El Tema del Reconocimiento en el Teatro Espanol del Siglo XVI: La Teoria De La Anagnorisis (Hardback)

Patricia Garrido Camacho

Edité par Boydell Brewer Ltd, 2000
ISBN 10: 1855660482 / ISBN 13: 9781855660489
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Language: English,Spanish Brand New Book. Anagnorisis - recognition or discovery - is a key element of Aristotelian literary theory. This book is the first systematic study of its presence in Spanish drama of the sixteenth century, a period in which Aristotelian theory was widely disseminated. Professor Garrido begins by examining the theory of anagnorisis developed by Aristotle and his sixteenth-century commentators. She then analyses its use in a large corpus of Spanish plays from the period 1515-87. Her survey is divided into two parts, corresponding to the years before and after the appearance, in 1548, of Robortello s commentary, which expanded and developed Aristotle s definition of anagnorisis. In earlier decades its use is largely confined to humanistic plays, which seek to allow the recognition to arise naturally from the plot; plays from the second half of the century tend to model their use of anagnorisis on Plautus s Menaechmi and regularly resort to a deus ex machina to bring about the recognition. Patricia Garrido Camacho is Professor of Spanish at the University of Montana. N° de réf. du libraire

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Synopsis : Anagnorisis - `recognition' or `discovery' - is a key element of Aristotelian literary theory. This book is the first systematic study of its presence in Spanish drama of the sixteenth century, a period in which Aristotelian theory was widely disseminated. Professor Garrido begins by examining the theory of anagnorisis developed by Aristotle and his sixteenth-century commentators. She then analyses its use in a large corpus of Spanish plays from the period 1515-87. Her survey is divided into two parts, corresponding to the years before and after the appearance, in 1548, of Robortello's commentary, which expanded and developed Aristotle's definition of anagnorisis. In earlier decades its use is largely confined to humanistic plays, which seek to allow the recognition to arise naturally from the plot; plays from the second half of the century tend to model their use of anagnorisis on Plautus's Menaechmi and regularly resort to a deus ex machina to bring about the recognition. PATRICIA GARRIDO CAMACHO is Professor of Spanish at the University of Montana.

About the Author: PATRICIA GARRIDO CAMACHO is Professor of Spanish at the University of Montana.

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Détails bibliographiques

Titre : El Tema del Reconocimiento en el Teatro ...
Éditeur : Boydell Brewer Ltd
Date d'édition : 2000
Reliure : Hardback
Etat du livre : New

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Camacho, Patricia Garrido
Edité par Tamesis, Madrid, Tamesis, 1999. (1999)
ISBN 10 : 1855660482 ISBN 13 : 9781855660489
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Description du livre Tamesis, Madrid, Tamesis, 1999., 1999. Hardcover. État : Fine. HARDBACK original green cloth with gilt lettering on spine and decorative pictorial title plate on front cover pages x 124 roy. 8vo. (6 x 9.25"). N° de réf. du libraire 6195

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Patricia Garrido Camacho
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Description du livre John Wiley and#38; Sons, 2000. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire FW-9781855660489

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Patricia Garrido Camacho
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Description du livre Boydell Brewer Ltd, United Kingdom, 2000. Hardback. État : New. Language: English,Spanish . Brand New Book. Anagnorisis - recognition or discovery - is a key element of Aristotelian literary theory. This book is the first systematic study of its presence in Spanish drama of the sixteenth century, a period in which Aristotelian theory was widely disseminated. Professor Garrido begins by examining the theory of anagnorisis developed by Aristotle and his sixteenth-century commentators. She then analyses its use in a large corpus of Spanish plays from the period 1515-87. Her survey is divided into two parts, corresponding to the years before and after the appearance, in 1548, of Robortello s commentary, which expanded and developed Aristotle s definition of anagnorisis. In earlier decades its use is largely confined to humanistic plays, which seek to allow the recognition to arise naturally from the plot; plays from the second half of the century tend to model their use of anagnorisis on Plautus s Menaechmi and regularly resort to a deus ex machina to bring about the recognition. Patricia Garrido Camacho is Professor of Spanish at the University of Montana. N° de réf. du libraire AAH9781855660489

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Patricia Garrido Camacho
Edité par Boydell Brewer Ltd, United Kingdom (2000)
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Description du livre Boydell Brewer Ltd, United Kingdom, 2000. Hardback. État : New. Language: Spanish . Brand New Book. Anagnorisis - `recognition or `discovery - is a key element of Aristotelian literary theory. This book is the first systematic study of its presence in Spanish drama of the sixteenth century, a period in which Aristotelian theory was widely disseminated. Professor Garrido begins by examining the theory of anagnorisis developed by Aristotle and his sixteenth-century commentators. She then analyses its use in a large corpus of Spanish plays from the period 1515-87. Her survey is divided into two parts, corresponding to the years before and after the appearance, in 1548, of Robortello s commentary, which expanded and developed Aristotle s definition of anagnorisis. In earlier decades its use is largely confined to humanistic plays, which seek to allow the recognition to arise naturally from the plot; plays from the second half of the century tend to model their use of anagnorisis on Plautus s Menaechmi and regularly resort to a deus ex machina to bring about the recognition. PATRICIA GARRIDO CAMACHO is Professor of Spanish at the University of Montana. N° de réf. du libraire AAH9781855660489

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Garrido Camacho, Patricia
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ISBN 10 : 1855660482 ISBN 13 : 9781855660489
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Description du livre Boydell & Brewer Ltd, 2000. État : Brand new. Anagnorisis - `recognition' or `discovery' - is a key element of Aristotelian literary theory. This book is the first systematic study of its presence in Spanish drama of the sixteenth century, a period in which Aristotelian theor y was widely disseminated. Professor Garrido begins by examining the theory of anagnorisis developed by Aristotle and his sixteenth-century commentators. She then analyses its use in a large corpus of Spanish plays from the period 1515-87. Her survey is divided into two parts, corresponding to the years before and after the appearance, in 1548, of Robortello's commentary, which expanded and developed Aristotle's definition of anagnorisis. In earlier decade s its use is largely confined to humanistic plays, which seek to allow the recognition to arise naturally from the plot; plays from the second half of the century tend to model their use of anagnorisis on Plautus's Menaechmi and r egularly resort to a deus ex machina to bring about the recognition. PATRICIA GARRIDO CAMACHO is Professor of Spanish at the University of Montana. N° de réf. du libraire 501

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Patricia Garrido Camacho
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Description du livre Tamesis Books, 2000. Hardcover. État : New. N° de réf. du libraire DADAX1855660482

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Patricia Garrido Camacho
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Description du livre Tamesis Books, 2000. Hardcover. État : New. book. N° de réf. du libraire M1855660482

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Camacho, Patrica Garrido
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Description du livre Tamesis Books Ltd, 1999. Hardcover. État : Brand New. 134 pages. Spanish language. 9.50x6.25x0.50 inches. In Stock. N° de réf. du libraire __1855660482

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