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Description du livre Etat : New. Brand New. N° de réf. du vendeur 1575911132
Description du livre Etat : New. N° de réf. du vendeur 5261084-n
Description du livre Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9781575911137
Description du livre Hardcover. Etat : new. N° de réf. du vendeur 9781575911137
Description du livre Etat : New. N° de réf. du vendeur 5261084-n
Description du livre Hardcover. Etat : Brand New. 1st edition. 364 pages. 9.00x6.25x1.00 inches. In Stock. N° de réf. du vendeur __1575911132
Description du livre Hardcover. Etat : new. Hardcover. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. This study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781575911137
Description du livre Hardcover. Etat : new. Hardcover. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity. Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. This study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781575911137