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Resisting Alienation: The Literary Work of Enrique Lihn (Hardback)

Christopher Travis

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ISBN 10: 1611482771 / ISBN 13: 9781611482775
Edité par Bucknell University Press, United States, 2007
Neuf(s) Etat : New Hardback
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A propos de cet article

Language: English . Brand New Book. Enrique Lihn (1929-1988), winner of the Premio Casa de las Americas (Poesia de paso, 1966), was one of Chile s most significant creative minds of the twentieth century. Surprising his predecessors, inspiring his contemporaries, and always venerated by younger inheritors of his legacy, he is as important to the Latin American literary community as Gabriela Mistral, Pablo Neruda, or Nicanor Parra. This book provides a detailed study of all major stages of his literary production, from his third book, La pieza oscura [The Dark Room] (1963) to his posthumous Diario de Muerte [Diary of Dying] (1989). A critical introduction provides an orientation to Lihn s work as related to the critical apparatus of Western Marxism and postmodern theory. An additional auxiliary section comes between chapters two and three, accommodating the vary significant change in historical period from the pre- to post-Pinochet eras, and further investigating Theodor Adorno s provocative questioning of whether art after Auschwitz can truly exist. N° de réf. du libraire ANB9781611482775

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Détails bibliographiques

Titre : Resisting Alienation: The Literary Work of ...

Éditeur : Bucknell University Press, United States

Date d'édition : 2007

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

Enrique Lihn (1929-1988), winner of the Premio Casa de las Americas (Poesia de paso, 1966), was one of Chile's most significant creative minds of the twentieth century. Surprising his predecessors, inspiring his contemporaries, and always venerated by younger inheritors of his legacy, he is as important to the Latin American literary community as Gabriela Mistral, Pablo Neruda, or Nicanor Parra. This book provides a detailed study of all major stages of his literary production, from his third book, La pieza oscura [The Dark Room] (1963) to his posthumous Diario de Muerte [Diary of Dying] (1989). A critical introduction provides an orientation to Lihn's work as related to the critical apparatus of Western Marxism and postmodern theory. An additional auxiliary section comes between chapters two and three, accommodating the vary significant change in historical period from the pre- to post-Pinochet eras, and further investigating Theodor Adorno's provocative questioning of whether "art after Auschwitz" can truly exist.

A propos de l'auteur:

Christopher M. Travis is professor of Spanish and Latin American literature at Elmhurst College.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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