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Edité par The Nova Scotia College of Art and Design Halifax, Canada, 1981
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
[2] pp.; 10.1 x 23.4 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / order form for publications available from The Press of the Nova Scotia College of Art and Design in Halifax, Nova Scotia, Canada, in 1981. Artists with books available through The Press included Daniel Buren, Martha Rosler, Carl Andre, Hollis Frampton, Dan Graham, Paul-Emile Borduas, Gerhard Richter, Michael Snow, Donald Judd, Hans Haacke, Simone Forti, Steve Reich, Yvonne Rainer, and Bernhard Leitner. Very Good. Light bumping at corners, otherwise clean and unmarked.
Edité par MACULA, 2023
ISBN 10 : 2865891453ISBN 13 : 9782865891450
Vendeur : Gallix, Gif sur Yvette, France
Livre
Etat : Neuf.
Edité par Halifax and New York: The Press of the Nova Scotia College of Art and Design and NYU Press, 1981, 1981
ISBN 10 : 0814705790ISBN 13 : 9780814705797
Vendeur : Atlantic Bookshop, Brooklyn, NY, Etats-Unis
Livre Edition originale
Soft cover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Folio, card covers, dust jacket, 134pp., b/w plates. First edition. VG+/VG: a clean, bright and sound book with a very mild storage curl at the head; a clean and bright jacket mildly rubbed at the corners with faint impressions to the rear panel. Extra postage may be asked (3).
Edité par Halifax / New York, The Press of the Novia Scotia College of Art and Design /N.Y. Univ. Press., 1980
Vendeur : Antiquariat Cassel & Lampe Gbr - Metropolis Books Berlin, Berlin, D, Allemagne
4° (29,2 x 22,7 cm). 134 Seiten. Mit 92 Abbildungen. Illustr. Orig.-Klappkarton. Umschlagkanten minimal berieben, sonst wohlerhaltenes, sauberes Exemplar. Katalog zum Frühwerk von Carl Andre.Textbeitrag aus verschiedenen Gesprächen, die zwischen Andre und Frampton geführt wurden. // Includes the texts of 12 conversations between Carl Andre and Holils Frampton, accompanied by black and white photographs by Frampton. -- Orig. softcover, 4°, 134 pp, 92 images. -- Wrapper edges minimally rubbed, else just minute wear, overall fine and clean copy. Wichtiger Katalog, zugleich Werkkatalog der Skulpturen von 1958 bis 1974 (429 Nummern) des 1935 geborenen Künstlers. - Text in deutscher und englischer Sprache. - DABEI: Beiheft zur Ausstellung, 8S. mit Abbildungen. // Orig. softcover, 4°. 100pp, 84 b/w illustrations. Text in English and German. With a chronology, bibliography, and exhibition history. - Minimal sunning to spine, else a very nice and clean copy. - First catalogue raisonné of the sculptural works of minimal pioneer Carl Andre, published in conjunction with the 1975 retrospective at the Kunsthalle Bern. Sprache: deutsch, englisch.
Edité par Halifax/New York, The Press of the Novia Scotia College of Art and Design/N.Y. Univ. Press, 1980., 1980
29,2:22,7 cm. 134 S. mit 92 tw. ganzseit. Abb. Kurzbiogr., Index. OKt. mit illustr. OSchutzumschlag. Sehr schöner Katalog über dasFrühwerk von Carl Andre. Textbeitrag aus verschiedenen Gesprächen, die zwischen Andre u. Frampton geführt wurden. Schutzumschlag am Rücken vereinzelt berieben, sonst gutes Exemplar.
Edité par Nova Scotia College of Art and Dsign / New York University Press, New York, 1980
ISBN 10 : 0919616186ISBN 13 : 9780919616189
Vendeur : Marcus Campbell Art Books, London, Royaume-Uni
Livre Edition originale
Hollis Hampton (illustrateur). First Edition. 29 x 23 cm 134 pp with b&w illustrations throghout. Wrappers, lightly worn on covers, some foxing o.w. good.
Edité par Haags Gemeentemuseum & Daled, The Hague, THE NETHERLANDS. 1969 (1975).
Vendeur : Arcana: Books on the Arts, Culver City, CA, Etats-Unis
Membre d'association : ESA
Edition originale
Printed Wrappers. Etat : Very Good -. First Edition. 64pp, profusely illustrated in b&w. Text in English and Dutch. With a biography, bibliography, and exhibition history. Published in conjunction with an extensive 1969 Dutch Museum exhibition, this well-illustrated catalogue documents numerous sculptures and floor works along with sculptural installations created by minimal pioneer Carl Andre especially for this venue. An internally most handsome example of the 1975 Daled second printing of this early Andre publication showing some mild wear and soiling to the white covers. Artist Monograph.
Date d'édition : 1980
Vendeur : Antiquariat / Buchhandlung Walther König, Köln, NRW, Allemagne
Membre d'association : BOEV
0. 12 Dialogues 1962-1963. Photographs by Hollis Frampton. Ed. by Benjamin H.D. Buchloh. Press of the Nova Scotia College of Art & Design, Halifax 1980. 4to. 134 S. mit 95 teils ganzseit. s/w Abb., davon 53 auf Tafeln, Bibliographie, Chronologie, Index, brosch. (= The Nova Scotia Series - Source Materials of the Contemporary Arts). ANTIQUARISCH.
