The Woodcut in Fifteenth-Century Europe (Hardback)

Edité par Yale University Press, 2009
ISBN 10: 0300121636 / ISBN 13: 9780300121636
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Language: English . Brand New Book. More than a generation before the invention of Gutenberg s celebrated press, the new technology of image printing emerged. In this book, a distinguished group of scholars treats the earliest manifestations of printing in all aspects: technical experimentation, the complex relation of printed books to printed images, individual and institutional patronage, new iconographies, religious propaganda, and the wide variety of private and public ways in which printed images were first employed. The essays examine the technological, social, political, religious, personal, and institutional contexts of 15th-century woodcuts and challenge many assumptions about the phenomenon of early printing, including the beginnings of printing on cloth, the significance of monastic production, the development of book printing and book illustration, and the extent to which printing can or should be termed a revolution. N° de réf. du libraire

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Synopsis : More than a generation before the invention of Gutenberg's celebrated press, the new technology of image printing emerged. In this book, a distinguished group of scholars treats the earliest manifestations of printing in all aspects: technical experimentation, the complex relation of printed books to printed images, individual and institutional patronage, new iconographies, religious propaganda, and the wide variety of private and public ways in which printed images were first employed. The essays examine the technological, social, political, religious, personal, and institutional contexts of fifteenth-century woodcuts and challenge many assumptions about the phenomenon of early printing, including the beginnings of printing on cloth, the significance of monastic production, the development of book printing and book illustration, and the extent to which printing can or should be termed a 'revolution'.

Critique: "In this book, a distinguished group of scholars treats the earliest manifestations of printing in all aspects." --Cadoc.nl, 3rd August 2009

`There are unfamiliar treasures to be rediscovered, as this collection of essays explains with enthusiasm and heartwarming erudition.'
--Times, 25th November 2009

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Détails bibliographiques

Titre : The Woodcut in Fifteenth-Century Europe (...
Éditeur : Yale University Press
Date d'édition : 2009
Reliure : Hardback
Etat du livre : New

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Peter Parshall
Edité par NGW-Stud Hist Art (2009)
ISBN 10 : 0300121636 ISBN 13 : 9780300121636
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Description du livre NGW-Stud Hist Art, 2009. État : Good. 1st Edition. N/A. Former Library book. Shows some signs of wear, and may have some markings on the inside. N° de réf. du libraire GRP94570606

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Edité par NGW-Stud Hist Art
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Description du livre NGW-Stud Hist Art. Hardcover. État : Good. 0300121636 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. N° de réf. du libraire Z0300121636Z3

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Peter Parshall
Edité par Yale University Press (2009)
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Description du livre Yale University Press, 2009. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WY-9780300121636

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Edité par Yale University Press, United States (2009)
ISBN 10 : 0300121636 ISBN 13 : 9780300121636
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Description du livre Yale University Press, United States, 2009. Hardback. État : New. 286 x 240 mm. Language: English . Brand New Book. More than a generation before the invention of Gutenberg s celebrated press, the new technology of image printing emerged. In this book, a distinguished group of scholars treats the earliest manifestations of printing in all aspects: technical experimentation, the complex relation of printed books to printed images, individual and institutional patronage, new iconographies, religious propaganda, and the wide variety of private and public ways in which printed images were first employed. The essays examine the technological, social, political, religious, personal, and institutional contexts of 15th-century woodcuts and challenge many assumptions about the phenomenon of early printing, including the beginnings of printing on cloth, the significance of monastic production, the development of book printing and book illustration, and the extent to which printing can or should be termed a revolution. N° de réf. du libraire AAH9780300121636

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AREFORD, David S.
Edité par Washington: National Gallery of Art (2009)
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Leopolis
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Description du livre Washington: National Gallery of Art, 2009. Hardcover. État : Fine. Etat de la jaquette : Very Good. 1st Edition. 4to - over 9¾ - 12" tall. 4o, publisher's cloth and dust jacket. From the blurb: More than a generation before the invention of Gutenberg¿s celebrated press, the new technology of image printing emerged. In this book, a distinguished group of scholars treats the earliest manifestations of printing in all aspects: technical experimentation, the complex relation of printed books to printed images, individual and institutional patronage, new iconographies, religious propaganda, and the wide variety of private and public ways in which printed images were first employed. The essays examine the technological, social, political, religious, personal, and institutional contexts of 15th-century woodcuts and challenge many assumptions about the phenomenon of early printing, including the beginnings of printing on cloth, the significance of monastic production, the development of book printing and book illustration, and the extent to which printing can or should be termed a ¿revolution.¿. N° de réf. du libraire ABE-18453747807

