BRUXELLES SALON 1854 (6 résultats)

4. Bruxelles, chez les principaux libraires, oblong format, 11,5 x 19 cm, 43 pp + 20 full-page litho plates, full contemporary lilac colored roan, title and gilt fillets on cover, some small wear but a nice copy. Original printed wrapper not bound in. Satirical description of the 1854 Salon. The illustrations are lithographic caricatures of the exhibited artefacts. (See: Le Livre & L'Estampe n° 131 [1989] Dalia de Macar-Elbaum '' La caricature en Belgique, comme satire des oeuvres d'art, dans la deuxième moitié du XIXe siècle). [ we have listed more publications on the Brussels - Bruxelles Salon. Please inquire per e-mail on our prices when ordering multiple items.] .

4. Bruxelles, chez les principaux libraires, oblong format, 11,5 x 19 cm, 43 pp + 20 full-page litho plates, bound in modern half cloth, printed ex-libris ''Leon Eygelshoven'' tipped-in at first paste down. Original printed front wrapper not bound in. Satirical description of the 1854 Salon. The illustrations are lithographic caricatures of the exhibited artefacts. (See: Le Livre & L'Estampe n° 131 [1989] Dalia de Macar-Elbaum '' La caricature en Belgique, comme satire des oeuvres d'art, dans la deuxième moitié du XIXe siècle). [ we have listed more publications on the Brussels - Bruxelles Salon. Please inquire per e-mail on our prices when ordering multiple items.] .

11. Bruxelles , En vente ICI et ailleurs, 1854, in-12°, format oblong, 46 pp + 20 planches lithographiées hors texte. Broché, couverture souple d'origine, (couverture défraîchie. Édition originale, les 20 planches reprenant 39 caricatures des oeuvres exposés au Salon de Bruxelles. (Voyez Le Livre & L'Estampe n° 131 [1989] Dalia de Macar-Elbaum '' La caricature en Belgique, comme satire des oeuvres d'art, dans la deuxième moitié du XIXe siècle). [ we have listed more publications on the Brussels - Bruxelles Salon. Please inquire per e-mail on our prices when ordering multiple items.] .

Bruxelles, se vend chez les marchands de papier noirci, s.d. (1854), small in-4°, ca. 100 nn pp, lithographed designs, printed on recto only, contemporary half cloth, Original frontwrapper mounted on cover. Cover soiled and with waterstains, binding a bit loose and worn. Contains satyrical commentary and caricatures of the paintings exhibited in the Brussels' Salon Exhibition. Original edition. Extremely rare. (Voyez Le Livre & L'Estampe n° 131 [1989] Dalia de Macar-Elbaum '' La caricature en Belgique, comme satire des oeuvres d'art, dans la deuxième moitié du XIXe siècle - pp. 112). [ we have listed more publications on the Brussels - Bruxelles Salon. Please inquire per e-mail on our prices when ordering multiple items.] .

10. Bruxelles, Imprimerie Photographique, in-4°, 30 x 22 cm, cont. half-cloth, title page + 88 pp + 10 lithographs (one coloured) + ii (index). The separately printed index leaf mentions the bankruptcy of the publisher and states that only 11 plates will be present in the publication which halts at page 88. The list of the plates however contains only 10 plates. Periodical issued on the occassion of the Brussels' Salon of 1854. Lutherau (also using as alias Vicomte de Robertval, Jacques Le Normand, Japhet , Un peintre d'Histoire, A.L. etc. - see De Le Court) was editor of the Brussels art periodical ''La Renaissance'' and published well-illustrated Salon critiques. This is his last album (1854) . Here he uses for the first time in Belgium photography to reproduce art works in lithography ( the lithographs are based on photographs). As is the fate of many pioneers he went broke during the production of this album . He returned to his homeland France. (Van der Marck pp. 204 ). This important first step in the use of photography for book illustration is exceedingly rare. No copy outside Belgium (only two Belgian libraries have a copy of this publication). . Apart from an intresting article on the history of the Belgian Salon by Luthereau, the different entries deal with the pictures and sculptures on show. The lithographs are made after photographs mostly by Gross, therefore this periodical offers a very early example of press illustration by means of photography. From the library of Jules De Paepe, with his ex-libris tipped in on the first pastedown. [ we have listed more publications on the Brussels - Bruxelles Salon. Please inquire per e-mail on our prices when ordering multiple items.] .

2. Bruxelles, Imprimerie Photographique,10 Passage du Prince, 1854, in-4°, 29,5 x 22,5 cm, (4)nn pp ( three toned lithograph by Cluysenaar, as frontispiece ; title) + 88 pp + 12 lithographs (frontispiece not included) + II pp (index) ( the index fails to mention 2 extra plates - plates 11 and 12). The separately printed index leaf mentions the bankruptcy of the publisher and states that only 11 plates will be present in the publication which halts at page 88. The list of the plates however contains only 10 plates. Bound in contemporary half cloth with boards covered in marbled paper. Ex-library copy with two small circular stamps of a religious institute on the title page. Still a fine copy. Lutherau (also using as alias Vicomte de Robertval, Jacques Le Normand, Japhet , Un peintre d'Histoire, A.L. etc. - see De Le Court) was editor of the Brussels art periodical ''La Renaissance'' and published well-illustrated Salon critiques. This is his last album (1854) . Here he uses for the first time in Belgium photography to reproduce art works in lithography ( the lithographs are based on photographs). As is the fate of many pioneers he went broke during the production of this album . He returned to his homeland France. (Van der Marck pp. 204 ). This important first step in the use of photography for book illustration is exceedingly rare. No copy outside Belgium (only two Belgian libraries have a copy of this publication). [ we have listed more publications on the Brussels - Bruxelles Salon. Please inquire per e-mail on our prices when ordering multiple items.] .