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Edité par LACMA / Univ. New Mexico, Los Angeles / Albuquerque, 1993
Vendeur : Abacus Bookshop, Pittsford, NY, Etats-Unis
Edition originale
softcover. Etat : Fine copy. Profusely illustrated (illustrateur). 1st edition. Oblong 4to, 95 pp.
Edité par Los Angeles County Museum of Art and The University of New Mexico Press, 1993
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 96 pages; very good condition; clean and crisp, no internal marks. Foreign shipping may be extra.
Edité par UNIV OF NEW MEXICO PR, 1993
Vendeur : Princeton Antiques Bookshop, Atlantic City, NJ, Etats-Unis
HARD BACK BLACK. Etat : NEW. JACKET: VERY GOOD+ DJ. In publisher's shrink wrap. Published for the Los Angeles County Museum of Art by the University of New Mexico Press. Essay by Anne Lamott. Photographs by Catherine Wagner. Pictorial dust jacke. Boards: title on spine. Interior: black and white photographs. DATE PUBLISHED: 1993 EDITION: 95.
Edité par University of New Mexico Press for the Los Angeles County Museum of Art, Albuquerque, New Mexico, 1993
Vendeur : Vincent Borrelli, Bookseller, Albuquerque, NM, Etats-Unis
Edition originale
Soft cover. Etat : Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Catherine Wagner. Texts by Sheryl Conkelton and Anne Lamott. Includes an exhibition history and a bibliography. 96 pp., with numerous black-and-white plates. 9-1/2 x 12 inches. Published on the occasion of the 1993 exhibition Home and Other Stories ar the Los Angeles County Museum of Art. Out of print. Near Fine (moderate surface wear and wear to the extremities, else Fine). From the essay by Sheryl Conkelton: "Home is perceived as shelter and sanctuary, a profound complex of ideas and emotions, a conceptual enterprise as well as a specific location. It is a potent expression of culture and of the individual.Catherine Wagner takes these precepts as her starting point. Each three-part work shows various aspects of one American home: rooms or portions of rooms and objects in ensembles that are carefully arranged for visitors or carelessly disposed in privacy. Wagner's project is a display of individual aspirations on a number of levels, not only that of the unseen owners but also her own, and, perhaps more important, that of the viewers who are asked to complete these works with their own stories.".