Yayoi Kusama (Hardback)

Jo Applin

Edité par VICTORIA MIRO GALLERY, 2008
ISBN 10: 0955456444 / ISBN 13: 9780955456442
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Titre : Yayoi Kusama (Hardback)
Éditeur : VICTORIA MIRO GALLERY
Date d'édition : 2008
Reliure : Hardback
Etat du livre : New

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1.

Midori Yamamura
Edité par MIT Press Ltd, United States (2015)
ISBN 10 : 0262029472 ISBN 13 : 9780262029476
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Description du livre MIT Press Ltd, United States, 2015. Hardback. État : New. 229 x 178 mm. Language: English . Brand New Book. Yayoi Kusama is the most famous artist to emerge from Japan in the period following World War II. Part of a burgeoning international art scene in the early 1960s, she exhibited in New York with Andy Warhol, Donald Judd, Claes Oldenburg, and other Pop and Minimalist luminaries, and in Europe with the Dutch Nul and the German Zero artist groups. Known for repetitive patterns, sewn soft sculptures, naked performance, and suggestive content, Kusama s work anticipated the politically charged feminist art of the 1970s. But Kusama and her work were soon eclipsed by a dealer-controlled art market monopoly of white male American artists. Returning to Japan in 1973, Kusama became almost as famous for her self-proclaimed mental illness and permanent residence in a psychiatric hospital as she was for her art. In this book, Midori Yamamura eschews the usual critical fascination with Kusama s biography to consider the artist in her social and cultural milieu. By examining Kusama s art alongside that of her peers, Yamamura offers a new perspective on Kusama s career. Yamamura shows that Kusama, who came of age in totalitarian wartime Japan, embraced art as an anticonformist pursuit, seeking a subjective autonomy that resulted in the singular expression of her art. Examining Kusama s association with European and New York art movements of the 1960s and her creation of psychedelic light-and-sound Happenings, Yamamura argues that Kusama and her heterogeneous peers defied and undermined various pillars of modernity during the crucial transition from the modern nation-state to global free-market capitalism. The art market rediscovered Kusama in the 1990s, and she has since had a series of high-profile exhibitions. Recounting Kusama s story, Yamamura offers an incisive, penetrating analysis of postwar art s globalization as viewed from the periphery. N° de réf. du libraire AAZ9780262029476

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2.

Midori Yamamura
Edité par MIT Press Ltd, United States (2015)
ISBN 10 : 0262029472 ISBN 13 : 9780262029476
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Description du livre MIT Press Ltd, United States, 2015. Hardback. État : New. 229 x 178 mm. Language: English . Brand New Book. Yayoi Kusama is the most famous artist to emerge from Japan in the period following World War II. Part of a burgeoning international art scene in the early 1960s, she exhibited in New York with Andy Warhol, Donald Judd, Claes Oldenburg, and other Pop and Minimalist luminaries, and in Europe with the Dutch Nul and the German Zero artist groups. Known for repetitive patterns, sewn soft sculptures, naked performance, and suggestive content, Kusama s work anticipated the politically charged feminist art of the 1970s. But Kusama and her work were soon eclipsed by a dealer-controlled art market monopoly of white male American artists. Returning to Japan in 1973, Kusama became almost as famous for her self-proclaimed mental illness and permanent residence in a psychiatric hospital as she was for her art. In this book, Midori Yamamura eschews the usual critical fascination with Kusama s biography to consider the artist in her social and cultural milieu. By examining Kusama s art alongside that of her peers, Yamamura offers a new perspective on Kusama s career. Yamamura shows that Kusama, who came of age in totalitarian wartime Japan, embraced art as an anticonformist pursuit, seeking a subjective autonomy that resulted in the singular expression of her art. Examining Kusama s association with European and New York art movements of the 1960s and her creation of psychedelic light-and-sound Happenings, Yamamura argues that Kusama and her heterogeneous peers defied and undermined various pillars of modernity during the crucial transition from the modern nation-state to global free-market capitalism. The art market rediscovered Kusama in the 1990s, and she has since had a series of high-profile exhibitions. Recounting Kusama s story, Yamamura offers an incisive, penetrating analysis of postwar art s globalization as viewed from the periphery. N° de réf. du libraire AAZ9780262029476

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Edité par Louisiana Museum of Modern Art, United States (2016)
ISBN 10 : 8792877524 ISBN 13 : 9788792877529
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Description du livre Louisiana Museum of Modern Art, United States, 2016. Hardback. État : New. 259 x 213 mm. Language: English . Brand New Book. A non-Western female artist arriving in the US as Pop art and Minimalism were beginning to take shape, Yayoi Kusama (born 1929) was part of these milieus but also remained somewhat outside of them, developing a highly distinctive artistic universe. Yayoi Kusama: In Infinity offers an extensive overview of the major stages of Kusama s work: from her abstract, intensively hand-crafted Infinity Net paintings (which made Kusama s initial reputation in New York) to the soft, eroticized furniture sculptures covered in hundreds of white, penis-like forms, ending with Kusama s recent works that shape whole spaces as intense environments. This volume also includes new essays discussing Kusama s artistic and literary work and four of Kusama s own poems. N° de réf. du libraire AAS9788792877529

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4.

