The Structure and Performance of Euripides Helen (Hardback)

C. W. Marshall

Edité par CAMBRIDGE UNIVERSITY PRESS, 2014
ISBN 10: 1107073758 / ISBN 13: 9781107073753
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Language: English Brand New Book. Using Euripides play Helen as the main point of reference, C. W. Marshall s detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides play draws extensively on the satyr play Proteus, which was part of Aeschylus Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen. N° de réf. du libraire

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Synopsis : Using Euripides' play, Helen, as the main point of reference, C. W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides' play draws extensively on the satyr play Proteus, which was part of Aeschylus' Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides' Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen.

Description du livre: Using Euripides' play, Helen, as the main point of reference, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance. The book focuses on structure to reveal how directorial decisions and the assumptions held by the ancient audience shape meaning in performance.

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Détails bibliographiques

Titre : The Structure and Performance of Euripides ...
Éditeur : CAMBRIDGE UNIVERSITY PRESS
Date d'édition : 2014
Reliure : Hardback
Etat du livre : New

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Marshall, C. W.
Edité par Cambridge University Press (2014)
ISBN 10 : 1107073758 ISBN 13 : 9781107073753
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Description du livre Cambridge University Press, 2014. Hardcover. État : Very Good. Unread. There is some shelfwear to the dust jacket. In stock ready to dispatch from the UK. N° de réf. du libraire mon0000147213

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C. W. MARSHALL
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Description du livre 2014. Hardback. État : NEW. 9781107073753 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. N° de réf. du libraire HTANDREE0822109

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C. W. Marshall
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Description du livre CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2014. Hardback. État : New. 250 x 182 mm. Language: English . Brand New Book. Using Euripides play Helen as the main point of reference, C. W. Marshall s detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides play draws extensively on the satyr play Proteus, which was part of Aeschylus Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen. N° de réf. du libraire AAA9781107073753

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Marshall, C. W.
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Description du livre Cambridge Univ Pr, 2014. Hardcover. État : Brand New. 345 pages. 9.00x6.00x1.00 inches. In Stock. N° de réf. du libraire __1107073758

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C. W. Marshall
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Description du livre CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2014. Hardback. État : New. 250 x 182 mm. Language: English . Brand New Book. Using Euripides play Helen as the main point of reference, C. W. Marshall s detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides play draws extensively on the satyr play Proteus, which was part of Aeschylus Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen. N° de réf. du libraire AAA9781107073753

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Description du livre Cambridge University Press, 2014. HRD. État : New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire IB-9781107073753

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Description du livre Cambridge University Press. Hardback. État : new. BRAND NEW, The Structure and Performance of Euripides' Helen, C. W. Marshall, Using Euripides' play Helen as the main point of reference, C. W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides' play draws extensively on the satyr play Proteus, which was part of Aeschylus' Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides' Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen. N° de réf. du libraire B9781107073753

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