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The Dark is Rising · Midwinter’s Eve ·


“Too many!” James shouted, and slammed the door behind him.

“What?” said Will.

“Too many kids in this family, that’s what. Just too many.” James stood fuming on the landing like a small angry locomotive, then stumped across to the window-seat and stared out at the garden. Will put aside his book and pulled up his legs to make room. “I could hear all the yelling,” he said, chin on knees.

“Wasn’t anything,” James said. “Just stupid Barbara again. Bossing. Pick up this, don’t touch that. And Mary joining in, twitter twitter twitter. You’d think this house was big enough, but there’s always people.”

They both looked out of the window. The snow lay thin and apologetic over the world. That wide grey sweep was the lawn, with the straggling trees of the orchard still dark beyond; the white squares were the roofs of the garage, the old barn, the rabbit hutches, the chicken coops. Further back there were only the flat fields of Dawsons’ Farm, dimly white-striped. All the broad sky was grey, full of more snow that refused to fall. There was no colour anywhere.

“Four days to Christmas,” Will said. “I wish it would snow properly.”

“And your birthday tomorrow.”

“Mmm.” He had been going to say that too, but it would have been too much like a reminder. And the gift he most wished for on his birthday was something nobody could give him: it was snow, beautiful, deep, blanketing snow, and it never came. At least this year there was the grey sprinkle, better than nothing.

He said, remembering a duty: “I haven’t fed the rabbits yet. Want to come?”

Booted and muffled, they clumped out through the sprawling kitchen. A full symphony orchestra was swelling out of the radio; their eldest sister Gwen was slicing onions and singing; their mother was bent broad-beamed and red-faced over an oven. “Rabbits!” she shouted, when she caught sight of them. “And some more hay from the farm!”

“We’re going!” Will shouted back. The radio let out a sudden hideous crackle of static as he passed the table. He jumped. Mrs Stanton shrieked, “Turn that thing DOWN.”

Outdoors, it was suddenly very quiet. Will dipped out a pail of pellets from the bin in the farm-smelling barn, which was not really a barn at all, but a long, low building with a tiled roof, once a stable. They tramped through the thin snow to the row of heavy wooden hutches, leaving dark footmarks on the hard frozen ground.

Opening doors to fill the feed-boxes, Will paused, frowning. Normally the rabbits would be huddled sleepily in corners, only the greedy ones coming twitch-nosed forward to eat. Today they seemed restless and uneasy, rustling to and fro, banging against their wooden walls; one or two even leapt back in alarm when he opened their doors. He came to his favourite rabbit, named Chelsea, and reached in as usual to rub him affectionately behind the ears, but the animal scuffled back away from him and cringed into a corner, the pink-rimmed eyes staring up blank and terrified.

“Hey!” Will said, disturbed. “Hey James, look at that. What’s the matter with him? And all of them?”

“They seem all right to me.”

“Well, they don’t to me. They’re all jumpy. Even Chelsea. Hey, come on, boy—” But it was no good.

“Funny,” James said with mild interest, watching. “I dare say your hands smell wrong. You must have touched something they don’t like. Same as dogs and aniseed, but the other way round.”

“I haven’t touched anything. Matter of fact, I’d just washed my hands when I saw you.”

“There you are then,” James said promptly. “That’s the trouble. They’ve never smelt you clean before. Probably all die of shock.”

“Ha very ha.” Will attacked him, and they scuffled together, grinning, while the empty pail toppled rattling on the hard ground. But when he glanced back as they left, the animals were still moving distractedly, not eating yet, staring after him with those strange frightened wide eyes.

“There might be a fox about again, I suppose,” James said. “Remind me to tell Mum.” No fox could get at the rabbits, in their sturdy row, but the chickens were more vulnerable; a family of foxes had broken into one of the henhouses the previous winter and carried off six nicely fattened birds just before marketing time. Mrs Stanton, who relied on the chicken-money each year to help pay for eleven Christmas presents, had been so furious she had kept watch afterwards in the cold barn two nights running, but the villains had not come back. Will thought that if he were a fox he would have kept clear too; his mother might be married to a jeweller, but with generations of Buckinghamshire farmers behind her, she was no joke when the old instincts were roused.

Tugging the handcart, a home-made contraption with a bar joining its shafts, he and James made their way down the curve of the overgrown drive and out along the road to Dawsons’ Farm. Quickly past the churchyard, its great dark yew trees leaning out over the crumbling wall; more slowly by Rooks’ Wood, on the corner of Church Lane. The tall spinney of horse-chestnut trees, raucous with the calling of the rooks and rubbish-roofed with the clutter of their sprawling nests, was one of their familiar places.

“Hark at the rooks! Something’s disturbed them.” The harsh irregular chorus was deafening, and when Will looked up at the treetops he saw the sky dark with wheeling birds. They flapped and drifted to and fro; there were no flurries of sudden movement, only this clamorous interweaving throng of rooks.

“An owl?”

“They’re not chasing anything. Come on, Will, it’ll be getting dark soon.”

