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Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau, and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Damisch's tale begins with the judgment of Paris, in which Paris awards Venus the golden apple and thus forever links beauty with desire. The casting of this decision as a mistake—in which desire is rewarded over wisdom and strength—is then linked to theories of the unconscious and psychological drives. In his quest for an exposition of the beautiful in its relation to visual pleasure, Damisch employs what he terms “analytic iconology,” following the revisions and repetitions of the motif of the judgment through art history, philosophy, aesthetics, and psychoanalysis. This translation brings an important figure of the French art historical tradition to Anglo-American audiences.
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Description du livre paperback. Etat : New. Language: ENG. N° de réf. du vendeur 9780226135120
Description du livre Etat : New. Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Translator(s): Goodman, John. Num Pages: 396 pages, 116 halftones. BIC Classification: AC; AFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 230 x 31. Weight in Grams: 630. . 1996. 1st Edition. Paperback. . . . . N° de réf. du vendeur V9780226135120
Description du livre Etat : new. N° de réf. du vendeur 89428b2b302b794691c13a4508cbe872
Description du livre Paperback. Etat : New. N° de réf. du vendeur 6666-WLY-9780226135120
Description du livre PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780226135120
Description du livre Etat : New. Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Translator(s): Goodman, John. Num Pages: 396 pages, 116 halftones. BIC Classification: AC; AFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 230 x 31. Weight in Grams: 630. . 1996. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780226135120
Description du livre PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780226135120
Description du livre Etat : New. N° de réf. du vendeur 642689-n
Description du livre Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. N° de réf. du vendeur B9780226135120
Description du livre Etat : new. N° de réf. du vendeur FrontCover0226135128