Rhythms of the Afro-Atlantic World: Rituals and Remembrances (Hardback)

Edité par The University of Michigan Press, 2010
ISBN 10: 0472070967 / ISBN 13: 9780472070961
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Language: English . Brand New Book. These are collected essays exploring the origins and evolution of music and dance in Afro-Atlantic culture. Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic people have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic - Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others - highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms - their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. N° de réf. du libraire

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Synopsis :

"Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering.  With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic."
---Joseph Roach, Sterling Professor of Theater, Yale University

"As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors."
---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul Aesthetic

Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures.

Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place.

Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University.

Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University.

Jacket photograph by Elias Irizarry

About the Author: Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University. Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University.

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Détails bibliographiques

Titre : Rhythms of the Afro-Atlantic World: Rituals ...
Éditeur : The University of Michigan Press
Date d'édition : 2010
Reliure : Hardback
Etat du livre : New

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Nwankwo, Ifeoma C.K. [Editor]; Diouf, Mamadou [Editor];
Edité par University of Michigan Press (2010)
ISBN 10 : 0472070967 ISBN 13 : 9780472070961
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Description du livre University of Michigan Press, 2010. Hardcover. État : Used: Good. The pages of this book are clean and unmarked, other than a large mark on the copyright page that does not affect its readability. No dust jacket and the first end page is missing. There is very little shelf wear. A good solid copy. FAST SHIPPING & FREE TRACKING!. N° de réf. du libraire 155064

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Nwankwo, Ifeoma C.K. & Mamadou Diouf
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Description du livre University of Michigan Press, 2010. Hardcover. État : Very Good+. Etat de la jaquette : Very Good. Text clean and tight; 9.10 X 6.10 X 0.40 inches; 298 pages. N° de réf. du libraire 175424

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Editor-Ifeoma C.K. Nwankwo; Editor-Mamadou Diouf
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Description du livre The University of Michigan Press, United States, 2010. Hardback. État : New. Language: English . Brand New Book. These are collected essays exploring the origins and evolution of music and dance in Afro-Atlantic culture. Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic people have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic - Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others - highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world.The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms - their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. N° de réf. du libraire AAN9780472070961

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Edité par The University of Michigan Press, United States (2010)
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Description du livre The University of Michigan Press, United States, 2010. Hardback. État : New. Language: English . Brand New Book. These are collected essays exploring the origins and evolution of music and dance in Afro-Atlantic culture. Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic people have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic - Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others - highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms - their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. N° de réf. du libraire AAN9780472070961

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