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The Rise of Robert Dodsley. Creating the New Age of Print

Solomon, Harry M

Edité par Southern Illinois University Press, Carbondale and Edwardsville, 1996
ISBN 10: 080931651X / ISBN 13: 9780809316519
Ancien(s) ou d'occasion / Red hardback cloth cover / Quantité : 1
Vendeur Barter Books Ltd (Alnwick, NORTH, Royaume-Uni)
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Titre : The Rise of Robert Dodsley. Creating the New...

Éditeur : Southern Illinois University Press, Carbondale and Edwardsville

Date d'édition : 1996

Reliure : Red hardback cloth cover

Etat du livre : VG : in very good condition

Etat de la jaquette : Dust Jacket Included

Edition : First Edition.

Description :

339pp. With dust jacket. N° de réf. du libraire bgd391

A propos du livre :

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Synopsis :

Robert Dodsley (1703-1764) started life humbly for a man destined to become his century's premier bookseller and publisher. He began as an apprentice weaver and developed into a poet and playwright. He served as protege, publisher, or patron of Pope, Johnson, Fielding, Richardson, Voltaire, Rousseau, Lady Mary Wortley Montagu, Edward Young, Joseph and Thomas Warton, Thomas Gray, Horace Walpole, David Garrick, Tobias Smollett, Oliver Goldsmith, Laurence Sterne, Thomas Percy, Edmund Burke, and others. Virtually all significant mid-century English writers had some connection with Dodsley or with Tully's Head, the bookshop Alexander Pope helped the young Dodsley initiate. Tully's Head, in fact, evolved into the center for the "Athenian Nights" memorialized by Dodsley's friend Samuel Johnson.

Harry M. Solomon is the first scholar to integrate recent research by Elizabeth Eisenstein and Alvin Kernin on the impact of print--including print's impact on political activism and canon formation--into the study of an individual bookseller. Dodsley, he notes, presided over a period of transition: as Edmund Moore observed in a 1753 issue of Dodsley's periodical "The World, "the old patronage of learning by "the GREAT" has been superseded by "the new patrons, the BOOKSELLERS." Solomon takes this transformation seriously, treating Dodsley as much more than the stereotypical bookseller unimaginatively reacting to the marketplace.

Formerly controlled by patronage and state censorship, the world of letters had been shaped by an oral, aristocratic, amateur, authoritarian, and court-centered tradition. Solomon shows Dodsley at the center of the change to a new democratic world of letters, a world driven by print technology and market demand. As the bookseller who played a pivotal role in the careers of both Pope and Johnson, Dodsley published the works of the last genius of the old aristocratic order (Pope) and of the first genius of the new age of print (Johnson).

Solomon documents Dodsley's ingenious articulation of his financial interests in newspapers, journals, and book publishing, proving that contrary to the traditional view of booksellers, Dodsley was no insignificant tradesman accidentally associated with genius. Solomon presents Dodsley, in fact, as the most influential English literary force during his lifetime. Chronicling Dodsley's close involvement first with the couplet masterpieces of Pope and Johnson and later with the ambitious odes of Thomas Gray and the Wartons, Solomon argues that Dodsley's enterprises were the impetus for a conscious shift from the Augustan to the Romantic era--a shift that mirrors precisely the development of Dodsley's own plays and poems.

Synopsis: This is the story of Robert Dodsley (1703-1764) who started life as an apprentice weaver, developed into a poet and playwright, and became his century's premier bookseller and publisher. He served as a protege, publisher, or patron of Pope, Johnson, Fielding, Richardson, and many others.

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Libraire : Barter Books Ltd
Adresse : Alnwick, NORTH, Royaume-Uni

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Description de la librairie : Since its opening in 1991 within the premises of a small model factory at Alnwick Station, Barter Books has grown well beyond original expectations. Starting off in what was the ticket and parcel office of the original Station, the bookshop has expanded down the platforms and through the waiting rooms, until it now covers over one-quarter of the whole Station site. This translates into an area exceeding 8000 square feet and containing over 350,000 books on more than three miles of shelving. Now houses the Famous Writers Mural - 40 feet long by 18 feet high. The bookshop also sells secondhand DVDs, videos and music (CDs, LPs, cassettes, sheet music), as well as a small but growing section of artists' prints. And then there are the shop's many extra features! These include an open fire in the winter, coffee and cookies, a model railway running above the book columns, a mini-cybercafe, generous seating and browsing areas, a children's room, and dozens of glass cases containing many of the more interesting antiquarian books. A final note: during the enlargement process the owners took (and are taking!) particular pleasure in restoring, as they can, various features of the Station. This so far includes the original North Eastern Railway cast iron fireplaces, two of the Station clocks, a drinking fountain, and various waiting rooms. Most dramatic of all, however, was the restoration of part of the glass roof. That was when we all stood about watching as the sun came streaming in for the first time in many years to bring the wonderful old Station visually back to life. The very latest addition has been a forty foot mural celebrating the names of those who worked at Alnwick Station in its railway days - over 400 names plus the coats of arms of the three railway companies involved.