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The Starlite Drive-In

Reynolds, Marjorie

Edité par Morrow, 1997
ISBN 10: 0688153895 / ISBN 13: 9780688153892
Ancien(s) ou d'occasion / Hardcover / Quantité : 1
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Détails bibliographiques

Titre : The Starlite Drive-In

Éditeur : Morrow

Date d'édition : 1997

Reliure : Hardcover

Etat du livre : Fine

Etat de la jaquette : Fine

Signé : Signed by Author

Edition : 1st Edition.

Description :

First Edition (first printing). The first novel by the author of THE CIVIL WARS OF JONAH MORAN, the story of a decades-old mystery which begins with the disccovery of human bones at the site of the old drive-in. Fine/Fine. Signed by Reynolds on the title page. N° de réf. du libraire 1952

A propos du livre :

Book ratings provided by GoodReads) :
3,79 note moyenne
(400 avis)

Synopsis : When land developers uncover human bones at the site of an old drive-in, Callie Anne Benton realizes that she alone knows the identity of the victim who was murdered thirty-six years ago.

In The Starlite Drive-in Callie Anne recalls the tumultuous summer of 1956. She is nearly thirteen and stuck at home with her parents. Her father is an angry, bitter man and her mother is an agoraphobic who hasn't left the house in five years. When a drifter named Charlie Memphis comes to work at the drive-in, everyone's life changes. Callie Anne witnesses the development of an intense relationship between her mother, Teal, and Charlie, who eventually cajoles Teal out of the house but not far enough away to protect her from her ill-tempered husband. A disastrous turn of events eventually leads the grown-up Callie Anne to unlock the secret of the decades-old mystery.

Note de l'auteur:
It's unlikely I would have ever written a novel if I hadn't lost my job in the early 1990s. I was Cineplex Odeon's advertising director for the Northwest region, and life was good. Then, they shut down the entire Seattle office, and I was suddenly out of a job. I hated getting up each morning to look for a new one, so I decided to write a novel instead. I had a degree in journalism. After college, I'd worked for daily newspapers in Indiana, Iowa, California and Washington, and I was a big reader. How hard could writing a book be? I realize now how incredibly naive and cavalier I was. 

I shut myself in a room all day and wrote and wrote and wrote. It was the most fun I'd ever had and I was sure I'd written the great American novel, but when I sent it out, I couldn't find an agent or an editor to agree with me. In despair, I spent three days in bed, during which I got pretty sick of myself. Eventually, I got up to write another novel, but I approached this one differently. I took a fiction writing class, read books on the craft, analyzed authors' techniques in my favorite novels and attended the Pacific Northwest Writers Association conferences. And I took the advice that says write what you know. I knew the movie business (I'd worked in movie advertising for fifteen years), drive-in theaters and Indiana, where I'd grown up. Writing THE STARLITE DRIVE-IN was like opening a spigot. 

Shortly after finishing it, I acquired an agent and, a few months later, a major New York publisher, William Morrow & Co. I became the poster child for the next PNWA conference. 

  My life  changed dramatically. One good thing after another happened. Before it was on the shelves, it sold through its advance, was optioned for film and was chosen a Literary Guild alternate. A few months later, it was named a Barnes & Noble "Discover Great New Writers" book, sold to seven countries and received praise in The New York Times, Kirkus, Publishers Weekly, Booklist and numerous other newspapers and publications. It was as though I had stepped across a line: I was now a published writer and people treated me differently. They acted like I was a smarter, more interesting person I'd been just a few months before. 

There were several priceless moments along the way.  The first occurred after I'd sent my parents an advance copy of The Starlite Drive-in. My mother wrote me the following note.
"Dear Marjie,
It is a good book. If all the cussing and some of the sex were out of it, it would be a very good book. 
My mother passed away several years ago but I still have her framed note on my bookshelf.

The second occasion was when I received an invitation to attend a Literary Guild party in the New York Waldorf Astoria's Starlight Room, which coincidentally occurred on my birthday. It was one of those evenings when all the planets and moons moved into alignment. 

The third highlight took place when my agent and I visited the New York office of my paperback publisher, Berkley. When we introduced ourselves to an older woman who sat behind a desk in the reception area, she leapt from her chair and hugged me, saying she had read my novel and loved it. Considering all the novels that must have passed through her hands, I was as thrilled as she was.

The fourth highlight was the avalanche of notes and letters I received from readers. I had no idea people would care enough to write. Many told me about their nostalgic memories of childhood and drive-in theaters. Most of them suggested actors and actresses to play the novel's characters on the screen. I wrote back to as many readers as I could and thanked them.
HarperCollins, which now owns the rights to THE STARLITE DRIVE-IN, contacted me recently to inform me the book will be released in a new edition in late November. I feel as though it's been given a second life, and I hope an entirely new generation will enjoy it.  THE CIVIL WARS OF JONAH MORAN has been published on Kindle, so that's another thrill. And, I'm working on a new novel, IDEAL BEACH, set in 1950 in Indiana. Life is good again.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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