Chagall, Signé

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Description de l'article : 1987. Etat : Gut. Ca. 120 S.; zahlr. farb. Illustr.; 22 cm; kart. Gutes Ex. - Mit Preisliste (in DM). - Marc Chagall (* 24. Juni jul./ 6. Juli 1887 greg. in Peskowatik bei Witebsk, Russisches Kaiserreich, heute Weißrussland; 28. März 1985 in Saint-Paul-de-Vence, Frankreich) war ein französischer Maler russisch-jüdischer Herkunft. Das familiäre Umfeld, sein Heimatort Witebsk, Motive aus der Bibel sowie aus dem Zirkus sind Hauptthemen seiner Bilder. Auch in seinen Mosaiken und in den von ihm gestalteten Fenstern und Theaterkulissen verwendete er die gleichen, stets wiederkehrenden Symbole. Chagall gilt als einer der bedeutendsten Maler des 20. Jahrhunderts. Er wird oft dem Expressionismus zugeordnet und als Maler-Poet" bezeichnet. . (wiki) // Chagall hat eine Reihe von Reproduktionsgraphiken, die in der Regel von seinem jahrzehntelangen engen Mitarbeiter, Charles Sortier, ausgeführt wurden, handsigniert. Diese Arbeiten sind im Anhang des Werkverzeichnisses der Originallithographien von Marc Chagall, Band V, beschrieben. Obwohl es sich hierbei keinesfalls um Originalgraphik handelt, sind die Preise für diese Arbeiten in respektable Höhen gestiegen. Aufgrund der großen Nachfrage und des auch hier knappen Angebotes mag dies berechtigt sein, der Käufer sollte jedoch den oben erwähnten Umstand beachten. Die Vorliebe Marc Chagalls für Mappenwerke und illustrierte Bücher erlaubt das große Angebot in diesem Katalog. Einige dieser Folgen gehören zu seinen bedeutendsten graphischen Arbeiten, wir erwähnen "Bibel" bei den Radierungen und "Daphnis und Chloe" bei den Lithographien. Verschiedentlich wurde von den Originalgraphiken eine Teilauflage, die sich meist durch die Papierart oder das Blattformat von den unsignierten Blättern unterscheidet, signiert; im Grunde entstanden die Arbeiten jedoch, um in der Mappen- oder Buchauflage unsigniert zu bleiben. Ausnahmen bilden im Katalog die seltenen unsignierten Vorabzüge und die Arbeiten für "Arabische Nächte". Hier existieren neben 111 signierten Abzügen nur etwa 20 unsignierte Exemplare, die entweder den Vorzugsausgaben beigegeben wurden oder für den Verleger und die Mitarbeiter reserviert waren. (Vorwort) Sprache: Deutsch Gewicht in Gramm: 550. N° de réf. du vendeur 1130252

