Articles liés à Germaine Dulac: A Cinema of Sensations
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- ÉditeurUniversity of Illinois Press
- Date d'édition2014
- ISBN 10 0252038479
- ISBN 13 9780252038471
- ReliureRelié
- Nombre de pages296
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GERMAINE DULAC: A CINEMA OF SENSATIONS (WOMEN & FILM HISTORY INTERNATIONAL)
Edité par
University of Illinois Press
(2014)
ISBN 10 : 0252038479
ISBN 13 : 9780252038471
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Description du livre Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service. N° de réf. du vendeur ABEOCT23-274639
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Germaine Dulac
Edité par
University of Illinois Press
(2014)
ISBN 10 : 0252038479
ISBN 13 : 9780252038471
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Description du livre Etat : New. pp. 296. N° de réf. du vendeur 2697485617
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Germaine Dulac
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University of Illinois Press
(2014)
ISBN 10 : 0252038479
ISBN 13 : 9780252038471
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Description du livre Etat : New. pp. 296. N° de réf. du vendeur 95960302
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Germaine Dulac : A Cinema of Sensations
Edité par
University of Illinois Press
(2014)
ISBN 10 : 0252038479
ISBN 13 : 9780252038471
Neuf
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Description du livre Etat : New. N° de réf. du vendeur 20877762-n
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Germaine Dulac : A Cinema of Sensations
Edité par
University of Illinois Press
(2014)
ISBN 10 : 0252038479
ISBN 13 : 9780252038471
Neuf
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Description du livre Etat : New. N° de réf. du vendeur 20877762-n
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Germaine Dulac (Hardcover)
Edité par
University of Illinois Press, Baltimore
(2014)
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Description du livre Hardcover. Etat : new. Hardcover. Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulacs passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory.In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac. Williams's analysis explores the artistic and sociopolitical currents that shaped Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Moving beyond the directors work of the 1920s, Williams examines Dulac's largely ignored 1930s documentaries and newsreels establishing clear links with the more experimental impressionist and abstract works of her early period. This vivid portrait will be of interest to general readers, as well as to scholars of cinema and visual culture, performance, French history, womens studies, queer cinema, in addition to studies of narrative avant-garde, experimental, and documentary film history and theory. Explores the artistic and sociopolitical currents that shaped Germaine Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780252038471
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Germaine Dulac (Hardcover)
Edité par
University of Illinois Press, Baltimore
(2014)
ISBN 10 : 0252038479
ISBN 13 : 9780252038471
Neuf
Couverture rigide
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Hardcover. Etat : new. Hardcover. Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulacs passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory.In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac. Williams's analysis explores the artistic and sociopolitical currents that shaped Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Moving beyond the directors work of the 1920s, Williams examines Dulac's largely ignored 1930s documentaries and newsreels establishing clear links with the more experimental impressionist and abstract works of her early period. This vivid portrait will be of interest to general readers, as well as to scholars of cinema and visual culture, performance, French history, womens studies, queer cinema, in addition to studies of narrative avant-garde, experimental, and documentary film history and theory. Explores the artistic and sociopolitical currents that shaped Germaine Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780252038471
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