Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (Hardback)

W.Anthony Sheppard

Edité par University of California Press, 2001
ISBN 10: 0520223020 / ISBN 13: 9780520223028
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Language: English . Brand New Book. W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the exotic in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of total theater. Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig - also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship.For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance. N° de réf. du libraire

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Synopsis : Book by Sheppard W Anthony

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Titre : Revealing Masks: Exotic Influences and ...
Éditeur : University of California Press
Date d'édition : 2001
Reliure : Hardback
Etat du livre : New

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W. Anthony Sheppard
Edité par University of California Press, Berkeley (2001)
ISBN 10 : 0520223020 ISBN 13 : 9780520223028
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Description du livre University of California Press, Berkeley, 2001. Hardcover. Etat : Very Good. Ex-library from a university library with the usual stampings and markings. Library labels affixed to exterior cloth. Very slight rubbing and edgewear to boards and spine. Interior is clean, and binding is firm and straight. No dust-jacket. N° de réf. du vendeur PASTPAGE090767I

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W. Anthony Sheppard
Edité par University of California Press (2001)
ISBN 10 : 0520223020 ISBN 13 : 9780520223028
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Description du livre University of California Press, 2001. Hardcover. Etat : Used: Good. N° de réf. du vendeur SONG0520223020

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W. Anthony Sheppard
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Description du livre University of California Press, 2001. Etat : Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. N° de réf. du vendeur 0520223020-2-4

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Description du livre University of California Press, 2001. Hardcover. Etat : New. book. N° de réf. du vendeur M0520223020

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W Anthony Sheppard
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Description du livre University of California Press, 2001. English Text. Berkeley, 2001; clothbound, pp. 352, b/w ill. N° de réf. du vendeur 3301548

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Sheppard, W. Anthony
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Description du livre University of California Press, 2001. HRD. Etat : New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur IP-9780520223028

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Sheppard, W. Anthony
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William Anthony Sheppard
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Description du livre University of California Press, United States, 2001. Hardback. Etat : New. Language: English . Brand New Book. W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the exotic in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of total theater. Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig - also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance. N° de réf. du vendeur LIO9780520223028

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William Anthony Sheppard
Edité par University of California Press, United States (2001)
ISBN 10 : 0520223020 ISBN 13 : 9780520223028
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Description du livre University of California Press, United States, 2001. Hardback. Etat : New. Language: English . Brand New Book. W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the exotic in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of total theater. Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig - also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance. N° de réf. du vendeur LIO9780520223028

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