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Time and the Digital: Connecting Technology, Aesthetics, and a Process Philosophy of Time (Hardback)

Timothy Scott Barker

Edité par University Press of New England, United States, 2012
ISBN 10: 1611682991 / ISBN 13: 9781611682991
Neuf(s) / Hardback / Quantité : 1
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Titre : Time and the Digital: Connecting Technology,...

Éditeur : University Press of New England, United States

Date d'édition : 2012

Reliure : Hardback

Etat du livre : New

Description :

Language: English . Brand New Book. Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker s Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity. Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies. N° de réf. du libraire AAJ9781611682991

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Synopsis : Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker's Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity. Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies.

Critique: "The author's theory of digital aesthetics is compelling. By arguing that everything (human, machine, object) is in constant flux, Baker's theory gives agency to both the user and the work of art, debunking any notion of "subject" and "object" being "outside" of time. Both human and artwork are joined in a continuous process of dynamic interaction with one another, and it is this interaction that provides for a new paradigm of aesthetics."--Art Libraries Society of North America

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