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Professor Peter Parshall
Edité par YALE University Press
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Description du livre YALE University Press. État : New. Brand New. N° de réf. du libraire 0300121636

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Parshall, Peter (editor)
Edité par National Gallery of Art, Washington, DC (2009)
ISBN 10 : 0300121636 ISBN 13 : 9780300121636
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Mullen Books, ABAA
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Description du livre National Gallery of Art, Washington, DC, 2009. Hardcover. État : Fine/VG+ (faint rubbing to dj). Tan cloth/boards with silver lettering. Cinnamon dj with color illustration and cream lettering. 352 pp. with 125 duotone illustrations and 123 color plates. Symposium papers from the Center for Advanced Stuey in the Visual Arts' Studies in the History of Art 75. "The advent of printing in Western Europe is a familiar historical milestone; far less known is the emergence of a technology of images printing more than a generation before Gutenberg. The twelve essays in this volume examine the printed image in the fifteenth century in the German-speaking regions, France, Italy, and the Netherlands. Topics include technical experimentation, the complex relation of printed books to printed images, individual and institutional patronage, new iconongraphies, religous propaganda, and the wide variety of private and public ways in which printed images were first employed. The authors challenge and reasses assumptoins about monastic production, the development of book printing and book illustration, and the extent to which printing can or should be termed a "revolution.". N° de réf. du libraire 148063

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8.

Edité par Yale University Press, United States (2009)
ISBN 10 : 0300121636 ISBN 13 : 9780300121636
Neuf(s) Couverture rigide Quantité : 10
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The Book Depository US
(London, Royaume-Uni)
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Description du livre Yale University Press, United States, 2009. Hardback. État : New. 286 x 240 mm. Language: English . Brand New Book. More than a generation before the invention of Gutenberg s celebrated press, the new technology of image printing emerged. In this book, a distinguished group of scholars treats the earliest manifestations of printing in all aspects: technical experimentation, the complex relation of printed books to printed images, individual and institutional patronage, new iconographies, religious propaganda, and the wide variety of private and public ways in which printed images were first employed. The essays examine the technological, social, political, religious, personal, and institutional contexts of 15th-century woodcuts and challenge many assumptions about the phenomenon of early printing, including the beginnings of printing on cloth, the significance of monastic production, the development of book printing and book illustration, and the extent to which printing can or should be termed a revolution. N° de réf. du libraire AAH9780300121636

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9.

Parshall, Peter
Edité par National Gallery of Art Washington & Yale University Press, Washington DC (2009)
ISBN 10 : 0300121636 ISBN 13 : 9780300121636
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Colin Martin Books
(Near Hull, EY, Royaume-Uni)
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Description du livre National Gallery of Art Washington & Yale University Press, Washington DC, 2009. Hardcover. État : New. Etat de la jaquette : New. Qto. A New copy in dust jacket. 352 pages, 125 duotone, and 123 colour plates. N° de réf. du libraire 075608

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10.

Hg. Peter Parshall.
ISBN 10 : 0300121636 ISBN 13 : 9780300121636
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Frölich und Kaufmann
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Description du livre Washington 2009. In zwölf Aufsätzen begutachten verschiedene Autoren gedruckte Bildnisse des 15. Jh. im deutschsprachigen Raum, in Frankreich, Italien und den Niederlanden. Dabei geht es um die technische Durchführung, das Verhältnis von gedruckten Büchern und Bildern, individuelles und institutionelles Mäzenatentum, neue Ikonographie, religiöse Propaganda und das weite Feld privater und öffentlicher Wege in dem gedruckte Bilder erstmals benutzt wurden. Die Autoren hinterfragen und beurteilen die Voraussetzungen zur klösterlichen Produktion, die Entwicklung des Buchdrucks und der Buchillustration und befassen sich mit der Frage in welchem Ausmaß der Druck als eine »Revolution« aufgefasst werden kann. (Text engl.) 24 x 28,5 cm, 352 S., 248 Abb., davon 123 Abb in Farbe., Ln. N° de réf. du libraire 462675

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