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Description du livre Hardcover. Etat : Very good. Hardcover. 9 1/4" X 6 1/4". ix, 269pp. Very mild shelf wear to covers, corners, and edges of pictorial paper over boards. Pages are clean and unmarked. Binding is sound. ABOUT THIS BOOK: The Daughter's Way investigates negotiations of female subjectivity in twentieth-century Canadian women's elegies with a special emphasis on the father's death as a literary and political watershed. The book examines the work of Dorothy Livesay, P.K. Page, Jay Macpherson, Margaret Atwood, Kristjana Gunnars, Lola Lemire Tostevin, Anne Carson, and Erin Mouré as elegiac daughteronomies literary artifacts of mourning that grow from the poets' investigation into the function and limitations of elegiac convention. Some poets treat the father as a metaphor for socio-political power, while others explore more personal iterations of loss, but all the poets in The Daughter's Way seek to redefine daughterly duty in a contemporary context by challenging elegiac tradition through questions of genre and gender. Beginning with psychoanalytical theories of filiation, inheritance, and mourning as they are complicated by feminist challenges to theories of kinship and citizenship, The Daughter's Way debates the efficacy of the literary "work of mourning" in twentieth-century Canadian poetry. By investigating the way a daughter's filial piety performs and sometimes reconfigures such work, and situating melancholia as a creative force in women's elegies, the book considers how elegies inquire into the rhetoric of mourning as it is complicated by father-daughter kinship.(Publisher). N° de réf. du vendeur 10607
Description du livre Hardcover. Etat : Very Good. No Jacket. 269 pgs. Some scratches on back cover - does not interfere with the read. No highlighting or underlining. Clean and intact. An original, absorbing, and long-overdue critical examination of the way Canadian female poets have written against the grain the the male elegiac tradition. N° de réf. du vendeur ABE-1683222146157
Description du livre Hardcover. Etat : Very Good+. Lightly crimped corner, otherwise text clean and tight; no dust jacket; 9.06 X 6.06 X 0.87 inches; 350 pages. N° de réf. du vendeur 216306
Description du livre Hardcover. Etat : Fine. First Edition. Stiff unmarked book in glossy illustrated boards; about new; 9.1 X 6.1 X 0.9 inches; 279 pages. N° de réf. du vendeur 58524
Description du livre Hardcover. Etat : As New. AS NEW hardcover, no marks in text, very clean exterior, appears unread. Book. N° de réf. du vendeur 120316
Description du livre Pictorial Cover. Etat : Very Good. Book is an original, absorbing, and long-overdue critical examination of the way Canadian female poets have written against the grain of the male elegiac tradition. Colourfully illustrated glossy hard cover with black, white, red, yellow titling on front, black and yellow titling on red spine, 269 pages. Cover has light shelf wear, otherwise this very handsome book is in great condition. Shipping charges are calculated for a standard parcel under 1 kg. Additional charges will apply for heavier shipments, but not until the customer agrees. Canadian customers, please note that applicable sales taxes will be added. Please contact us with any questions you might have. Size: 8vo - over 7¾" - 9¾" tall. N° de réf. du vendeur 013967
Description du livre Hardcover. Etat : Like New. No Jacket. As new, no wear. Quite clean. '[This book] investigates negotiations of female subjectivity in twentieth-century Canada women's elegies with a special emphasis on the father's death as a literary and political watershed. The book examines the work of Dorothy Livesay, P.K. Page, Jay Macpherson, Margaret Atwood, Kristjana Gunnars, Lola Lemire Tostevin, Anne Carson, and Erin Moure as elegiac daughteronomies.' 269 pages. Size: 8vo - over 7¾ - 9¾" tall. Book. N° de réf. du vendeur 033223