Cook, Nicholas Music, Imagination, and Culture

ISBN 13 : 9780198163039

Music, Imagination, and Culture

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9780198163039: Music, Imagination, and Culture
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Music, Imagination and Culture It is a common experience that words are inadequate for music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, this study attempts to make a clear distinction between the province of music theory and that of aesthetic criticism. Full description

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Présentation de l'éditeur :

It is a common experience that words are inadequate for music; there seems always to be a disparity between how music is experienced, and how it is described or rationalized. This book is a study of musical imagination. Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This means that there is inevitably a gap between the image and the experience that it models, and this gap can be a source of compositional creativity. Different musical cultures embody different ways of imagining sound as music, and thus every culture creates its own distinctive pattern of discrepancies between image and experience - discrepancies which are reflected in theoretical thinking about music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Nicholas Cook makes a clear distinction between the province of music theory and that of aesthetic criticism. In doing so he affirms the importance of the `ordinary listener' in musical culture, and the validity of his or her experience of music.

Revue de presse :

This is a fascinating, learned, and provocative book ... It will start a debate amongst musical theorists which will continue over many years (Anthony Storr)

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Cook, Nicholas
Edité par Nicholas Cook (1992)
ISBN 10 : 0198163037 ISBN 13 : 9780198163039
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Nicholas Cook
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Description du livre Clarendon Press, 1992. Paperback. Etat : New. N° de réf. du vendeur H116-CLE-070319-2-106

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Description du livre Oxford University Press, U.S.A., 1992. Etat : New. book. N° de réf. du vendeur MB011DBWW46

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Description du livre Oxford University Press, United Kingdom, 1992. Paperback. Etat : New. Reprint. Language: English. Brand new Book. It is a common experience that words are inadequate for music; there seems always to be a disparity between how music is experienced, and how it is described or rationalized. This book is a study of musical imagination. Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This means that there is inevitably a gap between the image and the experience that it models, and this gap can be a source of compositional creativity. Different musical cultures embody different ways of imagining sound as music, and thus every culture creates its own distinctive pattern of discrepancies between image andexperience - discrepancies which are reflected in theoretical thinking about music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Nicholas Cook makes a clear distinction between the province of music theory and that of aesthetic criticism. In doing so he affirms the importance of the `ordinary listener' in musical culture, and the validity of his or her experience of music. N° de réf. du vendeur AAV9780198163039

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Nicholas Cook
Edité par Oxford University Press, United Kingdom (1992)
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Description du livre Oxford University Press, United Kingdom, 1992. Paperback. Etat : New. Reprint. Language: English. Brand new Book. It is a common experience that words are inadequate for music; there seems always to be a disparity between how music is experienced, and how it is described or rationalized. This book is a study of musical imagination. Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This means that there is inevitably a gap between the image and the experience that it models, and this gap can be a source of compositional creativity. Different musical cultures embody different ways of imagining sound as music, and thus every culture creates its own distinctive pattern of discrepancies between image andexperience - discrepancies which are reflected in theoretical thinking about music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Nicholas Cook makes a clear distinction between the province of music theory and that of aesthetic criticism. In doing so he affirms the importance of the `ordinary listener' in musical culture, and the validity of his or her experience of music. N° de réf. du vendeur AAV9780198163039

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Description du livre Clarendon Press, 1992. PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur LQ-9780198163039

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Description du livre Clarendon Press, 1992. PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur LQ-9780198163039

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Nicholas Cook
Edité par Oxford University Press, U.S.A. 2003-04-24 (2003)
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Description du livre Oxford University Press, U.S.A. 2003-04-24, 2003. Paperback. Etat : New. N° de réf. du vendeur 6666-LSI-9780198163039

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