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Mason, Daniel The Piano Tuner ISBN 13 : 9780375414657

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9780375414657: The Piano Tuner
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Book by Mason Daniel

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

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Chapter 1

It was afternoon in the office of Colonel Killian, Director of Operations for the Burma Division of the British army. Edgar Drake sat by a pair of dark, rattling heating pipes and stared out the window, watching the sweep of rain. Across the room sat the Colonel, a broad, sunburnt man with a shock of red hair and a thick mustache that fanned out in combed symmetry, underlining a fierce pair of green eyes. Behind his desk hung a long Bantu lance and a painted shield that still bore the scars of battle. He wore a scarlet uniform, edged with braids of black mohair. Edgar would remember this, for the braids reminded him of a tiger's stripes, and the scarlet made the green eyes greener.

Several minutes had passed since the Colonel had entered the room, drawn up a chair behind a deeply polished mahogany desk, and begun to thumb through a stack of papers. At last he looked up. From behind the mustache came a stentorian baritone. "Thank you for waiting, Mr. Drake. I had a matter of urgency to attend to."

The piano tuner turned from the window. "Of course, Colonel." He fingered his hat in his lap.

"If you don't mind, then we will begin at once with the matter at hand." The Colonel leaned forward. "Again, welcome to the War Office. I imagine this is your first visit here." He did not leave time for the piano tuner to respond. "On behalf of my staff and superiors, I appreciate your attention to what we consider a most serious matter. We have prepared a briefing regarding the background of this affair. If you agree, I think it would be most expedient if I summarize it for you first. We can discuss any questions you may have when you know more details." He rested his hand on a stack of papers.

"Thank you, Colonel," replied the tuner quietly. "I must admit that I was intrigued by your request. It is most unusual."

Across the table the mustache wavered. "Most unusual indeed, Mr. Drake. We do have much to discuss of this matter. If you haven't recognized by now, this commission is as much about a man as it is about a piano. So I will begin with Surgeon-Major Carroll himself."

The piano tuner nodded.

The mustache wavered again. "Mr. Drake, I will not bother you with the details of Carroll's youth. Actually, his background is somewhat mysterious, and we know little. He was born in 1833, of Irish stock, the son of Mr. Thomas Carroll, a teacher of Greek poetry and prose at a boarding school in Oxfordshire. Although his family was never wealthy, his father's interest in education must have been passed along to his son, who excelled at school, and left home to pursue medicine at University College Hospital in London. Upon graduation, rather than open a private surgery as most were inclined to do, he applied for a position at a provincial hospital for the poor. As earlier, we have few records of Carroll during this time, we only know that he remained in the provinces for five years. During this time he married a local girl. The marriage was short-lived. His wife died in childbirth, along with their child, and Carroll never remarried."

The Colonel cleared his throat, picked up another document, and continued. "Following his wife's death, Carroll returned to London, where he applied for a position as a physician at the Asylum for the Ragged Poor in the East End during the cholera outbreaks. He held this post for only two years. In 1863 he secured a commission as a surgeon on the Army Medical Staff.

"It is here, Mr. Drake, that our history becomes more complete. Carroll was appointed as a doctor to the 28th Foot in Bristol, but applied for a transfer to serve in the colonies only four months after his enlistment. The application was accepted immediately, and he was appointed deputy director of the military hospital in Saharanpur, in India. There he gained an early reputation not only as a fine physician but also as somewhat of an adventurer. He frequently accompanied expeditions into the Punjab and Kashmir, missions that put him in danger from local tribes as well as Russian agents, a problem that persists as the Tsar tries to match our territorial gains. There he also earned a reputation as a man of letters, although nothing that would suggest the, well, let us say fervor which led him to request a piano. Several superiors reported him shirking rounds and observed him reading poetry in the hospital gardens. This practice was tolerated, albeit grudgingly, after Carroll apparently recited a poem by Shelley-'Ozymandias,' I believe-to a local chieftain who was being treated at the hospital. The man, who had already signed a treaty of cooperation but had refused to commit any troops, returned to the hospital a week after his convalescence and asked to see Carroll, not the military officer. He brought with him a force of three hundred, 'to serve the "poet-soldier"-his words, not ours, Mr. Drake."

