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Evaluation du vendeur
Edité par University Alabama Press, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : SecondSale, Montgomery, IL, Etats-Unis
Livre
Etat : Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Edité par The University of Alabama Press, Tuscaloosa, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : Frey Fine Books, Rougemont, NC, Etats-Unis
Livre Edition originale
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st edition. 1st edition thus, 2014. Near Fine. 8vo., 230 pp., with black & white images. Bound in publishers black paper covered boards with white illustrated dust jacket. Minor shelf wear. Dust jacket now protected in mylar sleeve.
Edité par University Alabama Press, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : Book House in Dinkytown, IOBA, Minneapolis, MN, Etats-Unis
Membre d'association : IOBA
Livre
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Very good+ hardcover in very good+ dust jacket. Binding is tight, sturdy, and square; boards and text also very good. NOT an ex-library copy, NO remainder mark, NOT a book club. Ships from Dinkytown in Minneapolis, Minnesota.
Edité par University Alabama Press, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : books4u31, Asheville, NC, Etats-Unis
Livre
Hardcover. Etat : Good. 2014 hardback this is the withdrawn library book no marks and is in good condition with mylar does coverAND AS ALWAYS SHIPPED IN 24 HOURS; and emailed to you a USPS tracking number on all orders; all books are sanitized and cleaned for your protection before mailing. PLEASE NOTE OVER SEAS BUYERS if the book extra large or heavy there will be additional postage due to the new US Postage rates.
Edité par University Alabama Press, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : As New. Unread book in perfect condition.
Edité par University of Chicago press, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Livre
Etat : New. Brand New.
Edité par University Alabama Press, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : New.
Edité par University Alabama Press, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : As New. Unread book in perfect condition.
Edité par University Alabama Press, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : New.
Edité par The University of Alabama Press, Alabama, 2014
ISBN 10 : 0817318054ISBN 13 : 9780817318055
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Livre
Hardcover. Etat : new. Hardcover. Artistic Liberties is a landmark study of the illustrations that originally accompanied now-classic works of American literary realism and the ways editors, authors, and illustrators vied for authority over the publications. Though today, we commonly read major works of nineteenth-century American literature in unillustrated paperbacks or anthologies, many of them first appeared as magazine serials, accompanied by ample illustrations that sometimes made their way into the serials first printings as books. The graphic artists creating these illustrations often visually addressed questions that the authors had left for the reader to interpret, such as the complexions of racially ambiguous characters in Uncle Toms Cabin. The artists created illustrations that depicted what outsiders saw in Huck and Jim in Adventures of Huckleberry Finn, rather than what Huck and Jim learned to see in one another. These artists even worked against the texts on occasionfor instance, when the illustrators reinforced the same racial stereotypes that writers such as Paul Laurence Dunbar had intended to subvert in their works. Authors of American realism commonly submitted their writing to editors who allowed them little control over the aesthetic appearance of their work. In his groundbreaking Artistic Liberties, Adam Sonstegard studies the illustrations from these works in detail and finds that the editors employed illustrators who were often unfamiliar with the authors intentions and who themselves selected the literary material they wished to illustrate, thereby taking artistic liberties through the tableaux they created. Sonstegard examines the key role that the appointed artists played in visually shaping narrativesamong them Mark Twains Puddnhead Wilson, Stephen Cranes The Monster, and Edith Whartons The House of Mirthas audiences tended to accept their illustrations as guidelines for understanding the texts. In viewing these works as originally published, received, and interpreted, Sonstegard offers a deeper knowledge not only of the works, but also of the realities surrounding publication during this formative period in American literature. A landmark study of the illustrations that originally accompanied now-classic works of American literary realism Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.