“That’s why it’s so odd for the rooks to be in a fuss. They all ought to be roosting by now.” Will turned his head reluctantly down again, but then jumped and clutched his brother’s arm, his eye caught by a movement in the darkening lane that led away from the road where they stood. Church Lane: it ran between Rooks’ Wood and the churchyard to the tiny local church, and then on to the River Thames.

“Hey!”

“What’s up?”

“There’s someone over there. Or there was. Looking at us.”

James sighed. “So what? Just someone out for a walk.”

“No, he wasn’t.” Will screwed up his eyes nervously, peering down the little side road. “It was a weird-looking man all hunched over, and when he saw me looking he ran off behind a tree. Scuttled, like a beetle.”

James heaved at the handcart and set off up the road, making Will run to keep up. “It’s just a tramp, then. I dunno, everyone seems to be going batty today—Barb and the rabbits and the rooks and now you all yak-twitchetty-yakking. Come on, let’s get that hay. I want my tea.”

The handcart bumped through the frozen ruts into Dawsons’ yard, the great earthen square enclosed by buildings on three sides, and they smelt the familiar farm-smell. The cowshed must have been mucked out that day; Old George, the toothless cattleman, was piling dung across the yard. He raised a hand to them. Nothing missed Old George; he could see a hawk drop from a mile away. Mr Dawson came out of a barn.

“Ah,” he said. “Hay for Stantons’ Farm?” It was his joke with their mother, because of the rabbits and the hens.

James said, “Yes, please.”

“It’s coming,” Mr Dawson said. Old George had disappeared into the barn. “Keeping well, then? Tell your mum I’ll have ten birds off her tomorrow. And four rabbits. Don’t look like that, young Will. If it’s not their happy Christmas, it’s one for the folks as’ll have them.” He glanced up at the sky, and Will thought a strange look came over his lined brown face. Up against the lowering grey clouds, two black rooks were flapping slowly over the farm in a wide circle.

“The rooks are making an awful din today,” James said. “Will saw a tramp up by the wood.”

Mr Dawson looked at Will sharply. “What was he like?”

“Just a little old man. He dodged away.”

“So the Walker is abroad,” the farmer said softly to himself. “Ah. He would be.”

“Nasty weather for walking,” James said cheerfully. He nodded at the northern sky over the farmhouse roof; the clouds there seemed to be growing darker, massing in ominous grey mounds with a yellowish tinge. The wind was rising too; it stirred their hair, and they could hear a distant rustling from the tops of the trees.

“More snow coming,” said Mr Dawson.

“It’s a horrible day,” said Will suddenly, surprised by his own violence; after all, he had wanted snow. But somehow uneasiness was growing in him. “It’s—creepy, somehow.”

“It will be a bad night,” said Mr Dawson.

“There’s Old George with the hay,” said James. “Come on, Will.”

“You go,” the farmer said. “I want Will to pick up something for your mother from the house.” But he did not move, as James pushed the handcart off towards the barn; he stood with his hands thrust deep into the pockets of his old tweed jacket, looking at the darkening sky.

“The Walker is abroad,” he said again. “And this night will be bad, and tomorrow will be beyond imagining.” He looked at Will, and Will looked back in growing alarm into the weathered face, the bright dark eyes creased narrow by decades of peering into sun and rain and wind. He had never noticed before how dark Farmer Dawson’s eyes were: strange, in their blue-eyed county.

“You have a birthday coming,” the farmer said.

“Mmm,” said Will.

“I have something for you.” He glanced briefly round the yard, and withdrew one hand from his pocket; in it, Will saw what looked like a kind of ornament, made of black metal, a flat circle quartered by two crossed lines. He took it, fingering it curiously. It was about the size of his palm, and quite heavy; roughly forged out of iron, he guessed, though with no sharp points or edges. The iron was cold to his hand.

“What is it?” he said.

“For the moment,” Mr Dawson said, “just call it something to keep. To keep with you always, all the time. Put it in your pocket, now. And later on, loop your belt through it and wear it like an extra buckle.”

Will slipped the iron circle into his pocket. “Thank you very much,” he said, rather shakily. Mr Dawson, usually a comforting man, was not improving the day at all.

The farmer looked at him in the same intent, unnerving way, until Will felt the hair rise on the back of his neck; then he gave a twisted half-smile, with no amusement in it but a kind of anxiety. “Keep it safe, Will. And the less you happen to talk about it, the better. You will need it after the snow comes.” He became brisk. “Come on, now, Mrs Dawson has a jar of her mincemeat for your mother.”

They moved off towards the farmhouse. The farmer’s wife was not there, but waiting in the doorway was Maggie Barnes, the farm’s round-faced, red-cheeked dairymaid, who always reminded Will of an apple. She beamed at them both, holding out a big white crockery jar tied with a red ribbon.

“Thank you, Maggie,” Farmer Dawson said.

“Missus said you’d be wanting it for young Will here,” Maggie said. “She went down the village to see the vicar for something. How’s your big brother, then, Will?”

She always said this, whenever she saw him; she meant Will’s next-to-oldest brother Max. It was a Stanton family joke that Maggie Barnes at Dawsons’ had a thing about Max.

“Fine, thank you,” Will said politely. “Grown his hair long. Looks like a girl.”