The Colonel looked up. He thought he saw a slight smile on the piano tuner's face. "Remarkable story, I know."

"It is a powerful poem."

"It is, although I admit the episode was perhaps somewhat unfortunate."

"Unfortunate?"

"We are getting ahead of ourselves, Mr. Drake, but I am of the mind that this matter with the Erard has something to do with the 'soldier' attempting to become somewhat more of a 'poet.' The piano-and, granted, this is just my opinion-represents a-how best to put this?-an illogical extension of such a strategy. If Doctor Carroll truly believes that bringing music to such a place will hasten peace, I only hope he brings enough riflemen to defend it." The piano tuner said nothing, and the Colonel shifted slightly in his seat. "You would agree, Mr. Drake, that to impress a local noble with recitation and rhyme is one thing. To request a grand piano to be sent to the most remote of our forts is quite another."

"I know little of military matters," said Edgar Drake.

The Colonel looked at him briefly before returning to the papers. This was not the kind of person ready for the climate and challenges of Burma, he thought. A tall, thin man with thick graying hair that hung loosely above a pair of wire-rim glasses, the tuner looked more like a schoolteacher than someone capable of bearing any military responsibility. He seemed old for his forty-one years; his eyebrows were dark, his cheeks lined with soft whiskers. His light-colored eyes wrinkled at their corners, although not, the Colonel noted, in the manner of someone who had spent a lifetime smiling. He was wearing a corduroy jacket, a bow tie, and worn wool trousers. It all would have conveyed a feeling of sadness, he thought, were it not for his lips, unusually full for an Englishman, which rested in a position between bemusement and faint surprise and lent him a softness which unnerved the Colonel. He also noticed the piano tuner's hands, which he massaged incessantly, their wrists lost in the cavities of his sleeves. They were not the type of hands he was accustomed to, too delicate for a man's, yet when they had greeted each other, the Colonel had felt a roughness and strength, as if they were moved by wires beneath the calloused skin.

He looked back to the papers and continued. "So Carroll remained in Saharanpur for five years. During this time he served on no fewer than seventeen missions, passing more time in the field than at his post." He began to thumb through the reports on the missions the Doctor had accompanied, reading out their names. September 1866-Survey for a Rail Route Along the Upper Sutlej River. December-Mapping Expedition of the Corps of Water Engineers in the Punjab. February 1867-Report on Childbirth and Obstetric Diseases in Eastern Afghanistan. May-Veterinary Infections of Herd Animals in the Mountains of Kashmir and Their Risk to Humans. September-the Royal Society's Highland Survey of Flora in Sikkim. He seemed compelled to name them all, and did so without taking a breath, so that the veins on his neck swelled to resemble the very mountains of Kashmir-at least thought Edgar Drake, who had never been there, or studied its geography, but who, by this point, was growing impatient with the notable absence of any piano from the story.

"In late 1868," continued the Colonel, "the deputy director of our military hospital in Rangoon, then the only major hospital in Burma, died suddenly of dysentery. To replace him, the medical director in Calcutta recommended Carroll, who arrived in Rangoon in February 1869. He served there for three years, and since his work was mainly medical, we have few reports on his activities. All evidence suggests he was occupied with his responsibilities at the hospital."

The Colonel slid a folder forward on the desk. "This is a photograph of Carroll, in Bengal." Edgar waited briefly, and then, realizing he should rise to accept it, leaned forward, dropping his hat on the floor in the process. "Sorry," he muttered, grabbing the hat, then the folder, and returning to his chair. He opened the folder in his lap. Inside was a photo, upside down. He rotated it gingerly. It showed a tall, confident man with a dark mustache and finely combed hair, dressed in khaki, standing over the bed of a patient, a darker man, perhaps an Indian. In the background there were other beds, other patients. A hospital, thought the tuner, and returned his eyes to the face of the Doctor. He could read little from the man's expression. His face was blurred, although strangely all the patients were in focus, as if the Doctor was in a state of constant animation. He stared, trying to match the man to the story he was hearing, but the photo revealed little. He rose and returned it to the Colonel's desk.

