Stages of Dismemberment: The Fragmented Body in Late Medieval and Early Modern Drama (Hardback)

Margaret E. Owens

Edité par University of Delaware Press, 2005
ISBN 10: 1611492645 / ISBN 13: 9781611492644
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Language: English . Brand New Book. With a focus on visual representations of beheading, dismemberment, and mutilation in medieval and early modern drama, this study traces the impact of the Reformation on the semiotics of the body. What emerges from this exploration of violent spectacle is a sense of the complex and powerful ways in which the legacy of the pre-Reformation religious drama informed the professional drama of the late sixteenth and seventeenth centuries. This study considers a broad range of plays dating from the fifteenth century to the closing of the theaters in 1642; however, separate chapters are devoted to extensive analysis of Apius and Virginia, 2 Henry VI, and Doctor Faustus. While this book participates in the attentiveness to violent spectacle that has dominated post-Foucauldian literary and cultural studies, the goal is to move beyond Foucauldian commonplaces, not only by paying close attention to cultural and theatrical contexts but also by drawing upon psychoanalytic models of recursive temporality, especially the concepts of traumatic repetition, the work of mourning, and the uncanny return of the repressed. N° de réf. du libraire

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Synopsis : With a focus on visual representations of beheading, dismemberment, and mutilation in medieval and early modern drama, this study traces the impact of the Reformation on the semiotics of the body. What emerges from this exploration of violent spectacle is a sense of the complex and powerful ways in which the legacy of the pre-Reformation religious drama informed the professional drama of the late sixteenth and seventeenth centuries. This study considers a broad range of plays dating from the fifteenth century to the closing of the theaters in 1642; however, separate chapters are devoted to extensive analysis of Apius and Virginia, 2 Henry VI, and Doctor Faustus. While this book participates in the attentiveness to violent spectacle that has dominated post-Foucauldian literary and cultural studies, the goal is to move beyond Foucauldian commonplaces, not only by paying close attention to cultural and theatrical contexts but also by drawing upon psychoanalytic models of recursive temporality, especially the concepts of traumatic repetition, the work of mourning, and the uncanny return of the repressed.

A propos de l'auteur: Margaret Owens teaches early modern literature at McMaster University.

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Détails bibliographiques

Titre : Stages of Dismemberment: The Fragmented Body...
Éditeur : University of Delaware Press
Date d'édition : 2005
Reliure : Hardback
Etat du livre : New

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ISBN 10 : 1611492645 ISBN 13 : 9781611492644
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OWENS, MARGARET E.
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Margaret E. Owens
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Description du livre University of Delaware Press, 2005. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire CW-9781611492644

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Margaret E. Owens
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Description du livre University of Delaware Press, United States, 2005. Hardback. État : New. 246 x 165 mm. Language: English . Brand New Book. With a focus on visual representations of beheading, dismemberment, and mutilation in medieval and early modern drama, this study traces the impact of the Reformation on the semiotics of the body. What emerges from this exploration of violent spectacle is a sense of the complex and powerful ways in which the legacy of the pre-Reformation religious drama informed the professional drama of the late sixteenth and seventeenth centuries. This study considers a broad range of plays dating from the fifteenth century to the closing of the theaters in 1642; however, separate chapters are devoted to extensive analysis of Apius and Virginia, 2 Henry VI, and Doctor Faustus. While this book participates in the attentiveness to violent spectacle that has dominated post-Foucauldian literary and cultural studies, the goal is to move beyond Foucauldian commonplaces, not only by paying close attention to cultural and theatrical contexts but also by drawing upon psychoanalytic models of recursive temporality, especially the concepts of traumatic repetition, the work of mourning, and the uncanny return of the repressed. N° de réf. du libraire ANB9781611492644

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Margaret E. Owens
Edité par University of Delaware Press, United States (2005)
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Description du livre University of Delaware Press, United States, 2005. Hardback. État : New. 246 x 165 mm. Language: English . Brand New Book. With a focus on visual representations of beheading, dismemberment, and mutilation in medieval and early modern drama, this study traces the impact of the Reformation on the semiotics of the body. What emerges from this exploration of violent spectacle is a sense of the complex and powerful ways in which the legacy of the pre-Reformation religious drama informed the professional drama of the late sixteenth and seventeenth centuries. This study considers a broad range of plays dating from the fifteenth century to the closing of the theaters in 1642; however, separate chapters are devoted to extensive analysis of Apius and Virginia, 2 Henry VI, and Doctor Faustus. While this book participates in the attentiveness to violent spectacle that has dominated post-Foucauldian literary and cultural studies, the goal is to move beyond Foucauldian commonplaces, not only by paying close attention to cultural and theatrical contexts but also by drawing upon psychoanalytic models of recursive temporality, especially the concepts of traumatic repetition, the work of mourning, and the uncanny return of the repressed. N° de réf. du libraire ANB9781611492644

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Description du livre University of Delaware Press. Hardback. État : new. BRAND NEW, Stages of Dismemberment: The Fragmented Body in Late Medieval and Early Modern Drama, Margaret E. Owens, With a focus on visual representations of beheading, dismemberment, and mutilation in medieval and early modern drama, this study traces the impact of the Reformation on the semiotics of the body. What emerges from this exploration of violent spectacle is a sense of the complex and powerful ways in which the legacy of the pre-Reformation religious drama informed the professional drama of the late sixteenth and seventeenth centuries. This study considers a broad range of plays dating from the fifteenth century to the closing of the theaters in 1642; however, separate chapters are devoted to extensive analysis of Apius and Virginia, 2 Henry VI, and Doctor Faustus. While this book participates in the attentiveness to violent spectacle that has dominated post-Foucauldian literary and cultural studies, the goal is to move beyond Foucauldian commonplaces, not only by paying close attention to cultural and theatrical contexts but also by drawing upon psychoanalytic models of recursive temporality, especially the concepts of traumatic repetition, the work of mourning, and the uncanny return of the repressed. N° de réf. du libraire B9781611492644

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Owens, Margare t. E.
Edité par University of Delaware Press (2005)
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Description du livre University of Delaware Press, 2005. État : New. This study considers a broad range of plays dating from the fifteenth century to the closing of the theaters in 1642; however, seperate chapters are devoted to extensive analysis ofApius and Virginia,2 Henry VI, andDoctor Faustus. Num Pages: 332 pages. BIC Classification: DSR. Category: (G) General (US: Trade). Dimension: 244 x 167 x 24. Weight in Grams: 658. . 2005. Hardcover. . . . . . N° de réf. du libraire V9781611492644

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Description du livre Univ of Delaware Pr, 2005. Hardcover. État : Brand New. 332 pages. 9.50x6.50x1.50 inches. In Stock. N° de réf. du libraire __1611492645

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