Maggie shrieked with delight. “Get away with you!” She giggled and waved her farewell, and just at the last moment Will noticed her gaze slip upward past his head. Out of the corner of his eye as he turned, he thought he saw a flicker of movement by the farmyard gate, as if someone were dodging quickly out of sight. But when he looked, no one was there.

With the big pot of mincemeat wedged between two bales of hay, Will and James pushed the handcart out of the yard. The farmer stood in his doorway behind them; Will could feel his eyes, watching. He glanced up uneasily at the looming, growing clouds, and half-unwillingly slipped a hand into his pocket to finger the strange iron circle. “After the snow comes.” The sky looked as if it were about to fall on them. He thought: what’s happening?

One of the farm dogs came bounding up, tail waving; then it stopped abruptly a few yards away, looking at them.

“Hey, Racer!” Will called.

The dog’s tail went down, and it snarled, showing its teeth.

“James!” said Will.

“He won’t hurt you. What’s the matter?”

They went on, and turned into the road.

“It’s not that. Something’s wrong, that’s all. Something’s awful. Racer, Chelsea—the animals are all scared of me.” He was beginning to be really frightened now.

The noise from the rookery was louder, even though the daylight was beginning to die. They could see the dark birds thronging over the treetops, more agitated than before, flapping and turning to and fro. And Will had been right; there was a stranger in the lane, standing beside the churchyard.

He was a shambling, tattered figure, more like a bundle of old clothes than a man, and at the sight of him the boys slowed their pace and drew instinctively closer to the cart and to one another. He turned his shaggy head to look at them.

Then suddenly, in a dreadful blur of unreality, a hoarse, shrieking flurry was rushing dark down out of the sky, and two huge rooks swooped at the man. He staggered back, shouting, his hands thrust up to protect his face, and the birds flapped their great wings in a black vicious whirl and were gone, swooping up past the boys and into the sky.

Will and James stood frozen, staring, pressed against the bales of hay.

The stranger cowered back against the gate.

“Kaaaaaaak . . . kaaaaaak . . .” came the head-splitting racket from the frenzied flock over the wood, and then three more whirling black shapes were swooping after the first two, diving wildly at the man and then away. This time he screamed in terror and stumbled out into the road, his arms still wrapped in defence round his head, his face down; and he ran. The boys heard the frightened gasps for breath as he dashed headlong past them, and up the road past the gates of Dawsons’ Farm and on towards the village. They saw bushy, greasy grey hair below a dirty old cap; a torn brown overcoat tied with string, and some other garment flapping beneath it; old boots, one with a loose sole that made him kick his leg oddly sideways, half-hopping, as he ran. But they did not see his face.

The high whirling above their heads was dwindling into loops of slow flight, and the rooks began to settle one by one into the trees. They were still talking loudly to one another in a long cawing jumble, but the madness and the violence were not in it now. Dazed, moving his head for the first time, Will felt his cheek brush against something, and putting his hand to his shoulder, he found a long black feather there. He pushed it into his jacket pocket, moving slowly, like someone half-awake.

Together they pushed the loaded cart down the road to the house, and the cawing behind them died to an ominous murmur, like the swollen Thames in spring.

James said at last, “Rooks don’t do that sort of thing. They don’t attack people. And they don’t come down low when there’s not much space. They just don’t.”

“No,” Will said. He was still moving in a detached half-dream, not fully aware of anything except a curious vague groping in his mind. In the midst of all the din and the flurry, he had suddenly had a strange feeling stronger than...
Présentation de l'éditeur :
Epic. Bestselling. Award-winning. The complete Dark Is Rising Sequence is now available as one keepsake collection.

Will Stanton’s ordinary life is shattered with the dreadful revelation that the Dark—the source of all evil—is rising in its last and greatest bid to control the world. He finds that he is no ordinary boy, but the last-born of the Old Ones, immortals dedicated to keeping mankind free from the Dark. Soon Will is swept up in the great battle, along with his ageless master, Merriman; the three Drew children, who are mortal but have their own vital part to play; and a strange boy named Bran. These six fight fear and death in a quest through time and space interwoven with the most ancient myths of the islands of Britain—until, at last, Will and Bran find the weapon that will ultimately vanquish the Dark.

One of the most celebrated fantasy sequences of all time, The Dark Is Rising is a searing, epic rendering of the eternal conflict between good and evil. This complete collection includes Over Sea, Under Stone; The Dark Is Rising; Greenwitch; The Grey King; and Silver on the Tree.

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  • ÉditeurMargaret K. McElderry Books
  • Date d'édition2013
  • ISBN 10 1442489685
  • ISBN 13 9781442489684
  • ReliureRelié
  • Nombre de pages1088
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9781442489677: The Dark Is Rising Sequence: Over Sea, Under Stone; The Dark Is Rising; Greenwitch; The Grey King; Silver on the Tree-

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ISBN 10 :  ISBN 13 :  9781442489677
Editeur : Margaret K. McElderry Books, 2013
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  • 9781442412538: The Dark Is Rising: The Complete Sequence

    Margar..., 2010
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