Date d'édition : 1980
Vendeur : Antiquariat / Buchhandlung Walther König, Köln, NRW, Allemagne
Membre d'association : BOEV
0. 12 Dialogues 1962-1963. Photographs by Hollis Frampton. Press of the Nova Scotia College of Art & Design, Halifax 1980. 4to. 134 S. mit 95 teils ganzseit. s/w Abb., davon 53 auf Tafeln, Chronologie, Bibliographie, Index, Ln. (= The Nova Scotia Series - Source Materials of the Contemporary Arts). - Guter bis sehr guter Zustand.
Edité par Oktagon Verlagsgesellschaft mbH, 1999
ISBN 10 : 389611011XISBN 13 : 9783896110114
Vendeur : Blue Cellar Books, Oxford, UK, Royaume-Uni
Livre Edition originale
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Much sought after reference work on Carl Andre.Accompanied exhibitions at Haus Lange & Haus Esters Krefeld, and Kunstmuseum Wolfsburg. Hardcover, 288 pages, text in English and German; near fine condition; slight foxing to top of pages (only visible from above) and very slight shelf wear to dust jacket, otherwise fine.
Edité par Nova Scotia CAD/NYU Press, 1980
ISBN 10 : 0919616178ISBN 13 : 9780919616172
Vendeur : Mausoleum Books, Glendale, CA, Etats-Unis
Livre Edition originale
Soft cover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. 4to bound in wrappers with jacket. Very Good with light wear and soil to wrappers and mild toning to contents. This copy purchased from the library of noted scholar and early Hollis Frampton booster Annette Michelson, hence one can deduce that the coffee ring on the cover is from her mug. 134 pp.
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Edité par Haags Gemeentemuseum, The Hague, THE NETHERLANDS, 1969
Vendeur : Arcana: Books on the Arts, Culver City, CA, Etats-Unis
Membre d'association : ESA
Edition originale
Printed Wrappers. Etat : Very Good -. First Edition. 64pp, profusely illustrated in b&w. Text in English and Dutch. With a biography, bibliography, and exhibition history. Published in conjunction with an extensive 1969 Dutch Museum exhibition, this well-illustrated catalogue documents numerous sculptures and floor works along with sculptural installations created by minimal pioneer Carl Andre especially for this venue. An internally most handsome example of the 1969 first printing of this uncommon early Andre publication showing some mild wear and soiling to the white covers. Artist Monograph.
Edité par The Press of the Nova Scotia College of Art and Design,, Halifax, 1980
Vendeur : Paule Leon Bisson-Millet, Beilstein, Allemagne
Livre
Softcover. Etat : Neu. Carl Andre and Hollis Frampton (illustrateur). Carl Andre and Hollis Frampton. 12 Dialogues 1962-1963. Halifax, The Press of the Nova Scotia College of Art and Design, 1980. 295 :230mm. 136S. 53 Fotos von Frampton + 18 + 24 Abb. Brosch.First Printing. Vorwort von H.D. Buchloh. " When I received the manuscript of the 12 Dialogues several years ago, it seemed to be an astonishing document on the formation of avant-garde aesthetic thought in the beginning of the sixties, more precisely, in the formation of the work of one of the most radical and significant sculptors and one of the most consequential filmmakers of that period. By now, after a substantial delay of the publication was necessary for several reasons, the perspective on the text has changed considerably. The historical nature of the dialogues has become more apparent and their eclectic features (the selection and appropriation of the various threads of information) protrude, whereas, the original radicality and the polemics of the avant-garde stance of its authors seems to recede temporarily into the background, to an extent perhaps where it might become unfathomable for some (Zitiert nach B.H.D. Buchloh)." Mit Autobio-, Bibliographie und Index.
Edité par The Press of The Nova Scotia College of Art and Design and New York University Press, Halifax, Nova Scotia, Canada and New York, NY, 1980
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
Edition originale
First edition. Softcover. 133 pages. Edited and annotated by Benjamin H.D. Buchloh. Features by prefaces by Carl Andre and Hollis Frampton. Includes the texts of 12 conversations between Carl Andre and Holils Frampton along with black and white photographs by Frampton. A near fine copy in wrappers with a tiny tear to top of the front panel and some other very minute wear. Internally a clean copy.
Edité par New York The Press of the Nova Scotia College of Art and Design and New York University Press 1981, 1981
ISBN 10 : 0814705790ISBN 13 : 9780814705797
Vendeur : Dieter Eckert, Bremen, Allemagne
Livre Edition originale
4°, 134 S., mit vielen s/w Abbildungen. Orig.-Karton mit Orig.-Umschlag. Erste Ausgabe.- Umschlag mit kleinem Randeinriss und minimal berieben, eine Seite mit Bleistiftanstreichungen.- Gutes Exemplar.
Edité par Generic
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.
Edité par Nova Scotia College of Art and Design / New York University Press, 1981
Vendeur : Granary Books, New York, NY, Etats-Unis
Perfect bound in wrappers with attached dust jacket, 134 pp. Includes prefaces by Carl Andre and Hollis Frampton, appendix, bibliographies, and index. Photographs by Hollis Frampton.Edited and annotated by Benjamin H.D. Buchloh. Very near fine with light shelf wear, tight binding, and sharp corners.
Edité par Art Workers Coalition New York, NY, 1969
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
Edition originale
142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.
Edité par Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Edité par Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.