Edité par Louisiana Museum of Modern Art, United States (2016)
ISBN 10 : 8792877524 ISBN 13 : 9788792877529
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Description du livre Louisiana Museum of Modern Art, United States, 2016. Hardback. État : New. 259 x 213 mm. Language: English . Brand New Book. A non-Western female artist arriving in the US as Pop art and Minimalism were beginning to take shape, Yayoi Kusama (born 1929) was part of these milieus but also remained somewhat outside of them, developing a highly distinctive artistic universe. Yayoi Kusama: In Infinity offers an extensive overview of the major stages of Kusama s work: from her abstract, intensively hand-crafted Infinity Net paintings (which made Kusama s initial reputation in New York) to the soft, eroticized furniture sculptures covered in hundreds of white, penis-like forms, ending with Kusama s recent works that shape whole spaces as intense environments. This volume also includes new essays discussing Kusama s artistic and literary work and four of Kusama s own poems. N° de réf. du libraire AAS9788792877529

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5.

Gilda Williams
Edité par VICTORIA MIRO GALLERY, United Kingdom (2014)
ISBN 10 : 099270927X ISBN 13 : 9780992709273
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Description du livre VICTORIA MIRO GALLERY, United Kingdom, 2014. Hardback. État : New. 250 x 250 mm. Language: English . Brand New Book. N° de réf. du libraire AAZ9780992709273

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6.

Yayoi Kusama, Akira Tatehata
Edité par DAVID ZWIRNER, United States (2016)
ISBN 10 : 1941701213 ISBN 13 : 9781941701218
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Description du livre DAVID ZWIRNER, United States, 2016. Hardback. État : New. 305 x 247 mm. Language: English . Brand New Book. Yayoi Kusama: Give Me Love documents the artist s most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all-white interior that viewers were invited to cover with dot stickers of various sizes and colors. Taking The Obliteration Room as its centerpiece, this catalogue reveals, in vivid large-scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls and furniture covered in multicolored stickers put there by viewers over the course of the exhibition. The catalogue also includes Kusama s recent large-format paintings from the My Eternal Soul series and a selection of new, large Pumpkin sculptures, a form that Kusama has been exploring since the 1950s. Made of shiny stainless steel and featuring painted dots or dot-shaped perforations, these immersive works seem created on a human scale. Texts include Hymn to Yayoi Kusama by art critic and poet Akira Tatehata and a poem by the artist herself. Yayoi Kusama was born in 1929 in Matsumoto, Japan. She was recently named the world s most popular artist by various news outlets, based on annual figures reported by The Art Newspaper for global museum attendance in 2014. Her exhibitions were the most visited worldwide that year, with three major museum presentations simultaneously traveling through Japan, Asia, and Central and South America-all of which have drawn record-breaking attendances at every venue. Kusama s work is featured in collections such as the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. N° de réf. du libraire AA29781941701218

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7.

Yayoi Kusama, Akira Tatehata
Edité par DAVID ZWIRNER, United States (2016)
ISBN 10 : 1941701213 ISBN 13 : 9781941701218
Neuf(s) Couverture rigide Quantité : 10
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The Book Depository
(London, Royaume-Uni)
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Description du livre DAVID ZWIRNER, United States, 2016. Hardback. État : New. 305 x 247 mm. Language: English . Brand New Book. Yayoi Kusama: Give Me Love documents the artist s most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all-white interior that viewers were invited to cover with dot stickers of various sizes and colors. Taking The Obliteration Room as its centerpiece, this catalogue reveals, in vivid large-scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls and furniture covered in multicolored stickers put there by viewers over the course of the exhibition. The catalogue also includes Kusama s recent large-format paintings from the My Eternal Soul series and a selection of new, large Pumpkin sculptures, a form that Kusama has been exploring since the 1950s. Made of shiny stainless steel and featuring painted dots or dot-shaped perforations, these immersive works seem created on a human scale. Texts include Hymn to Yayoi Kusama by art critic and poet Akira Tatehata and a poem by the artist herself. Yayoi Kusama was born in 1929 in Matsumoto, Japan. She was recently named the world s most popular artist by various news outlets, based on annual figures reported by The Art Newspaper for global museum attendance in 2014. Her exhibitions were the most visited worldwide that year, with three major museum presentations simultaneously traveling through Japan, Asia, and Central and South America-all of which have drawn record-breaking attendances at every venue. Kusama s work is featured in collections such as the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. N° de réf. du libraire AA29781941701218

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8.

