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Stroheim (Hardback)

Arthur Lennig

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ISBN 10: 0813121388 / ISBN 13: 9780813121383
Edité par The University Press of Kentucky, United States, 2000
Neuf(s) Etat : New Hardback
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A propos de cet article

Language: English . Brand New Book. Erich von Stroheim (1885-1957) was one of the true giants of American film history. For years, however his life has been wreathed in myths, many of his own devising. Lennig has scoured European and American archives for details concerning Stroheim s life, and counters several long accepted and oft-repeated claims. Stroheim s tales of military experience are almost completely fictitious; the von in his name was an affectation adopted at Ellis Island in 1909; he couldn t possibly have participated in the production of Birth of a Nation in 1914. Wherever Stroheim lived he was an outsider: a Jew in Vienna, an Austrian in Southern California, an American in France. Undoubtedly this contributed to an almost pathological need to embellish and obscure his past. Yet it also may have been the key to his genius both behind and in front of the camera. As an actor, Stroheim threw himself into his portrayals of evil men, relishing his epithet The Man You Love to Hate . As a director, he immersed himself in every facet of production, including script writing and costume design.In 1923 after submitting his masterpiece Greed , infamous for its eight hour running time, his obsession with detail finally cost him his directorial career. He returned to acting, saving some of his finest performances for La Grande Illusion (1937) and Billy Wilder s Sunset Boulevard (1950). N° de réf. du libraire AAN9780813121383

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Détails bibliographiques

Titre : Stroheim (Hardback)

Éditeur : The University Press of Kentucky, United States

Date d'édition : 2000

Reliure : Hardback

Etat du livre :New

Edition : New..

A propos de ce titre

Synopsis :

Erich von Stroheim (1885-1957) was one of the giants in American film history. Stubborn, arrogant, and colorful, he saw himself as a cinema artist, which led to conflicts with producers and studio executives who complained about the inflated budgets and extraordinary length of his films. Stroheim achieved great notoriety and success, but he was so uncompromising that he turned his triumph into failure. He was banned from ever directing again and spent his remaining years as an actor. Stroheim's life has been wreathed in myths, many of his own devising. Arthur Lennig scoured European and American archives for details concerning the life of the actor and director, and he counters several long-accepted claims. Stroheim's tales of military experience are almost completely fictitious; the ""von"" in his name was an affectation adopted at Ellis Island in 1909; and, counter to his own claim, he did not participate in the production of The Birth of a Nation in 1914. Wherever Stroheim lived, he was an outsider: a Jew in Vienna, an Austrian in southern California, an American in France. This contributed to an almost pathological need to embellish and obscure his past; yet, it also may have been the key to his genius both behind and in front of the camera. As an actor, Stroheim threw himself into his portrayals of evil men, relishing his epithet, ""The Man You Love to Hate."" As a director, he immersed himself in every facet of production, including script writing and costume design. In 1923 he created his masterpiece Greed , infamous for its eight-hour running time. Stroheim returned to acting, saving some of his finest performances for La Grande Illusion (1937) and Billy Wilder's Sunset Boulevard (1950), a role he hated, probably because it was too similar to the story of his own life.

Synopsis:

Erich von Stroheim (1885-1957) was one of the true giants of American film history. For years, however his life has been wreathed in myths, many of his own devising. Lennig has scoured European and American archives for details concerning Stroheim's life, and counters several long accepted and oft-repeated claims. Stroheim's tales of military experience are almost completely fictitious; the "von" in his name was an affectation adopted at Ellis Island in 1909; he couldn't possibly have participated in the production of "Birth of a Nation" in 1914. Wherever Stroheim lived he was an outsider: a Jew in Vienna, an Austrian in Southern California, an American in France. Undoubtedly this contributed to an almost pathological need to embellish and obscure his past. Yet it also may have been the key to his genius both behind and in front of the camera. As an actor, Stroheim threw himself into his portrayals of evil men, relishing his epithet "The Man You Love to Hate". As a director, he immersed himself in every facet of production, including script writing and costume design. In 1923 after submitting his masterpiece "Greed", infamous for its eight hour running time, his obsession with detail finally cost him his directorial career. He returned to acting, saving some of his finest performances for "La Grande Illusion" (1937) and Billy Wilder's "Sunset Boulevard" (1950).

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