolerance and intrigue framed as a romance between Marguerite de Valois (Isabelle Adjani) and her Protestant lover La Mole (Vincent Perez). The film is based on Alexandre Dumas historical novel and is renowned for its eroticised and violent depiction of the French national past, especially the treatment of the 1572 St Bartholomew s Day massacre of French Protestants. Julianne Pidduck examines the industrial, social and political contexts of the film s production as part of an influential recent cycle of French historical super-productions , including Cyrano de Bergerac and The Horseman on the Roof . Conceived as a cinematic event film featuring the elusive star Isabelle Adjani, Margot presents a theatrical chiaroscuro Renaissance past. Pidduck goes deep into this prestigious costume film and traces the wide critical acclaim it has received, both nationally and internationally. She also reveals how Margot s cinematic spectacle of Renaissance religious intolerance offers a haunting allegory French and European experience. N° de réf. du libraire AA79781845112158

A propos du livre :

Book ratings provided by GoodReads) :
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Synopsis : Patrice Chereau's 1994 film "La Reine Margot" paints a vivid canvas of political intolerance and intrigue framed as a romance between Marguerite de Valois (Isabelle Adjani) and her Protestant lover La Mole (Vincent Perez). The film is based on Alexandre Dumas' historical novel and is renowned for its eroticised and violent depiction of the French national past, especially the treatment of the 1572 St Bartholomew's Day massacre of French Protestants. Julianne Pidduck examines the industrial, social and political contexts of the film's production as part of an influential recent cycle of French historical 'super-productions', including "Cyrano de Bergerac" and "The Horseman on the Roof". Conceived as a cinematic 'event ' film featuring the elusive star Isabelle Adjani, "Margot" presents a theatrical chiaroscuro Renaissance past. Pidduck goes deep into this prestigious costume film and traces the wide critical acclaim it has received, both nationally and internationally. She also reveals how "Margot's" cinematic spectacle of Renaissance religious intolerance offers a haunting allegory French and European experience.

Critique: SPLICEThe Cine-Files books assiduously shepard the reader through the text, cross-referencing each observation with earlier remarks and Pidduck leavens her discussion with nicely deployed costume detail...and an attention to the extreme physicality of Chereau's film.' Richard Armstrong

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