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Allison, Dorothy Bastard Out of Carolina ISBN 13 : 9780525934257

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9780525934257: Bastard Out of Carolina
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Book by Allison Dorothy

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1

I’ve been called Bone all my life, but my name’s Ruth Anne. I was named for and by my oldest aunt—Aunt Ruth. My mama didn’t have much to say about it, since strictly speaking, she wasn’t there. Mama and a carful of my aunts and uncles had been going out to the airport to meet one of the cousins who was on his way back from playing soldier. Aunt Alma, Aunt Ruth, and her husband, Travis, were squeezed into the front, and Mama was stretched out in back, sound asleep. Mama hadn’t adjusted to pregnant life very happily, and by the time she was eight months gone, she had a lot of trouble sleeping. She said that when she lay on her back it felt like I was crushing her, when she lay on her side it felt like I was climbing up her backbone, and there was no rest on her stomach at all. Her only comfort was the backseat of Uncle Travis’s Chevy, which was jacked up so high that it easily cradled little kids or pregnant women. Moments after lying back into that seat, Mama had fallen into her first deep sleep in eight months. She slept so hard, even the accident didn’t wake her up.

My aunt Alma insists to this day that what happened was in no way Uncle Travis’s fault, but I know that the first time I ever saw Uncle Travis sober was when I was seventeen and they had just removed half his stomach along with his liver. I cannot imagine that he hadn’t been drinking. There’s no question in my mind but that they had all been drinking, except Mama, who never could drink, and certainly not when she was pregnant.

No, Mama was just asleep and everyone else was drunk. And what they did was plow headlong into a slow-moving car. The front of Uncle Travis’s Chevy accordioned; the back flew up; the aunts and Uncle Travis were squeezed so tight they just bounced a little; and Mama, still asleep with her hands curled under her chin, flew right over their heads, through the windshield, and over the car they hit. Going through the glass, she cut the top of her head, and when she hit the ground she bruised her backside, but other than that she wasn’t hurt at all. Of course, she didn’t wake up for three days, not till after Granny and Aunt Ruth had signed all the papers and picked out my name.

I am Ruth for my aunt Ruth, and Anne for my mama. I got the nickname Bone shortly after Mama brought me home from the hospital and Uncle Earle announced that I was “no bigger than a knucklebone” and Aunt Ruth’s youngest girl, Deedee, pulled the blanket back to see “the bone.” It’s lucky I’m not Mattie Raylene like Granny wanted. But Mama had always promised to name her first daughter after her oldest sister, and Aunt Ruth thought Mama’s child should just naturally carry Mama’s name since they had come so close to losing her.

Other than the name, they got just about everything else wrong. Neither Aunt Ruth nor Granny could write very clearly, and they hadn’t bothered to discuss how Anne would be spelled, so it wound up spelled three different ways on the form—Ann, Anne, and Anna. As for the name of the father, Granny refused to speak it after she had run him out of town for messing with her daughter, and Aunt Ruth had never been sure of his last name anyway. They tried to get away with just scribbling something down, but if the hospital didn’t mind how a baby’s middle name was spelled, they were definite about having a father’s last name. So Granny gave one and Ruth gave another, the clerk got mad, and there I was—certified a bastard by the state of South Carolina.

Mama always said it would never have happened if she’d been awake. “After all,” she told my aunt Alma, “they don’t ask for a marriage license before they put you up on the table.” She was convinced that she could have bluffed her way through it, said she was married firmly enough that no one would have questioned her.

“It’s only when you bring it to their attention that they write it down.”

Granny said it didn’t matter anyhow. Who cared what was written down? Did people read courthouse records? Did they ask to see your birth certificate before they sat themselves on your porch? Everybody who mattered knew, and she didn’t give a rat’s ass about anybody else. She teased Mama about the damn silly paper with the red stamp on the bottom.

“What was it? You intended to frame that thing? You wanted something on your wall to prove you done it right?” Granny could be mean where her pride was involved. “The child is proof enough. An’t no stamp on her nobody can see.”

If Granny didn’t care, Mama did. Mama hated to be called trash, hated the memory of every day she’d ever spent bent over other people’s peanuts and strawberry plants while they stood tall and looked at her like she was a rock on the ground. The stamp on that birth certificate burned her like the stamp she knew they’d tried to put on her. No-good, lazy, shiftless. She’d work her hands to claws, her back to a shovel shape, her mouth to a bent and awkward smile—anything to deny what Greenville County wanted to name her. Now a soft-talking black-eyed man had done it for them—set a mark on her and hers. It was all she could do to pull herself up eight days after I was born and go back to work waiting tables with a tight mouth and swollen eyes.

Mama waited a year. Four days before my first birthday and a month past her sixteenth, she wrapped me in a blanket and took me to the courthouse. The clerk was polite but bored. He had her fill out a form and pay a two-dollar fee. Mama filled it out in a fine schoolgirl’s hand. She hadn’t been to school in three years, but she wrote letters for everyone in the family and was proud of her graceful, slightly canted script.

