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Shades of Grey Imagine a black and white world where colour is a commodity ... It is the new world of comic and creative genius Jasper Fforde Full description
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A Morning in Vermillion
184.108.40.206.021: Males are to wear dress code #6 duringinter-Collective travel. Hats are encouraged but notmandatory.
It began with my father not wanting to see the Last Rabbit and endedup with my being eaten by a carnivorous plant. It wasn’t really whatI’d planned for myself— I’d hoped to marry into the Oxbloods andjoin their dynastic string empire. But that was four days ago, before Imet Jane, retrieved the Caravaggio and explored High Saffron. So insteadof enjoying aspirations of Chromatic advancement, I was wholly immersed within the digestive soup of a yateveo tree. It was all frightfullyinconvenient.
But it wasn’t all bad, for the following reasons: First, I was lucky tohave landed upside down. I would drown in under a minute, which wasfar, far preferable to being dissolved alive over the space of a few weeks.Second, and more important, I wasn’t going to die ignorant. I had discoveredsomething that no amount of merits can buy you: the truth. Notthe whole truth, but a pretty big part of it. And that was why this was allfrightfully inconvenient. I wouldn’t get to do anything with it. And thistruth was too big and too terrible to ignore. Still, at least I’d held it in myhands for a full hour and understood what it meant.
I didn’t set out to discover a truth. I was actually sent to the Outer Fringesto conduct a chair census and learn some humility. But the truth inevitablyfound me, as important truths often do, like a lost thought in need of a mind. I found Jane, too, or perhaps she found me. It doesn’t really matter. We foundeach other. And although she was Grey and I was Red, we shared a commonthirst for justice that transcended Chromatic politics. I loved her, and what’smore, I was beginning to think that she loved me. After all, she did apologizebefore she pushed me into the leafless expanse below the spread of theyateveo, and she wouldn’t have done that if she’d felt nothing.
So that’s why we’re back here, four days earlier, in the town of Vermillion,the regional hub of Red Sector West. My father and I had arrivedby train the day before and overnighted at the Green Dragon. We hadattended Morning Chant and were now seated for breakfast, disheartenedbut not surprised that the early Greys had already taken the bacon,and it remained only in exquisite odor. We had a few hours before ourtrain and had decided to squeeze in some sightseeing.
“We could always go and see the Last Rabbit,” I suggested. “I’m toldit’s unmissable.”
But Dad was not to be easily swayed by the rabbit’s uniqueness. Hesaid we’d never see the Badly Drawn Map, the Oz Memorial, the colorgarden and the rabbit before our train departed. He also pointed outthat not only did Vermillion’s museum have the best collection of Vimtobottles anywhere in the Collective, but on Mondays and Thursdays theydemonstrated a gramophone.
“A fourteen- second clip of ‘Something Got Me Started,’ ” he said, as ifsomething vaguely Red- related would swing it.
But I wasn’t quite ready to concede my choice.
“The rabbit’s getting pretty old,” I persisted, having read the safetybriefing in the “How Best to Enjoy Your Rabbit Experience” leaflet, “andpetting is no longer mandatory.”
“It’s not the petting,” said Dad with a shudder, “it’s the ears. In anyevent,” he continued with an air of finality, “I can have a productive andfulfilling life having never seen a rabbit.”
This was true, and so could I. It was just that I’d promised my bestfriend, Fenton, and five others that I would log the lonely bun’s Taxanumber on their behalf and thus allow them to note it as “proxy seen”in their animal- spotter books. I’d even charged them twenty- five centseach for the privilege— then blew the lot on licorice for Constance anda new pair of synthetic red shoelaces for me.
Dad and I bartered like this for a while, and he eventually agreed tovisit all of the town’s attractions but in a circular manner, to save on shoeleather. The rabbit came last, after the color garden.
So, having conceded to at least include the rabbit in the morning’s entertainment,Dad returned to his toast, tea and copy of Spectrum as I lookedidly about the shabby breakfast room, seeking inspiration for the postcardI was writing. The Green Dragon dated from before the Epiphany and, likemuch of the Collective, had seen many moments, each of them slightlymore timeworn than the one before. The paint in the room was peeling,the plaster molding was dry and crumbly, the linoleum tabletops wereworn to the canvas and the cutlery was either bent, broken or missing.
But the hot smell of toast, coffee and bacon, the flippant affability of thestaff and the noisy chatter of strangers enjoying transient acquaintancegave the establishment a peculiar charm that the reserved, eminentlyrespectable tearooms back home in Jade- under- Lime could never match.I noticed also that despite the lack of any Rules regarding seat plans in“ non- hue- specific” venues, the guests had unconsciously divided theroom along strictly Chromatic lines. The one Ultraviolet was respectfullygiven a table all to himself, and several Greys stood at the door waitingpatiently for an empty table even though there were places available.We were sharing our table with a Green couple. They were of matureyears and wealthy enough to wear artificially green clothes so thatall could witness their enthusiastic devotion to their hue, a proudfullyexpensive and tastelessly ostentatious display that was doubtlessfinanced by the sale of their child allocation. Our clothes were dyed ina conventional shade visible only to other Reds, so to the Greens sittingopposite we had only our Red Spots to set us apart from the Greys, andwere equally despised. When they say red and green are complementary,it doesn’t mean we like each other. In fact, the only thing that Reds andGreens can truly agree on is that we dislike Yellows more.
