Articles liés à The Fat and the Thin
L'édition de cet ISBN n'est malheureusement plus disponible.
Afficher les exemplaires de cette édition ISBN
Présentation de l'éditeur :
Le Ventre de Paris (1873) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart. It is set in and around Les Halles, the enormous, busy central market of 19th Century Paris. Les Halles, rebuilt in cast iron and glass during the Second Empire was a landmark of modernity in the city, the wholesale and retail center of a thriving food industry. Le Ventre de Paris (translated into English under many variant titles but literally meaning The Belly of Paris) is Zola's first novel entirely on the working class. The protagonist is Florent, an escaped political prisoner mistakenly arrested after the French coup of 1851. He returns to his step-brother Quenu, a charcutier and his wife Lisa Quenu (formerly Macquart), with whom he finds refuge. They get him a job in the market as a fish inspector. After getting mixed up in an ineffectual socialist plot against the Empire, Florent is arrested and deported again. Although Zola had yet to hone his mastery of working-class speech and idioms displayed to such good effect in L'Assommoir, the novel conveys a powerful atmosphere of life in the great market halls and of working class suffering. There are a number of vivid descriptive passages, the most famous of which, his description of the olfactory sensations experienced upon entering a cheese shop, has become known as the "Cheese Symphony" due to its ingenious orchestral metaphors. Throughout the book, the painter Claude Lantier, a relative of the Macquarts and later the protagonist of L'Œuvre (1886) - shows up to provide a semi-authorial commentary, playing the role of chorus. It is an interesting and often powerful work, though not usually considered as being on a par with the novelist's achievements later in the Rougon-Macquart cycle.
Présentation de l'éditeur :
"THE FAT AND THE THIN," or, to use the French title, "Le Ventre de Paris," is a story of life in and around those vast Central Markets which form a distinctive feature of modern Paris. Even the reader who has never crossed the Channel must have heard of the Parisian Halles, for much has been written about them, not only in English books on the French metropolis, but also in English newspapers, magazines, and reviews; so that few, I fancy, will commence the perusal of the present volume without having, at all events, some knowledge of its subject matter. The Paris markets form such a world of their own, and teem at certain hours of the day and night with such exuberance of life, that it was only natural they should attract the attention of a novelist like M. Zola, who, to use his own words, delights "in any subject in which vast masses of people can be shown in motion." Mr. Sherard tells us[*] that the idea of "Le Ventre de Paris" first occurred to M. Zola in 1872, when he used continually to take his friend Paul Alexis for a ramble through the Halles. I have in my possession, however, an article written by M. Zola some five or six years before that time, and in this one can already detect the germ of the present work; just as the motif of another of M. Zola's novels, "La Joie de Vivre," can be traced to a short story written for a Russian review.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurAegypan
- Date d'édition2007
- ISBN 10 1603123717
- ISBN 13 9781603123716
- ReliureBroché
- Nombre de pages292
- Evaluation vendeur
(Aucun exemplaire disponible)
Chercher: Créez une demandeSi vous ne trouvez pas un livre sur AbeBooks, nous le rechercherons automatiquement pour vous parmi les livres quotidiennement ajoutés au catalogue.
Créez une demande