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Description de l'article : Rizzoli; NY, 1989. Etat : Gut. 376 S.; sehr zahlr. Illustr.; 28 cm. Gutes Ex.; Umschl. mit minimalem Einriß. - 403 Illustrationen (192 in Farbe). - Englisch. // Aus der Bibliothek der Kostümbildnerin Moidele Bickel (OSCAR-Nominierung für "Bartholomäusnacht"; signiert "MB". - INHALT : ACKNOWLEDGMENTS -- INTRODUCTION -- 'In Spirit I was Always Here' -- Vitebsk -- Marc Chagall and the Russian Artistic Environment at the Beginning of the Twentieth Century -- CHAPTER I -- Early Works The Formative Years: St Petersburg -- CHAPTER II -- The Parisian Whirlwind -- Vitebsk 1914: Documents, the War, Visions -- The Mythology of Happiness -- CHAPTER III -- Revolutionary Activity -- Metaphors for Liberty -- And Always the Russian Context . -- CHAPTER IV -- The World as Theatre -- APPENDIXES -- BIBLIOGRAPHIES. // Marc Chagall (1887-1985) has been compared with such diverse painters as Henri Rousseau and Pablo Picasso, and associated with movements ranging from Impressionism and Symbolism to Surrealism and Expressionism. Yet although it is illuminating to compare Chagall with the other great painters of his age, a deeper understanding of the man himself and of the sources of his inspiration is crucial if we are to appreciate fully the essential, spiritual character of his work. In this volume, the Russian critic and art historian Aleksandr Kamensky offers penetrating insights as he traces Chagall's personal and artistic development: from his early life in the Jewish districts of Vitebsk, the Belorussian country town in which he grew up; to imperial St. Petersburg, where Chagall studied art as a young man; to Paris, where he lived in the painters' community in the years leading up to the First World War; and back to Russia, in time to play a significant part in the dynamic art of the Revolution. Exploring the thematic continuity in Chagall's work, Kamensky looks at the way the artist developed an expressive and beautiful poetic vocabulary, which he maintained through a rich variety of media and styles. Chagall's imagery, always inspired by color and by love - which to him were inseparable -found its fullest expression in his early creative years in Russia and the new-born Soviet Union, before his definitive departure from his beloved native soil in 1922. The paintings, drawings, book illustrations, theatrical set designs, and murals of these fifteen productive years are examined in detail, with more than 400 illustrations - 192 in superb color. Also included are translations of articles written by Chagall at the time of the Russian Revolution, reviews of his work by the major Russian critics of the period, and extracts from the interview Chagall gave to the author in Moscow in 1973. A select bibliography, a bibliography of publications in Russian, an index of works illustrated, and a general index complete this important study. (Verlagstext) ISBN 0847810801 Sprache: Deutsch Gewicht in Gramm: 3000 Originalleinen mit Schutzumschlag. N° de réf. du vendeur 1063865

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Description de l'article : Thomas Yoseloff, New York, 1963. Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Inscribed " For Bonnie Edgerton - And those pleasant D-bus conversations away from Chilton. Dave Chagall March 21st, 63". Signed by Author(s). N° de réf. du vendeur 90897838

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Description de l'article : Thomas Yoselogg, New York, 1963. Hard Cover. Etat : Fine. Etat de la jaquette : Good. First Edition. Black cloth hard cover w/white spine lettering, 255 pgs. Tight Clean Copy, signed & dedicated by Author on fep. Priced intact DJ has tear on cover, chip top spine, back cover dust soil, now in protective mylar sleeve. "A disturbing novel of today's (1963) drifting generation" Size: 8vo - over 7¾" - 9¾" tall. Signed by Author. N° de réf. du vendeur 007958

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Description de l'article : Reunion des Musee Nationaux, Paris, 1995. hardcover. Etat : near fine. Etat de la jaquette : very good(+). First. Nice, Musee National Message Biblique Marc Chagall. 1 juillet-2 octobre 1995. Numerous color plates. Slim 4to, purple cloth, d.w. (Paris): Reunion des Musee Nationaux, 1995. First Edition. Near fine. Scarce. Inscription by Bella (Chagall) to art historian Meyer Schapiro on the half-title "For Meyer and Lilliam whom I love so much, whom I owe so much. Bella 1.96". N° de réf. du vendeur 179523

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Description de l'article : Musee National d'art Occidental, Kyoto, 1963. Original Wraps. Etat : Fine. First Edition. Oblong Quarto. 188pp illustrated. A fine copy in red printed wraps. Signed by Chagall in a clear and bold signature Signed by the Artist. N° de réf. du vendeur 34742

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Description de l'article : Louvre, Paris, 1961. Illustr. OKart. Paris, Louvre, 1961. 4°-kl. M. zahlr. (tlw. farb.) Taf. u. Abb. 85 S. Illustr. OKart. (leicht unfrisch). Von M. Chagall auf Vors. signiert. (leicht unfrisch). Von M. Chagall auf Vors. signiert. N° de réf. du vendeur 19575AB

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Description de l'article : Andre Sauret, Monte Carlo, 1962. Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Very Good copy, housed in a Very Good dust jacket, with slight edge wear. 210 pp. Complete with two original lithographs, both signed by Marc Chagall in pencil, in the bottom corner, and 12 additional plates. Signed by Author(s). N° de réf. du vendeur 052700