“You,” said the Green woman, pointing her spoon at me in an exceptionallyrude manner, “fetch me some marmalade.”
I dutifully complied. The Green woman’s bossy attitude was not atypical.We were three notches lower in the Chromatic scale, which officiallymeant we were subservient. But although lower in the Order, we werestill Prime within the long- established Red- Yellow- Blue Color Model,and a Red would always have a place in the village Council, somethingthe Greens, with their bastard Blue- Yellow status could never do. It irritatedthem wonderfully. Unlike the dopey Oranges, who accepted theirlot with a cheery, self- effacing good humor, Greens never managed torise above the feeling that no one took them seriously enough. The reasonfor this was simple: They had the color of the natural world almost exclusively to themselves, and felt that the scope of their sight- gift shouldreflect their importance within the Collective. Only the Blues could evenbegin to compete with this uneven share of the Spectrum, as they ownedthe sky, but this was a claim based mainly on surface area rather than avariety of shades, and when it was overcast, they didn’t even have that.
But if I thought she was ordering me about solely due to my hue, I wasmistaken. I was wearing a NEEDS HUMILITY badge below my Red Spot. It relatedto an incident with the head prefect’s son, and I was compelled to wear itfor a week. If the Green woman had been more reasonable, she would haveexcused me the errand due to the prestigious 1,000 MERITS badge that I alsowore. Perhaps she didn’t care. Perhaps she just wanted the marmalade.I fetched the jar from the sideboard, gave it to the Green, noddedrespectfully, then returned to the postcard I was writing. It was of Vermillion’sold stone bridge and had been given a light blue wash in thesky for five cents extra. I could have paid ten and had one with greenedgrass, too, but this was for my potential fiancée, Constance Oxblood, andshe considered overcolorization somewhat vulgar. The Oxbloods werestrictly old- color and preferred muted tones of paint wherever possible,even though they could have afforded to decorate their house to thehighest chroma. Actually, much to them was vulgar, and that includedthe Russetts, whom they regarded as nouveau couleur. Hence my status as“potential fiancé.” Dad had negotiated what we called a “half promise,”which meant I was first- optioned to Constance. The agreement fell shortof being reciprocal, but it was a good deal— a concession that, despitebeing a Russett and three generations from Grey, I might be able to see agoodly amount of red, so couldn’t be ignored completely.
“Writing to Fish- face already?” asked my father with a smile. “Hermemory’s not that bad.”
“True,” I conceded, “but despite her name, constancy is possibly herleast well- defined attribute.”
“Ah. Roger Maroon still sniffing about?”
“As flies to stinkwort. And you mustn’t call her Fish- face.”
“More butter,” remarked the Green woman, “and don’t dawdle thistime.”
We finished breakfast and, after some last- minute packing, descendedto the reception desk, where Dad instructed the porter to have our suitcasesdelivered to the station.
“Beautiful day,” said the manager as we paid the bill. He was a thin man with a finely shaped nose and one ear. The loss of an ear was not unusual,as they could be torn off annoyingly easily, but what was unusual wasthat he’d not troubled to have it stitched back on, a relatively straightforwardprocedure. More interesting, he wore his Blue Spot high up on hislapel. It was an unofficial but broadly accepted signal that he knew howto “fix” things, for a fee. We’d had crayfish for dinner the night before,and he hadn’t punched it out of ration books. It had cost us an extra halfmerit, covertly wrapped in a napkin.
“Every day is a beautiful day,” replied my father in a cheery manner.
“Indeed they are,” the manager countered genially. After we hadexchanged feedback— on the hotel for being clean and moderately comfortable,and on us, for not bringing shame to the establishment by poortable manners or talking loudly in public areas— he asked, “Do youtravel far this morning?”
“We’re going to East Carmine.”
The Blue’s manner changed abruptly. He gave us an odd look, handedback our merit books and wished us a joyously uneventful future beforeswiftly moving to attend someone else. So we tipped the porter, reiteratedthe time of our train and headed off to the first item on our itinerary.
“Hmm,” said my father, staring at the Badly Drawn Map once we haddonated our ten cents and shuffled inside the shabby yet clean maphouse,
“I can’t make head nor tail of this.”
The Badly Drawn Map might not have been very exciting, but it wasvery well named. “That’s probably why it survived the deFacting,” I suggested,for the map was not only mystifying but mind- numbingly rare.
Aside from the Parker Brothers’ celebrated geochromatic view of the PreviousWorld, it was the only pre- Epiphanic map known. But somehowits rarity wasn’t enough to make it interesting, and we stared blankly forsome minutes at the faded parchment, hoping to either misunderstandit on a deeper level or at least get our money’s worth.
“The longer and harder we look at it, the cheaper the entrance donationbecomes,” Dad explained.
