The Most Arrogant Man in France – Gustave Courbet and the Nineteenth–Century Media Culture

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9780691126791: The Most Arrogant Man in France – Gustave Courbet and the Nineteenth–Century Media Culture
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Petra ten-Doesschate Chu
Edité par Princeton University Press 2007-04-20, Princeton, N.J. |Woodstock (2007)
ISBN 10 : 0691126798 ISBN 13 : 9780691126791
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Description du livre Princeton University Press 2007-04-20, Princeton, N.J. |Woodstock, 2007. hardback. Etat : New. N° de réf. du vendeur 9780691126791

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Petra Ten-Doesschate Chu
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ISBN 10 : 0691126798 ISBN 13 : 9780691126791
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Description du livre Princeton University Press, 2007. HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WP-9780691126791

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Chu, Petra ten-Doesschate
Edité par Princeton University Press (2007)
ISBN 10 : 0691126798 ISBN 13 : 9780691126791
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Description du livre Princeton University Press, 2007. Hardcover. Etat : new. N° de réf. du vendeur 9780691126791

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Petra Ten-Doesschate Chu
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ISBN 10 : 0691126798 ISBN 13 : 9780691126791
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Description du livre Princeton University Press, United States, 2007. Hardback. Etat : New. Language: English. Brand new Book. The modern artist strives to be independent of the public's taste--and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, the first comprehensive reinterpretation of Courbet in a generation, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell--and not only make--his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider.Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists. N° de réf. du vendeur AAH9780691126791

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Ten-Doesschate Chu, Petra; Chu, P.
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Petra ten-Doesschate Chu
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Description du livre Princeton University Press, 2007. Hardcover. Etat : New. N° de réf. du vendeur DADAX0691126798

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Description du livre 2007. Etat : NEW. 9780691126791 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. N° de réf. du vendeur HTANDREE01145648

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Petra Ten-Doesschate Chu
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Description du livre Princeton University Press, 2007. HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WP-9780691126791

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Petra Ten-Doesschate Chu
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ISBN 10 : 0691126798 ISBN 13 : 9780691126791
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Description du livre Princeton University Press, United States, 2007. Hardback. Etat : New. Language: English. Brand new Book. The modern artist strives to be independent of the public's taste--and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, the first comprehensive reinterpretation of Courbet in a generation, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell--and not only make--his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider.Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists. N° de réf. du vendeur BZE9780691126791

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Chu, Petra Ten–doess
ISBN 10 : 0691126798 ISBN 13 : 9780691126791
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