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Description de l'article : Paris. Grand Palais., 1973. 74 x 49 cm. 1 Blatt. Sehr gutes Exemplar. Plakat anläßlich der Ausstellung zu Ehren Teriades unter Verwendung der Farblithographie " Le Verger" von Marc Chagall. Im Stein signiert. Gedruckt von Charles Sorlier. [Vgl. Sorlier CS 44; Czwiklitzer 49]. N° de réf. du vendeur 62288AB

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Description de l'article : Paris, 1963, ca. 77,5 x 55,5 cm (Druck ca. 54 x 47 cm)., 1963. SHIPPING COSTS to other EU-countries up to 1 kg: EUR 13,-. / Up to 1 kg to other countries: EUR 17,-. Sprache: Deutsch Gewicht in Gramm: 10001 Von Chagall im Stein signiert. Abzug vor der Schrift. Rand leicht nachgedunkelt u. ein wenig knittrig, ansonsten guter Zustand. N° de réf. du vendeur 34536

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Description de l'article : Musee National D'art Occidental and Art Friend Occidental, Tokyo, 1963. Original Wraps. Etat : Fine. First Edition. Oblong Quarto. 188pp illustrated. A fine copy in red printed wraps boldly signed by Marc Chagall on the title page. Text entirely in Japanese Signed by the Artist. N° de réf. du vendeur 32633

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Description de l'article : Chagall endorsed this check written to him from the New York Metropolitan Opera Association. He has signed on verso, "Marc Chagall," amidst several bank stamps. Paired with post card photograph of Chagall by Halsman. Suitable for framing. In 1964, the Metropolitan Opera Company in New York City commissioned Marc Chagall to design the stage sets and costumes for its first production of Mozart's beloved opera, "Die Zauberflöte [The Magic Flute]." In the following three years, the artist created 13 large curtains, 26 small curtains, and 121 costumes and masks. The Met also commissioned Chagall to create two enormous murals for the Grand Tier lobby of the Metropolitan Opera House's new home in Lincoln Center in 1966. The murals are titled, "The Triumph of Music" and "The Sources of Music." In 2009, the Met Opera put up both Chagall murals as collateral on a loan. "Die Zauberflöte " was the new opera house's eighth new production in its inaugural year, premiering on February 19, 1967. Our Metropolitan Opera bank check bears no notation indicating the reason for payment, but we surmise the check relates to Chagall's work on Mozart's opera or the murals. N° de réf. du vendeur 2089

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Description de l'article : 1969. No Binding. Etat : Very Good. (Chagall) in purple ink on his engraved LA COLLINE, St. Paul De Vence letterhead, watermarked Tenax-Japon-Montgolfier, March 1, 1969. 8 1/2 in x 11 in; 1 page (recto only). Very good. Text in French To Cher ami: I am glad that you are working on the book on ballet that I am looking forward to most impatiently. I hope that Mourlot as made the corrections and that you are happy with them. You write that you would like to come to Saint-Paul in early March. Unfortunately, I am leaving tomorrow for a few days in the mountains at Valberg. I will stay for only ten days or so. If you come, let me know, because I, too. would like to see you, as well as the book. My wife joins me in sending both of you our friendly greetings. Chagall. *Drawings and Watercolors for the Ballet by Jacques Lassaigne. With 68 illustrations including an original Chagall lithograph (Mourlot 581). Signed by Author(s). N° de réf. du vendeur 603231

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Description de l'article : 1972. Etat : Fine. "Good Morning Paris" by Marc Chagall, Signed Lithograph printed in 1972. The overall size of the Lithograph is 40.25 x 28 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Lithograph: Signed in pencil by Chagall. The Lithograph is framed in a 1 inch face, 1/2 inch depth wooden frame. Referenced Number 132 in 'Chagall's Posters - A Cataloque Raisonne', by Sorlier, 1975. "Good Morning Paris" 1972. Charles Sorlier's rendering of Good Morning Paris from 1939. Poster printed for an exhibition of Chagall's work at the Museum of Budapest in 1972. Published by Mourlot, Paris. The print has not been examined outside of the frame but there is a noticeable slight tear in the middle of the top border. Signed. N° de réf. du vendeur CB8327-B