I thought of asking how long we’d have to stare at it before they owedus money, but didn’t.
He put his guidebook away, and we walked back out into the warmsunlight. We felt cheated out of our ten cents but politely left positivefeedback, since the drabness of the exhibit was no fault of the curator’s.
“Why was the hotel manager so dismissive of East Carmine?”
“The Outer Fringes have a reputation for being unsociably dynamic,”he said after giving my question some thought, “and some consider thateventfulness may lead to progressive thought, with all the attendantrisks that might bring to the Stasis.”
It was a diplomatically prescient remark, and one that I had cause toconsider a lot over the coming days.
“Yes,” I said, “but what do you think?”
“I think we should go and see the Oz Memorial. Even if it’s as dullas magnolia, it will still be a thousand times more interesting than theBadly Drawn Map.”
We walked along the noisy streets toward the museum and soaked in thehustle, bustle, dust and heat of Vermillion. All about us were the traders whodealt with daily requisites: livestock herders, barrow boys, water sellers, piemen,storytellers and weight guessers. Catering for more long- term needswere the small shops, such as repairers, artifact dealers, spoon traders andcalculating shops that offered addition and subtraction while you waited.Moderators and loopholists were hirable by the minute to advise on mattersregarding the Rules, and there was even a shop that traded solely in floaties,and another that specialized in postcode genealogy. Amid it all I noticed astronger- than- usual presence of Yellows, presumably to keep an eye out forillegal color exchange, seed trading or running with a sharp implement.
Unusually for a regional hub, Vermillion was positioned pretty muchon the edge of the civilized world. Beyond it to the east were only theRedstone Mountains and isolated outposts like East Carmine. In theuninhabited zone there would be wild outland, megafauna, lost villagesof untapped scrap color and quite possibly bands of nomadic Riffraff.It was exciting and worrying all in one, and until the week before, Ihadn’t even heard of East Carmine, let alone thought I would be spendinga month there on Humility Realignment. My friends were horrified,expressed low- to- moderate outrage that I should be treated this way andproclaimed that they would have started a petition if they could havetroubled themselves to look for a pencil.
“The Fringes are the place of the slack- willed, slack- jawed andslack- hued,” remarked Floyd Pinken, who could comfortably boast allthree of those attributes, if truth be known.
“And be wary of losers, self- abusers, fence leapers and fornicators,”added Tarquin, who, given his family history, would not have seemedout of place there either.
They then informed me that I would be demonstrably insane to leavethe safety of the village boundary for even one second, and that a trip tothe Fringes would have me eating with my fingers, slouching and withhair below the collar in under a week. I almost decided to buy my wayout of the assignment with a loan from my twice- widowed aunt Beryl,but Constance Oxblood thought otherwise.
“You’re doing a what?” she asked when I mentioned the reason I wasgoing to East Carmine.
“A chair census, my poppet,” I explained. “Head Office is worriedthat the chair density might have dropped below the proscribed 1.8 perperson.”
“How absolutely thrilling. Does an ottoman count as a chair or a verystiff cushion?”
She went on to say that I would be showing significant daring andcommendable bravery if I went, so I changed my mind. With the prospectof joining the family of Oxblood and of myself as potential prefectmaterial, I was going to need the broadening that travel and furniturecounting would doubtless bring, and a month in the intolerably unsophisticatedOuter Fringes might well supply that for me.
The Oz Memorial trumped the Badly Drawn Map in that it wa...Revue de presse :
'Brave New World meets 1984 in a new series from British comic genius Jasper Fforde . . . Fforde's synaesthetic dystopia is intricately wrought and this opening to a promised trilogy will leave readers impatient for more' (Sunday Times, Perth, Australia on SHADES OF GREY)
'Fforde has introduced an element of darkness and a generous dollop of uneasiness to his familiar blend of silliness and satire in SHADES OF GREY. Upbeat, engaging and at times wickedly off the wall in conversation, Fforde is refreshingly devoid of all literary pretension.' (Canberra Times on SHADES OF GREY)
'Fforde juxtaposes quirky humour with dark scenarios, and the result is an entertaining but edgy story with startling relevance for today's world' (Courier Mail)
'Fforde fans will love this book and will eagerly anticipate the next two instalments . . . at every turn of the page there is something new and unexpected that assails you with its audacious inventiveness' (Weekend Australian on SHADES OF GREY)
'Barrelling wit and quirky world-building' (Age, Australia on SHADES OF GREY)
'Fforde's books are more than an ingenious idea. They are written with buoyant zest and are tautly plotted. They have empathetic heroes and heroines who nearly make terribly mistakes and suitably dastardly villains who do. They also have more twists and turns than Christie, and are embellished with the rich details of a Dickens or Pratchett' (Independent)
'Fans of the late Douglas Adams or, even, Monty Python, will feel at home with Fforde' (Herald)
'No summaries can do justice to the sheer inventiveness, wit, complexity, erudition, unexpectedness and originality of the works, nor to their vast repertoire of intricate wordplay and puns' (The Times)
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