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Robert Smithson and the American Landscape (Hardback)

Ron Graziani

Edité par CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2004
ISBN 10: 0521827558 / ISBN 13: 9780521827553
Neuf(s) / Hardback / Quantité : 10
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Titre : Robert Smithson and the American Landscape (...

Éditeur : CAMBRIDGE UNIVERSITY PRESS, United Kingdom

Date d'édition : 2004

Reliure : Hardback

Etat du livre : New

Edition : New..

Description :

Language: English . Brand New Book. Robert Smithson and the American Landscape is a social history of the artist s earthworks and their critical reception. Providing a close analysis of Smithson s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson s earthworks formed part of what was called the new conservationism in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy. N° de réf. du libraire AAC9780521827553

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Synopsis : Robert Smithson and the American Landscape is a social history of the artist's earthworks and their critical reception. Providing a close analysis of Smithson's own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson's humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson's earthworks formed part of what was called the 'new conservationism' in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.

Description du livre: Robert Smithson and the American Landscape is a social history of the artist's earthworks and their critical reception. Providing a close analysis of Smithson's own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s.

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