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Price is net to all; promotional discounts do not apply. SPECIAL ORDER. PRICING & AVAILABILITY SUBJECT TO CHANGE. SHIPPING NOTE: due to size and weight, additional shipping fees apply (calculated at checkout). First edition, first printing. Includes a Type-C print of "Badlands National Monument, South Dakota, July 14, 1973," in an edition of 100 plus 5 artist's proofs, signed and numbered by Shore (printed in 2008). Image size is approximately 10 x 12.5 inches; paper size is 14 x 17 inches (35.5 x 43 cm). The edition includes a signed and numbered custom-bound special edition of the book. Hardcover. Black leather-covered boards, no dust jacket as issued, with photographically illustrated slipcase and publisher's cardboard shipping box. Photographs, text and facsimile journal reproduction by Stephen Shore. Designed by Stephan Müller. 256 pp., with 300 four-color illustrations beautifully printed on heavy coated paper from separations by Robert Hennessey. 14-3/8 x 11-1/4 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume III. (London and New York: Phaidon, 2014)]. New in publisher's packaging. A Road Trip Journal is a limited edition facsimile of Stephen Shore's personal journal which traces his now legendary 1973 road trip across the U.S. This unique volume is loaded with the ephemera of Shore's month-long trip: motel, restaurant and gasoline receipts, postcards, ticket stubs and notes on the photographs, and exquisite reproductions of every photograph made during the trip. The journal offers collateral glimpses into the artist's experience, taking on a heightened significance that comes with the knowledge that it was this trip that yielded the photographs for Shore's seminal book, Uncommon Places, which changed the way photography was perceived when it was released in 1982. Shore was the anti-Frank in many ways. Yet, he followed in Robert Frank's footsteps, traveling the country, in the long tradition of wandering, seeking photographers. As an outsider to American culture, Frank saw a chaotic, polarized society prone to consumerism, regret, violence, decay, human relationships in flux. He shot from the car, from the hip, with a 35mm, on the run. By contrast, Shore traveled with an 8x10" view camera keeping meticulous notes about his experience . He constructed order, stability, and represented an America seemingly without emotion, instead creating a formal clarity in storefronts, parking lots, motels, department stores, drugstores, the roadside vernacular. As one of the first photographers to seriously employ color in his work, Shore is part of the canon of modern photography. It's hard to imagine what a radical and controversial act this was in the 1960's and early 1970's. Until then, color photographs were relegated to snapshots, but few took it seriously in the service of "fine art photography." At the age of 24 Shore became the first living photographer to have a solo exhibition at the Metropolitan Museum of Art, New York (1971). As a teenager, Shore could be found hanging out photographing at Andy Warhol's factory. Shore's work has an intense, formal beauty, a precision of line and color and surface. It represents a romanticized, now vanishing America, one that might be lonely, but is clean, and nostalgic. Shore made photographs that examined and ultimately elevated banality into high art with sophisticated composition and color sensibility. Sold out by the publisher before its release, A Road Trip Journal offers the opportunity to experience Shore's road trip, now as nostalgia, and is certain to become a collector's item. From the publisher: "Stephen Shore is one of the most pioneering and influential photographers of the twentieth century, best-known for his photographs of vernacular America taken in the early 1970s. This special, highly collectible limited edition book is the only complete documentation of Shore's road trip across America in 1973 featuring a reproduction of every page of t.
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