Yayoi Kusama, Akira Tatehata
Edité par DAVID ZWIRNER, United States (2014)
ISBN 10 : 0989980936 ISBN 13 : 9780989980937
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Description du livre DAVID ZWIRNER, United States, 2014. Hardback. État : New. 323 x 323 mm. Language: English . Brand New Book. As articulated by art critic and poet Akira Tatehata in his accompanying catalogue essay, the genius that generates [Kusama s] fertile artistic world, a paean to life, is driven by obsessive thoughts - and her extraordinary and highly influential career encompasses works in various mediums that unfailingly conjure both microscopic and macroscopic universes at once. Kusama s critically acclaimed inaugural 2013 exhibition at David Zwirner in New York presented a selection of the artist s large-scale square-format acrylic on canvas paintings. This vibrant publication - printed with multiple inks at the highest quality to fully capture the dazzling glow of Kusama s colorful canvases-opens with a selection of these works, which anchored the gallery presentation. Kusama s practice recurrently integrates motifs that evoke the cosmic and the primordial, from the ethereal to earthly, and embodies the unique amalgamation of representational and non-representational subject matter. Also featured are stills of the video installation Song of a Manhattan Suicide Addict, as well as stunning panoramic views of the exhibition s two infinity rooms, including Infinity Mirrored - The Souls of Millions of Light Years Away, which was hailed by The New York Times as encouraging the ultimate selfie. The other room, Love is Calling, stands out as among the artist s most immersive environments to date: a darkened, mirrored room illuminated by inflatable, tentacle-like forms covered in her signature polka dots, extending from floor to ceiling and slowly shifting color. Concluding the publication, an original poem written by Kusama herself, After the Battle, I Want to Die at the End of the Universe, contextualizes her practice: Having always been distressed over how to live, she writes, I have kept carrying the banner for pursuit of art. N° de réf. du libraire AA29780989980937

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Edité par DAVID ZWIRNER, United States (2014)
ISBN 10 : 0989980936 ISBN 13 : 9780989980937
Neuf(s) Couverture rigide Quantité : 10
Vendeur
The Book Depository
(London, Royaume-Uni)
Evaluation vendeur
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Description du livre DAVID ZWIRNER, United States, 2014. Hardback. État : New. Yayoi Kusama (illustrateur). New.. 323 x 323 mm. Language: English . Brand New Book. As articulated by art critic and poet Akira Tatehata in his accompanying catalogue essay, the genius that generates [Kusama s] fertile artistic world, a paean to life, is driven by obsessive thoughts - and her extraordinary and highly influential career encompasses works in various mediums that unfailingly conjure both microscopic and macroscopic universes at once. Kusama s critically acclaimed inaugural 2013 exhibition at David Zwirner in New York presented a selection of the artist s large-scale square-format acrylic on canvas paintings. This vibrant publication - printed with multiple inks at the highest quality to fully capture the dazzling glow of Kusama s colorful canvases-opens with a selection of these works, which anchored the gallery presentation. Kusama s practice recurrently integrates motifs that evoke the cosmic and the primordial, from the ethereal to earthly, and embodies the unique amalgamation of representational and non-representational subject matter. Also featured are stills of the video installation Song of a Manhattan Suicide Addict, as well as stunning panoramic views of the exhibition s two infinity rooms, including Infinity Mirrored - The Souls of Millions of Light Years Away, which was hailed by The New York Times as encouraging the ultimate selfie. The other room, Love is Calling, stands out as among the artist s most immersive environments to date: a darkened, mirrored room illuminated by inflatable, tentacle-like forms covered in her signature polka dots, extending from floor to ceiling and slowly shifting color. Concluding the publication, an original poem written by Kusama herself, After the Battle, I Want to Die at the End of the Universe, contextualizes her practice: Having always been distressed over how to live, she writes, I have kept carrying the banner for pursuit of art. N° de réf. du libraire AA29780989980937

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10.

Gilda Williams
Edité par VICTORIA MIRO GALLERY, United Kingdom (2014)
ISBN 10 : 099270927X ISBN 13 : 9780992709273
Neuf(s) Couverture rigide Quantité : 1
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Description du livre VICTORIA MIRO GALLERY, United Kingdom, 2014. Hardback. État : New. 250 x 250 mm. Language: English . Brand New Book. N° de réf. du libraire AAZ9780992709273

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