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Women s Contributions to Visual Culture, 1918-1939 (Hardback)

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ISBN 10: 0754664007 / ISBN 13: 9780754664000
Edité par Taylor Francis Ltd, United Kingdom, 2008
Neuf(s) Etat : New Hardback
Vendeur The Book Depository US (London, Royaume-Uni)

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A propos de cet article

Language: English . Brand New Book. An exploration of women s contributions to visual culture in major urban centres between the wars (1918-1939), this collection sheds new light on women s relationships with the processes of modernism and modernization. Women s work in a variety of mediums is explored, including design, print, illustration, murals, poster art, and costume design, as well as more conventional forms of painting and sculpture. International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women s role in the agency and mediation of artistic production in the interwar period. N° de réf. du libraire AA69780754664000

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Détails bibliographiques

Titre : Women s Contributions to Visual Culture, ...

Éditeur : Taylor Francis Ltd, United Kingdom

Date d'édition : 2008

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

An exploration of women's contribution to visual culture in major Western urban centers, this collection also sheds new light on women's relationships with the processes of modernism and modernization. The essays in this volume analyze women's work in a variety of mediums, including design, print, illustration, murals, poster art, costume design, and film as well as more conventional forms of painting and sculpture in the interwar period (1918-1939). International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland, and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women's role in the agency and mediation of artistic production between the wars.

A propos de l'auteur:

Karen Brown is based in the School of Art and Cultural Policy at the University College of Dublin, Ireland.

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