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William Powell Frith: Painting the Victorian Age (Hardback)

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ISBN 10: 0300121903 / ISBN 13: 9780300121902
Edité par Yale University Press, United States, 2007
Neuf(s) Etat : New Couverture rigide
Vendeur The Book Depository US (London, Royaume-Uni)

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A propos de cet article

Language: English . Brand New Book. William Powell Frith (1819-1909) was the greatest British painter of the social scene since Hogarth. His panoramas of nineteenth-century life broke new ground in their depiction of the diverse London crowd, and they are now icons of their age. Frith s popularity in his lifetime was unprecedented; on six separate occasions special railings had to be built at the Royal Academy to protect his paintings from an admiring public. Derby Day and The Railway Station are nearly as well known today as a century ago, yet the artist who painted them is now neglected. This book explores Frith s place in the development of Victorian painting: the impact of his unconventional private life on his work, his relationships with Hogarth and Dickens, his influence on popular illustration, the place of costume in his paintings, his female models, his painting materials and practice, and much more. The book makes an important contribution to the literature on art in the Victorian era and to our understanding of the nineteenth century. N° de réf. du libraire AAH9780300121902

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Détails bibliographiques

Titre : William Powell Frith: Painting the Victorian...

Éditeur : Yale University Press, United States

Date d'édition : 2007

Reliure : Hardback

Etat du livre :New

Edition : annotated ed..

A propos de ce titre

Synopsis :

William Powell Frith (1819-1909) was the greatest British painter of the social scene since Hogarth. His panoramas of nineteenth-century life broke new ground in their depiction of the diverse London crowd, and they are now icons of their age. Frith’s popularity in his lifetime was unprecedented; on six separate occasions special railings had to be built at the Royal Academy to protect his paintings from an admiring public.
Derby Day and The Railway Station are nearly as well known today as a century ago, yet the artist who painted them is now neglected. This book explores Frith's place in the development of Victorian painting: the impact of his unconventional private life on his work, his relationships with Hogarth and Dickens, his influence on popular illustration, the place of costume in his paintings, his female models, his painting materials and practice, and much more. The book makes an important contribution to the literature on art in the Victorian era and to our understanding of the nineteenth century.

About the Author:

Mark Bills is curator of the Watts Gallery, Compton, England. He was formerly curator of paintings, prints and drawings at the Museum of London. Vivien Knight is curator of Guildhall Art Gallery, City of London, which holds a fine collection of Victorian paintings.

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