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Return in Post-Colonial Writing: A Cultural Labyrinth (Paperback)

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ISBN 10: 9051836481 / ISBN 13: 9789051836486
Edité par Brill, Netherlands, 1994
Neuf(s) Etat : New Couverture souple
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A propos de cet article

Language: English . Brand New Book. For writers and academics prominent in the field of the New Literatures in English today, the notion of return explodes into rich semantic difference to reveal the diversity of preoccupations underlying the use of the common tongue. From the Caribbean to Australia, Guyana to South Africa, India to Great Britain, literary, political and personal history collaborate in the poetic metamorphosis of an otherwise everyday experience. Now a state of being, now a reading rich with cross-cultural age, return draws from the collective memory, invokes revenants, digs up forgotten history, quests for roots. Just as it creates a dialogue with the past, textual or real, it negotiates turning points and perpetuates reversals. It reclaims territory, tradition and language in its yearning for home. Fraught with the tensions arising from awareness of the impossibility of return, from the exhilarations of imaginary, fictional return - even from the glimmering hope of a possible return - its contemplation can also lead to appreciation of the infinite re-turn, re-newal and re-creation that is the beauty of human experience.Discussion ranges from revenant supernaturalism in West Indian literature and the exploration of return in Australian, African and Indo-Anglian fiction to Caribbean poetry, South African praise poets, and West African drama. Writers treated include Ama Ata Aidoo, Edward Kamau Brathwaite, Jean D Costa, Bessie Head, Matsemela Manaka, Salman Rushdie, Derek Walcott, and Patrick White. The personal, biographical dimension of physical return is encompassed via the examination of the life and works of such writers as Es kia Mphahlele and Wole Soyinka, and through autobiographical reflections. The essays, stories and poetry in this collection challenge patterns of conditioned reading and call for a multilayered polylogue with reality. N° de réf. du libraire AAN9789051836486

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Détails bibliographiques

Titre : Return in Post-Colonial Writing: A Cultural ...

Éditeur : Brill, Netherlands

Date d'édition : 1994

Reliure : Paperback

Etat du livre :New

A propos de ce titre

Synopsis :

For writers and academics prominent in the field of the New Literatures in English today, the notion of "return" explodes into rich semantic difference to reveal the diversity of preoccupations underlying the use of the "common" tongue. From the Caribbean to Australia, Guyana to South Africa, India to Great Britain, literary, political and personal history collaborate in the poetic metamorphosis of an otherwise everyday experience. Now "a state of being," now a reading "rich with cross-cultural age," return draws from the collective memory, invokes revenants, digs up forgotten history, quests for roots. Just as it creates a dialogue with the past, textual or "real," it negotiates turning points and perpetuates reversals. It reclaims territory, tradition and language in its yearning for "home". Fraught with the tensions arising from awareness of the impossibility of return, from the exhilarations of imaginary, fictional return - even from the glimmering hope of a possible return - its contemplation can also lead to appreciation of the infinite re-turn, re-newal and re-creation that is the beauty of human experience. Discussion ranges from "revenant" supernaturalism in West Indian literature and the exploration of "return" in Australian, African and Indo-Anglian fiction to Caribbean poetry, South African praise poets, and West African drama. Writers treated include Ama Ata Aidoo, Edward Kamau Brathwaite, Jean D'Costa, Bessie Head, Matsemela Manaka, Salman Rushdie, Derek Walcott, and Patrick White. The personal, biographical dimension of physical return is encompassed via the examination of the life and works of such writers as Es'kia Mphahlele and Wole Soyinka, and through autobiographical reflections. The essays, stories and poetry in this collection challenge patterns of "conditioned" reading and call for a multilayered polylogue with reality.

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