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Richard Phillips: Negation of the Universe (Hardback)

Marcus Steinweg

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ISBN 10: 0847843904 / ISBN 13: 9780847843909
Edité par Rizzoli International Publications, United States, 2014
Neuf(s) Etat : New Couverture rigide
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A propos de cet article

Language: English . Brand New Book. The first monograph on New York-based contemporary artist Richard Phillips, best known for his large-scale paintings that are ultra-cool in execution and very hot in effect. Richard Phillips s hyper realistic oil paintings embody themes as broad as power, politics, celebrity, fashion, ideology, beauty, and sex, and pose questions about the status of painting today: Does the medium remain valid, or has it become a historical pastime? Pornography, propaganda, advertising, entertainment, fashion-Phillips incorporates material from a range of sources to confront what is at the core of contemporary image making, from the power of celebrity branding to complicity between viewer and viewed. The book s exploitative design strategy celebrates the commercial and fashion alliances of the artist s practice, while revealing the complex politics behind the imagery the artist chooses to paint. N° de réf. du libraire AAJ9780847843909

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Détails bibliographiques

Titre : Richard Phillips: Negation of the Universe (...

Éditeur : Rizzoli International Publications, United States

Date d'édition : 2014

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

The first monograph on New York–based contemporary artist Richard Phillips, best known for his large-scale paintings that are ultracool in execution and very hot in effect. Richard Phillips’s hyperrealistic oil paintings embody themes as broad as power, politics, celebrity, fashion, ideology, beauty, and sex, and pose questions about the status of painting today: Does the medium remain valid, or has it become a historical pastime? Pornography, propaganda, advertising, entertainment, fashion—Phillips incorporates material from a range of sources to confront what is at the core of contemporary image making, from the power of celebrity branding to complicity between viewer and viewed. The book’s exploitative design strategy celebrates the commercial and fashion alliances of the artist’s practice, while revealing the complex politics behind the imagery the artist chooses to paint.

About the Author:

Richard Phillips exhibits his work internationally. He is represented in the Museum of Modern Art and the Whitney Museum of American Art in New York; the Museum of Contemporary Art, Miami; Tate Modern, London; and the Van Abbemuseum, Eindhoven, The Netherlands. Marcus Steinweg is a professor at the Hochschule für Bildende Künste Braunschweig. Beatrix Ruf is director of the Kunsthalle Zurich.

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