“What happened to the other one?” the clerk asked.

Mama didn’t look up from my head on her arm. “It got torn across the bottom.”

The clerk looked at her more closely, turned a glance on me. “Is that right?”

He went to the back and was gone a long time. Mama stood, quiet but stubborn, at the counter. When he came back, he passed her the paper and stayed to watch her face.

It was the same, identical to the other one. Across the bottom in oversized red-inked block letters it read, “ILLEGITIMATE.”

Mama drew breath like an old woman with pleurisy, and flushed pink from her neck to her hairline. “I don’t want it like this,” she blurted.

“Well, little lady,” he said in a long, slow drawl. Behind him she could see some of the women clerks standing in a doorway, their faces almost as flushed as her own but their eyes bright with an entirely different emotion. “This is how it’s got to be. The facts have been established.” He drew the word out even longer and louder so that it hung in the air between them like a neon reflection of my mama’s blush—established.

The women in the doorway shook their heads and pursed their lips. One mouthed to the other, “Some people.”

Mama made her back straighten, bundled me closer to her neck, and turned suddenly for the hall door. “You forgetting your certificate,” the man called after her, but she didn’t stop. Her hands on my body clamped so tight I let out a high, thin wail. Mama just held on and let me scream.

She waited another year before going back, that time taking my aunt Ruth with her and leaving me with Granny. “I was there,” Aunt Ruth promised them, “and it was really my fault. In so much excitement I just got confused, what with Anney here looking like she was dead to the world and everybody shouting and running around. You know, there was a three-car accident brought in just minutes after us.” Aunt Ruth gave the clerk a very sincere direct look, awkwardly trying to keep her eyes wide and friendly.

“You know how these things can happen.”

“Oh, I do,” he said, enjoying it all immensely.

The form he brought out was no different from the others. The look he gave my mama and my aunt was pure righteous justification. “What’d you expect?” he seemed to be saying. His face was set and almost gentle, but his eyes laughed at them. My aunt came close to swinging her purse at his head, but Mama caught her arm. That time she took the certificate copy with her.

“Might as well have something for my two dollars,” she said. At seventeen, she was a lot older than she had been at sixteen. The next year she went alone, and the year after. That same year she met Lyle Parsons and started thinking more about marrying him than dragging down to the courthouse again. Uncle Earle teased her that if she lived with Lyle for seven years, she could get the same result without paying a courthouse lawyer. “The law never done us no good. Might as well get on without it.”

Mama quit working as a waitress soon after marrying Lyle Parsons, though she wasn’t so sure that was a good idea. “We’re gonna need things,” she told him, but he wouldn’t listen. Lyle was one of the sweetest boys the Parsonses ever produced, a soft-eyed, soft-spoken, too-pretty boy tired of being his mama’s baby. Totally serious about providing well for his family and proving himself a man, he got Mama pregnant almost immediately and didn’t want her to go out to work at all. But pumping gas and changing tires in his cousin’s Texaco station, he made barely enough to pay the rent. Mama tried working part-time in a grocery store but gave it up when she got so pregnant she couldn’t lift boxes. It was easier to sit a stool on the line at the Stevens factory until Reese was born, but Lyle didn’t like that at all.

“How’s that baby gonna grow my long legs if you always sitting bent over?” he complained. He wanted to borrow money or take a second job, anything to keep his pretty new wife out of the mill. “Honey girl,” he called her, “sweet thing.”

“Dumpling,” she called him back, “sugar tit,” and when no one could hear, “manchild.” She loved him like a baby, whispered to her sisters about the soft blond hairs on his belly, the way he slept with one leg thrown over her hip, the stories he told her about all the places he wanted to take her.

“He loves Bone, he really does,” she told Aunt Ruth. “Wants to adopt her when we get some money put by.” She loved to take pictures of him. The best of them is one made at the gas station in the bright summer sun with Lyle swinging from the Texaco sign and wearing a jacket that proclaimed “Greenville County Racetrack.” He’d taken a job out at the track where they held the stock-car races, working in the pit changing tires at high speed and picking up a little cash in the demolition derby on Sunday afternoon. Mama didn’t go out there with him much. She didn’t like the noise or the stink, or the way the other men would tease Lyle into drinking warm beer to see if his work slowed down any. As much as she liked taking pictures, she only took one of him out at the track, with a tire hugged against his left hip, grease all over one side of his face, and a grin so wide you could smell the beer.

It was a Sunday when Lyle died, not at the track but on the way home, so easily, so gently, that the peanut pickers who had seen the accident kept insisting that the boy could not be dead. There’d been one of those eerie summer showers where the sun never stopped shining and the rain came down in soft sheets that everybody ignored. Lyle’s truck had come around the curve from the train crossing at a clip. He waved at one of the pickers, giving his widest grin. Then the truck was spinning off the highway in a rain-slicked patch of oil, and Lyle was bumped out the side door and onto the pavement.

