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9780199680573: Bible and Novel: Narrative Authority and the Death of God
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The Victorian novel acquired greater cultural centrality just as the authority of the scriptures and of traditional religious teaching seemed to be declining. Did the novel supplant the Bible? The novelists often adopted or participated in a broadly progressive narrative of social change which can be seen as a secular replacement for the theological narrative of 'salvation history' and the waning authority of biblical narrative. Victorian fiction seems in some ways to enact the process of secularization. But contemporary religious resurgence in various parts of the world and postmodern scepticism about grand narratives have challenged and complicated the conventional view of secularization as an irreversible process, an inevitable 'disenchantment of the world' which is an aspect and function of the grand narrative of modernization. Such developments raise new questions about apparently post-Christian Victorian fiction. In our increasingly secular society novel-reading is now more popular than Bible-reading. Serious novels are often taken more seriously than scripture. Norman Vance looks at how this may have come about as an introduction to four best-selling late-Victorian novelists: George Eliot, Thomas Hardy, Mary Ward and Rider Haggard. Does the novel in their hands take the place of the Bible? Can apparently secular novels still have religious significance? Can they make new imaginative sense of some of the religious and moral themes and experiences to be found in the Bible? Do Eliot and her successors anticipate some of the insights of modern theology and contemporary investigations of religious experience? Do they call in question long-standing rumours of the death of God and the triumph of the secular? Bible and Novel develops a new context for reading later Victorian fiction, using it to illuminate the increasingly perplexed and confusing issue of 'secularization' and recent negotiations of the 'post-secular'.
Revue de presse :
this book is engaging, informed and ambitious yet controlled ... effectively raise[s] the question of whether secularization is an accurate or useful way to understand either literature or history. (Courtney Salvey, Review of English Studies)

Norman Vance writes with clarity and learning, and with a profound sense and understanding of Victorian literature and religion born of a lifetime of scholarly working in the field. ... This is a book that will be of immense value to both scholars and students of the 19th century, and it makes a significant contribution to the study of literature and theology. (David Jasper, Literature and Theology)

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  • ÉditeurOxford University Press
  • Date d'édition2013
  • ISBN 10 0199680574
  • ISBN 13 9780199680573
  • ReliureRelié
  • Nombre de pages246
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ISBN 10 :  0198744994 ISBN 13 :  9780198744993
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Description du livre Hardcover. Etat : new. Hardcover. The Victorian novel acquired greater cultural centrality just as the authority of the scriptures and of traditional religious teaching seemed to be declining. Did the novel supplant the Bible? The novelists often adopted or participated in a broadly progressive narrative of social change which can be seen as a secular replacement for the theological narrative of 'salvation history' and the waning authority of biblical narrative. Victorian fiction seems in some waysto enact the process of secularization. But contemporary religious resurgence in various parts of the world and postmodern scepticism about grand narratives have challenged and complicated theconventional view of secularization as an irreversible process, an inevitable 'disenchantment of the world' which is an aspect and function of the grand narrative of modernization. Such developments raise new questions about apparently post-Christian Victorian fiction. In our increasingly secular society novel-reading is now more popular than Bible-reading. Serious novels are often taken more seriously than scripture. Norman Vance looks at how this may have come about asan introduction to four best-selling late-Victorian novelists: George Eliot, Thomas Hardy, Mary Ward and Rider Haggard. Does the novel in their hands take the place of the Bible? Can apparently secularnovels still have religious significance? Can they make new imaginative sense of some of the religious and moral themes and experiences to be found in the Bible? Do Eliot and her successors anticipate some of the insights of modern theology and contemporary investigations of religious experience? Do they call in question long-standing rumours of the death of God and the triumph of the secular? Bible and Novel develops a new context for reading later Victorianfiction, using it to illuminate the increasingly perplexed and confusing issue of 'secularization' and recent negotiations of the 'post-secular'. Bible and Novel develops a new context for reading later Victorian fiction, using it to illuminate the increasingly perplexed and confusing issue of 'secularization' and recent negotiations of the "post-secular." Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780199680573

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