Making Dystopia : The Strange Rise and Survival of Architectural Barbarism

Curl, James Stevens

ISBN 10: 0198753691 / ISBN 13: 9780198753698

Edité par Oxford University Press, Oxford, 2018

A propos de cet article

Appears unread. No marks or inscriptions. A lovely clean very tight copy with bright unmarked cream cloth boards and no bumping to corners. Dust jacket not price clipped or marked or torn with very minor creasing to upper edge and spine foot. 551pp. A devastating critique of the Moderm Movement in architecture by one of our most eminent architectural historians - from the Bauhaus and Le Corbusier, through destructive Modernism-inspired urban planning of the post-war years. The author questions how increasingly unequal and dysfunctional societies have been affected by self-serving, self-appointed elites hell-bent on creating an alienating empathy-less Dystopia. We do not use stock photos, the picture displayed is of the actual book for sale. Every one of our books is in stock in the UK ready for immediate delivery. Size: 9.5 x 6.5 inches.

N° de réf. du vendeur 027929

Détails bibliographiques

• Titre: Making Dystopia : The Strange Rise and Survival of Architectural Barbarism
• Éditeur: Oxford University Press, Oxford
• Date de parution: 2018
• Langue: anglais
• ISBN à 10 chiffres: 0198753691
• ISBN à 13 chiffres: 9780198753698
• Reliure: Hard Cover
• Édition: First Edition.
• État de l'article: Fine
• État de la jaquette: Very Good (+)
• Catalogues du vendeur:
  • Social History
  • Architecture / Properties

A propos de ce titre

Synopsis

In Making Dystopia, distinguished architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice. Tracing the effects of the Modernist revolution in architecture to the present, Stevens Curl argues that, with each passing year, so-called 'iconic' architecture by supposed 'star' architects has become more and more bizarre, unsettling, and expensive, ignoring established contexts and proving to be stratospherically remote from the aspirations and needs of humanity. In the elite world of contemporary architecture, form increasingly follows finance, and in a society in which the 'haves' have more and more, and the 'have-nots' are ever more marginalized, he warns that contemporary architecture continues to stack up huge potential problems for the future, as housing costs spiral out of control, resources are squandered on architectural bling, and society fractures. This courageous, passionate, deeply researched, and profoundly argued book should be read by everyone concerned with what is around us. Its combative critique of the entire Modernist architectural project and its apologists will be highly controversial to many. But it contains salutary warnings that we ignore at our peril. And it asks awkward questions to which answers are long overdue.

À propos de l?auteur

Professor James Stevens Curl has been Visiting Fellow at Peterhouse, Cambridge, and is a Member of the Royal Irish Academy, a Fellow of the Society of Antiquaries of London, and a Fellow of the Royal Incorporation of Architects in Scotland. In 2014, De Montfort University awarded him an Honorary Doctorate of Arts in recognition of his 'distinctive contribution... to the intellectual and cultural life of the nation and region'. His many publications include studies of Classical, Georgian, and Victorian architecture, and the most recent edition of his Oxford Dictionary of Architecture (with contributions on landscape from Susan Wilson) was published by Oxford University Press in 2015. In 2017 he was awarded the British Academy President's Medal for 'outstanding service to the cause of the humanities and social sciences' in his wider study of the History of Architecture in Britain and Ireland.