The Wake of Iconoclasm: Painting the Church in the Dutch Republic (Hardback)

Penn State University

Edité par Pennsylvania State University Press, 2012
ISBN 10: 0271050616 / ISBN 13: 9780271050614
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Language: English . Brand New Book. In describing the seventeenth-century Dutch Republic, Johan Huizinga said, Paintings could be found everywhere . . . everywhere except in churches. Although pictures were ubiquitous in the Dutch world, the official religion expressed a fundamental distrust of visual imagery. Indeed, Calvinism and visual culture were both central modes of self-understanding in Dutch society. Investigating this paradox, The Wake of Iconoclasm takes as its main subject the numerous paintings of austere Calvinist church interiors that proliferated in the seventeenth century. Painstakingly crafted and highly naturalistic images of interiors, these peculiar paintings show spaces that were purged of visual imagery during and after the iconoclast riots of the sixteenth century. In essence, they depict the interface of the histories of art and religion. Angela Vanhaelen argues that the main function of this imagery was to stimulate debate about the transformed role of art in relation to the religious and political upheavals of the Reformation and the Dutch Revolt. Paintings of the emptied churches allowed their beholders to grapple with the significant public influence of Calvinism especially its suppression of past cultural traditions and the new conditions of possibility it created for the visual arts. N° de réf. du libraire

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Titre : The Wake of Iconoclasm: Painting the Church ...
Éditeur : Pennsylvania State University Press
Date d'édition : 2012
Reliure : Hardback
Etat du livre : New

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Vanhaelen, Angela
ISBN 10 : 0271050616 ISBN 13 : 9780271050614
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Description du livre Pennsylvania State University Press, United States, 2012. Hardback. État : New. 260 x 210 mm. Language: English . Brand New Book. In describing the seventeenth-century Dutch Republic, Johan Huizinga said, Paintings could be found everywhere . . . everywhere except in churches. Although pictures were ubiquitous in the Dutch world, the official religion expressed a fundamental distrust of visual imagery. Indeed, Calvinism and visual culture were both central modes of self-understanding in Dutch society. Investigating this paradox, The Wake of Iconoclasm takes as its main subject the numerous paintings of austere Calvinist church interiors that proliferated in the seventeenth century. Painstakingly crafted and highly naturalistic images of interiors, these peculiar paintings show spaces that were purged of visual imagery during and after the iconoclast riots of the sixteenth century. In essence, they depict the interface of the histories of art and religion. Angela Vanhaelen argues that the main function of this imagery was to stimulate debate about the transformed role of art in relation to the religious and political upheavals of the Reformation and the Dutch Revolt. Paintings of the emptied churches allowed their beholders to grapple with the significant public influence of Calvinism--especially its suppression of past cultural traditions and the new conditions of possibility it created for the visual arts. N° de réf. du libraire AAZ9780271050614

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Description du livre Pennsylvania State University Press. Hardback. État : new. BRAND NEW, The Wake of Iconoclasm: Painting the Church in the Dutch Republic, Penn State University. N° de réf. du libraire B9780271050614

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Description du livre Pennsylvania State University Press, 2012. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire CW-9780271050614

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Description du livre Pennsylvania State University Press, United States, 2012. Hardback. État : New. 260 x 210 mm. Language: English . Brand New Book. In describing the seventeenth-century Dutch Republic, Johan Huizinga said, Paintings could be found everywhere . . . everywhere except in churches. Although pictures were ubiquitous in the Dutch world, the official religion expressed a fundamental distrust of visual imagery. Indeed, Calvinism and visual culture were both central modes of self-understanding in Dutch society. Investigating this paradox, The Wake of Iconoclasm takes as its main subject the numerous paintings of austere Calvinist church interiors that proliferated in the seventeenth century. Painstakingly crafted and highly naturalistic images of interiors, these peculiar paintings show spaces that were purged of visual imagery during and after the iconoclast riots of the sixteenth century. In essence, they depict the interface of the histories of art and religion. Angela Vanhaelen argues that the main function of this imagery was to stimulate debate about the transformed role of art in relation to the religious and political upheavals of the Reformation and the Dutch Revolt. Paintings of the emptied churches allowed their beholders to grapple with the significant public influence of Calvinism especially its suppression of past cultural traditions and the new conditions of possibility it created for the visual arts. N° de réf. du libraire AAZ9780271050614

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Vanhaelen, Angela
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Description du livre Pennsylvania State Univ Pr. État : BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. N° de réf. du libraire 2025021

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Description du livre PENN S.U., 2017. Hardback. État : NEW. 9780271050614 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Print on Demand title, produced to the highest standard, and there would be a delay in dispatch of around 10 working days. N° de réf. du libraire HTANDREE01071660

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Penn State University
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Description du livre Pennsylvania State University Press, 2012. État : New. Num Pages: 232 pages, black & white halftones, colour illustrations. BIC Classification: AC; AGR; AMN. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 1134. . 2012. Hardcover. . . . . . N° de réf. du libraire V9780271050614

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