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Description de l'article : Book League of the Jewish Peoples Fraternal Order, IWO, New York, 1945. Hardcover. First Edition. Small octavo in dark burgundy cloth with gold letters; VG; front and back gutter slightly open, but binding strong; boards with minimal soiling; edges and paper age-toned; text clean; pp. 167 had a small tear repaired with tape, now discolored with slight offsetting on p. 168; pp. 252; includes 36 line drawings by Mr. Chagall, and his pen inscription in Yiddish on the first front end page; the book depicts in a humorous way Mr. Chagall and his wife's childhood in Russia where they grew up in a small market town; in Hebrew; very scarce; shelved in Case 3. Shelved Dupont Bookstore. N° de réf. du vendeur 9-13-1258352

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Description de l'article : Paris, Editions du Seuil., 1973. Quart. Numeriertes Exemplar auf Velin Mazarine. 60 Seiten. Farbig illustrierte Original-Karton. Von Marc Chagall auf der Titelseite signiert und datiert (1974). Minimalst gestaucht sonst sehr gut erhalten. Schönes Exemplar. N° de réf. du vendeur B354

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Description de l'article : Editions d'Art Skira, Paris, 1956. First edition. Small octavo, original cloth. Illustrated with tipped-in color plates. Inscribed by Marc Chagall on the title page, "Pour David de Marc Chagall en bon souvenir N.Y. 1967." Fine in a very good dust jacket with the original slipcase. N° de réf. du vendeur 5097

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Description de l'article : Leon Amiel Publisher, New York, 1983. Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 1st. NW/LO-Fine large hardcover in a very good, wrinkled dust jacket. Marc Chagall has signed the front endpaper and done an original illustration, photo available upon request. Another signed original illustration is laid in a sleeve in the back cover. white w/black lettering Size: 4to - over 9¾" - 12" tall. Signed by Artist. N° de réf. du vendeur Feb3-18jclo4

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Description de l'article : Paris, Musée des Arts Décoratifs., 1961. Etat : Good. Large 8vo. 247 x 182mm. Wraps in dust-jacket with an original lithograph by Chagall. Mourlot, no. 358. Cramer, Chagall Illus. Books, no. 47.One of 300 signed and numbered impressions, on the colophon. N° de réf. du vendeur 51-0431

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Description de l'article : Monte Carlo André Sauret, 1962. First edition, in French; folio (33.5 x 25 cm); introduction and notes by Jean Leymarie; two original lithographs prepared for this work by Chagall and numerous chromolithographs; signed by Chagall and Charles Sorlier to Robert Iweins, 1962 - 1963; grey cloth boards and dust jacket in excellent condition. Signed by Marc Chagall and his collaborator and 'master printmaker' Charles sorlier In 1960, Marc Chagall was asked by the Hadassah Medical Center in Jerusalem to create twelve designs in stained glass for its new synagogue. Inspired by his lifelong study of the Bible, Chagall realised these designs on the theme of Moses' blessing of the Twelve Tribes of Israel. As a result of Judaism's injunction against depicting human beings, the works instead feature animals, flowers, trees and Jewish symbols. Each window design is dominated by a specific colour, contains a blessing. Many considered these windows Chagall's crowning achievement, and the artist himself confessed: 'they have completely transformed my vision, they gave me a great shock, made me reflect. I don't know how I shall paint from now on, but I believe something is taking place.' In 1961, prior to their installation in the synagogue, the twelve windows were exhibited in the Louvre and New York's MoMA, where they had the greatest success. The official dedication ceremony of the newly decorated synagogue took place on 6 February 1962. The present work contains Chagall's sketches and studies for the windows. The colourful lithographs offer an insight into the making of these exceptional works of art and provide the Biblical quotations they were designed to illustrate. Cramer 49. N° de réf. du vendeur 99221