"In 1871 Carroll requested to be moved to a more remote station in central Burma. The request was approved, as this was a period of intensifying Burmese activity in the Irrawaddy River valley south of Mandalay. At h...
Revue de presse :
“Thoroughly engaging, an excellent early-21st-century reproduction of a late Victorian novel... [Mason] renders [Burma] and its culture brilliantly. His powerful prose style and his ability to embrace history, politics, nature and medicine within a fully imagined 19th-century fictional world would be notable in any writer and are astonishing in one who is just 26...The reader finds an excellent guide to the wonders and sorrows of another place and time.” –Andrea Barrett, The New York Times Book Review

“A rattling good story, complex characterizations, and a brilliantly realized portrayal of an alien culture–all combine to dazzling effect in this first by a California medical student who has worked and studied in the Far East. Piano tuner Edgar Drake undertakes his journey (thrillingly described), arriving at the inland fortress where the suave Dr. Anthony Carroll–part Albert Schweitzer, part Mistah Kurtz of Heart of Darkness–rules as a benevolent despot, aided by a beautiful Burmese woman to whom Edgar finds himself increasingly attracted. A wealth of information–musical, medical, historical, political–and numerous colorfully detailed vignettes of life in Burma’s teeming cities and jungle villages provide a solid context for the intricate plot, which brings Drake into ‘complicity’ with Carroll’s visionary dream...until the powerful denouement [and the] deeply ironic climactic action. (One keeps thinking of what a marvelous movie The Piano Tuner might make.) . . . An irresistible amalgam of Kipling, Rider Haggard, and Conrad at their very best. Masterful.” –Kirkus

[The Piano Tuner] ends, inevitably, in tragedy, but the reader will regret that it ends at all. This is an utterly involving first novel, rich in historical detail. Mason’s language is at once tropically lush and as precise as a Bach prelude. A novel for readers of literary and popular fiction alike; highly recommended.” –Library Journal

“An ambitious, adventuresome, highly unusual first novel that offers pleasures too rarely encountered in contemporary American literary fiction...[Mason is] a gifted, original and courageous writer.” –Jonathan Yardley, Washington Post Book World

“A strange, often beautiful story...full of haunting, gorgeous scenes...With a deft hand [and] trills of wit and suspense, Mason delivers a timely critique of the self-justifying nature of military action. In these troubled times, it’s a tune you can’t get out of your head...A smart, entertaining adventure.” –Ron Charles, The Christian Science Monitor

"An extraordinary piece of work. The Piano Tuner is a novel of journeys and the shifting grounds of perception, but at heart it is a story of the human urge to be absorbed fully into life, to cease to be a bystander, to be thrust into the essential dreamscape of human strivings. Daniel Mason's debut is shining and striking. He transported me thoroughly, well beyond the initial reading. Days later, the scenes shift and stir and agitate within me. This is writing of deep potency and resonance. Of beauty and pain and all things in between."
–Jeffrey Lent, author of In the Fall and Lost Nation

"Daniel Mason has woven together an elegant and unusually engrossing story, one that offers the reader the best possible journey–into a world that no longer exists. Rich, atmospheric, and evocative of the sights, smells and textures of 19th century Burma, The Piano Tuner is an astonishingly accomplished first novel. I truly enjoyed it."
–Arthur Golden, author of Memoirs of a Geisha

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

  • ÉditeurAlfred a Knopf Inc
  • Date d'édition2002
  • ISBN 10 0375414657
  • ISBN 13 9780375414657
  • ReliureRelié
  • Numéro d'édition1
  • Nombre de pages317
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Autres éditions populaires du même titre

9781400030385: The Piano Tuner: A Novel

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ISBN 10 :  ISBN 13 :  9781400030385
Editeur : Vintage, 2003
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  • 9781447275428: The Piano Tuner

    Picador, 2015
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  • 9780330492690: The Piano Tuner

    Picador, 2004
    Couverture souple

  • 9781400032730: The Piano Tuner: A Novel

    Couverture souple

  • 9780330492669: The Piano Tuner

    Picador, 2003
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