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Edité par J.M. Dent, London
Vendeur : valley books, Holton, SUFFO, Royaume-Uni
Livre
Hardcover. Etat : Very Good. 638pp single volume.
Edité par J M Dent and Sons, London
Vendeur : valley books, Holton, SUFFO, Royaume-Uni
Livre
Hardcover. Etat : Very Good. Two volumes Each 640pp. Maroon cloth.
Edité par Constable, 1929
Vendeur : Katsumi-san Co., Cambridge, MA, Etats-Unis
Hardcover. Etat : Good. Illustrations After George Cruikshank Plus Other Plates (illustrateur). Deaccessioned from Harvard College Library; outer joints are partially cracked, holding; binding has other wear, mostly at edges; corners bumped and worn; interior has minor soil and foxing. 182 p. + plates.
Edité par London, J. M. Dent, 1920
Vendeur : Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Allemagne
Livre
Gebundene Ausgabe. Etat : Akzeptabel. Gebrauchsspuren, ohne SU, Volume 5, Artikel stammt aus Nichtraucherhaushalt! BU1681 Sprache: Englisch.
Edité par London, J. M. Dent, 1920
Vendeur : Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Allemagne
Livre
Gebundene Ausgabe. Etat : Akzeptabel. Gebrauchsspuren, ohne SU, Artikel stammt aus Nichtraucherhaushalt! 2. Auflage von 1996, Artikel stammt aus Nichtraucherhaushalt! BU1667 Sprache: Englisch.
Edité par London, J. M. Dent, 1920
Vendeur : Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Allemagne
Livre
Gebundene Ausgabe. Etat : Akzeptabel. Gebrauchsspuren, ohne SU, Volume 2, Artikel stammt aus Nichtraucherhaushalt! BU1686 Sprache: Englisch.
Edité par London : Phaidon Press, 1948
Vendeur : MW Books, New York, NY, Etats-Unis
Edition originale
First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Series; Masters of past time. Physical description; xvi, 389 p. ; plates. ; 19 cm. Notes; "Selected bibliography": p. [381]-383. Subjects; Painting, Belgian. Painting, Dutch. Painting, Medieval Belgium Flanders. Painting, Modern Belgium Flanders. Painting, Modern Netherlands. Painting, Medieval Netherlands. Genre; Bibliography. 1 Kg.
Edité par London : Phaidon Press, 1948
Vendeur : MW Books Ltd., Galway, Irlande
Edition originale
First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Series; Masters of past time. Physical description; xvi, 389 p. ; plates. ; 19 cm. Notes; "Selected bibliography": p. [381]-383. Subjects; Painting, Belgian. Painting, Dutch. Painting, Medieval Belgium Flanders. Painting, Modern Belgium Flanders. Painting, Modern Netherlands. Painting, Medieval Netherlands. Genre; Bibliography. 1 Kg.
Edité par The Coach House Press, Toronto, 1971
Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Softcover. Etat : Near Fine. Magazine. Cover by Michael Sowdon. Quarto. Stapled yellowed wrappers. Near fine with some rubbing. A poetry anthology from Canada featuring Michael Ondaatje, George Bowering, Tom Raworth, Paul Blackburn, Andrew Goldworthy, Daphne Marlatt, Lynne Knight, Frank Davey, Stephen Rodefer, Jim Lang, C.H. Gervais, John Boyle, Robert Fones, Robert Hogg, Jan Casson, Elizabeth Coleman, Jorj Heyman, Chris Hurst, Ed Byrne, B.P. Nichols, Bob Snider, Gerry Gilbert, and David Rosenberg.
Edité par American Institute of Chemical Engineers, 1983
ISBN 10 : 081690247XISBN 13 : 9780816902477
Vendeur : Zubal-Books, Since 1961, Cleveland, OH, Etats-Unis
Livre
Etat : Good. 87 pp., Paperback, ex library, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Edité par J M Dent & Sons Ltd, London, 1931
Vendeur : Barter Books Ltd, Alnwick, NORTH, Royaume-Uni
Membre d'association : IOBA
Maroon hardback cloth covers. Reprint. 190mm x 130mm (7" x 5"). xiii, 766pp; viii, 766pp; viii, 766pp; viii, 766pp; viii, 766pp; viii, 766pp; viii, 766pp; viii, 766pp; viii, 766pp; viii, 766pp; viii, 766pp; viii, 782pp. In-text illustrations. Published 1931-2. Heavy item - shipping supplement may apply for overseas. G: in good condition without dust jackets. Covers rubbed and marked. Spines faded, with splitting to outer hinges.
Edité par J.M. Dent/E.P. Dutton
Vendeur : Callaghan Books South, New Port Richey, FL, Etats-Unis
Livre
Cloth. Etat : Very Good. Twelve volumes, maroon cloth, slightly smaller books, bright gilt with ornate gilt design on spines, spines lightly faded overall, light green illustration and design inside covers and adjacent end papers, Volume I has 628 pages, all the rest 640 pages, in double-column format, some illustrations throughout. Volume I: very tiny tear at long spine left middle edge. Volume 2: very tiny nick at spine top left edge. Volume 5 and 8: very slight separation between first and second front end papers to inner front hinge. Volume 6: light crease to top tips. Volume 7: tiny crease at top back tip. Overall, Very Good+ set.
Edité par Sewanee, TN: The University of the South, 1965
Vendeur : Philip Smith, Bookseller, Berkeley, CA, Etats-Unis
Edition originale
Soft cover. Etat : Very Good. 1st edition. VG+. 8vo, 184pp, printed wrappers. Contains the first literary appearance of Cormac McCarthy (The Dark Waters, an advance excerpt from his first novel, The Orchard Keeper). An unmarked copy with some wear and small closed tears to the lap cover edges (as usual) and a little spine lean. Not Signed.
Edité par 0, London
Vendeur : William Allen Word & Image, London, Royaume-Uni
Paperback. Etat : Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.