“That’s a handsome boy,” one of the pickers kept telling the highway patrolman. “He wasn’t doing nothing wrong, just coming along the road in the rain—that devil’s rain, you know. The sun was so bright, and that boy just grinned so.” The old man wouldn’t stop looking back over to where Lyle lay still on the edge of the road.

Lyle lay uncovered for a good twenty minutes. Everybody kept expecting him to get up. There was not a mark on him, and his face was shining with that lazy smile. But the back of his head flattened into the gravel, and his palms lay open and damp in the spray of the traffic the patrolmen diverted around the wreck.

Mama was holding Reese when the sheriff’s car pulled up at Aunt Alma’s, and she must have known immediately what he had come to tell her, because she put her head back and howled like an old dog in labor, howled and rocked and squeezed her baby girl so tight Aunt Alma had to pinch her to get Reese free.

Mama was nineteen, with two babies and three copies of my birth certificate in her dresser drawer. When she stopped howling, she stopped making any sound at all and would only nod at people when they tried to get her to cry or talk. She took both her girls to the funeral with all her sisters lined up alongside of her. The Parsonses barely spoke to her. Lyle’s mother told Aunt Alma that if her boy hadn’t taken that damn job for Mama’s sake, he wouldn’t have died in the road. Mama paid no attention. Her blond hair looked dark and limp, her skin gray, and within those few days fine lines had appeared at the corners of her eyes. Aunt Ruth steered her away from the gravesite while Aunt Raylene tucked some of the flowers into her family Bible and stopped to tell Mrs. Parsons what a damn fool she was.

Aunt Ruth was heavily pregnant with her eighth child, and it was hard for her not to take Mama into her arms like another baby. At Uncle Earle’s car, she stopped and leaned back against the front door, hanging on to Mama. She brushed Mama’s hair back off her face, looking closely into her eyes. “Nothing else will ever hit you this hard,” she promised. She ran her thumbs under Mama’s eyes, her fingers resting lightly on either temple. “Now you look like a Boatwright,” she said. “Now you got the look. You’re as old as you’re ever gonna get, girl. This is the way you’ll look till you die.” Mama just nodded; it didn’t matter to her anymore what she looked like.

A year in the mill was all Mama could take after they buried Lyle; the dust in the air got to her too fast. After that there was no choice but to find work in a diner. The tips made all the difference, though she knew she could make more money at the honky-tonks or managing a slot as a cocktail waitress. There was always more money serving people beer and wine, more still in hard liquor, but she’d have had to go outside Greenville County to do that, and she couldn’t imagine moving away from her family. She needed her sisters’ help with her two girls.

The White Horse Cafe was a good choice anyway, one of the few decent diners downtown. The work left her tired but not sick to death like the mill, and she liked the people she met there, the tips and the conversation.

“You got a way with a smile,” the manager told her.

“Oh, my smile gets me a long way,” she laughed, and no one would have known she didn’t mean it. Truckers or judges, they all liked Mama. Aunt Ruth was right, her face had settled into itself. Her color had come back after a while, and the lines at the corners of her eyes just made her look ready to smile. When the men at the counter weren’t slipping quarters in her pocket they were bringing her things, souvenirs or friendship cards, once or twice a ring. Mama smiled, joked, slapped ass, and firmly passed back anything that looked like a down payment on something she didn’t want ...

Présentation de l'éditeur :
The Classic work of fiction that dramatically illuminates the lives described in current nonfiction bestsellers like J.D. Vance's Hillbilly Elegy and Nancy Isenberg's White Trash

The modern literary classic that has been compared to To Kill a Mockingbird and Catcher in the Rye


"As close to flawless as any reader could ask for."  The New York Times Book Review

The publication of Dorothy Allison's Bastard Out of Carolina was a landmark event. The novel's profound portrait of family dynamics in the rural South won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to William Faulkner, Flannery O'Connor, and Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics.

Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family-a tight-knit clan of rough-hewn, hard- drinking men who shoot up each other's trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney-and leads to a final, harrowing encounter from which there can be no turning back.

Now available in a twentieth anniversary keepsake edition with a new afterword by the author.

 

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  • ÉditeurPenguin Books Ltd
  • Date d'édition1992
  • ISBN 10 0525934251
  • ISBN 13 9780525934257
  • ReliureRelié
  • Nombre de pages309
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9780452297753: Bastard Out of Carolina: A Novel

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ISBN 10 :  ISBN 13 :  9780452297753
Editeur : Penguin Books, 2012
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    Pengui..., 2012
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  • 9780452287051: Bastard Out of Carolina

    Plume, 2005
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  • 9780452269576: Bastard Out of Carolina

    Plume, 1993
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  • 9780006544975: Bastard Out of Carolina

    Flamingo, 1993
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