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Description du livre Hardcover. Etat : new. This item is printed on demand. N° de réf. du vendeur 9780231173568
Description du livre Etat : New. N° de réf. du vendeur ABLING22Oct1111410004065
Description du livre Etat : New. "Adapted from La fin du cinema: Un media en crise a lere du numerique . Armand Colin, Paris, 2013, first edition."--Title page verso. Translator(s): Barnard, Timothy. Series: Film and Culture Series. Num Pages: 256 pages, 6 black & white illustrations. BIC Classification: APF; JFD. Category: (P) Professional & Vocational. Dimension: 218 x 144 x 18. Weight in Grams: 380. . 2015. Hardcover. . . . . N° de réf. du vendeur V9780231173568
Description du livre Etat : New. Book is in NEW condition. N° de réf. du vendeur 0231173563-2-1
Description du livre Etat : New. New! This book is in the same immaculate condition as when it was published. N° de réf. du vendeur 353-0231173563-new
Description du livre Gebunden. Etat : New. A positive look at cinema s ongoing digital revolution that reaffirms its central place in a rapidly expanding media landscape. N° de réf. du vendeur 36336894
Description du livre Hardcover. Etat : new. Hardcover. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," Andre Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. A positive look at cinemas ongoing digital revolution that reaffirms its central place in a rapidly expanding media landscape Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780231173568
Description du livre Etat : New. "Adapted from La fin du cinema: Un media en crise a lere du numerique . Armand Colin, Paris, 2013, first edition."--Title page verso. Translator(s): Barnard, Timothy. Series: Film and Culture Series. Num Pages: 256 pages, 6 black & white illustrations. BIC Classification: APF; JFD. Category: (P) Professional & Vocational. Dimension: 218 x 144 x 18. Weight in Grams: 380. . 2015. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780231173568
Description du livre Hardcover. Etat : new. Hardcover. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," Andre Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. A positive look at cinemas ongoing digital revolution that reaffirms its central place in a rapidly expanding media landscape Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780231173568