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Description de l'article : Bern, Editions Kornfeld et Klipstein, 1971, 4°, 248 S., mit zahlreichen, teils farbigen Abbildungen, Original-Leinwandeinband mit Original-Schutzumschlag (dieser mit leichten Gebrauchsspuren, innen die Seitenränder minimal gebräunt). *1 von 50 Exemplaren der französischen Vorzugsausgabe mit einer Radierung von Marc Chagall aus dem Jahr 1961, auf Japan ausgeführt von Jacques Frélaut 1969. Dieses Exemplar als "h.c." nummeriert, im Impressum mit eigenhändiger Signatur von Marc Chagall. N° de réf. du vendeur 100944

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Description de l'article : Monte Carlo, Andre Sauret, 1962. Quart. 210 S., Bll. Mit 2 Original-Farblithographien. Original-Leinenband mit Prägung, in farbig lithogr. Original-Umschlag, in transparenter Schutzhülle. Schutzhülle mit minimalste Läsur (2-3 Millimeter), sonst hervorragend erhalten. Von Marc Chagall auf dem Vorsatz signiert und Datiert: Vence 1962. N° de réf. du vendeur B358

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Description de l'article : 1974, 1974. A little age toned otherwise in excellent condition. Unframed. Original lithograph in five colours on Arches wove paper. Image size: 14.1 x 10.6 cm. Sheet size: 14.1 x 21.8 cm. Edition of 200 reserved for Chagall. The paper is folded to make the lithograph a cover for a greetings card. Our impression contains a long note in the hand of Chagall's wife, Vava and is signed and dated in the hand of the artist, "Marc et Vava Chagall, 1975". Sorlier 731. N° de réf. du vendeur 68899

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Description de l'article : Monte Carlo, André Sauret 1962. 210,(6) S. mit 2 Orig.-Farblithographien u. zahlr. meist farb. Tafeln. Orig.-Leinen mit farbig illustr. Schutzumschlag in Schuber. Vortitel mit großer SIGNATUR von Chagall in Kugelschreiber / Pretitle SIGNED by Chagall in ballpen. - Mit den beiden blattgrossen Orig.-Farblithographien von Chagall, die speziell für diese Ausgabe geschaffen wurden. - Umschlag mit ca. 2 cm Randeinriss im Rücken oben, Kartonschuber gebräunt u. berieben, sonst sehr schönes Exemplar. Sprache: fr. N° de réf. du vendeur 15414

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Description de l'article : 1971. Etat : Good. "Couple in Front of a Tree" by Marc Chagall, Signed Lithograph printed in 1971 from an edition size of 25. The overall size of the Lithograph is 24 x 19.25 inches. The condition of this piece has been graded as B-: Good Condition, Signs of Handling and Age. Here is some supplemental information about the Lithograph: Signed and Numbered out of 25 in pencil by Marc Chagall. Lithograph printed by Mourlot on Arches paper. The text on the poster reads "Village Suisse D'Enfants en Israel-Kiriath Yearim". #129 in 'Chagall's Posters' book by Charles Sorlier.Chagall's early life left him with a "powerful visual memory and a pictorial intelligence". After living in France and experiencing the atmosphere of artistic freedom, his "vision soared and he created a new reality, one that drew on both his inner and outer worlds." But it was the images and memories of his early years in Belarus that would sustain his art for more than 70 years. Signed. N° de réf. du vendeur YY8756-B

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Description de l'article : Paris, Maeght Editeur, 1972. Hardcover. Etat : Fine. Limited Edition. A fine, crisp and clean, unbound signatures laid in a full folding chemise, housed in a fine slipcase. Limited Edition of 150 sets of which this is no. 30. SIGNED BY MARC CHAGALL. B/W, COLOR ILLUSTRATIONS AND THREE ORIGINAL COLOR LITHOGRAPHS. A very nice copy with no blemishes, marks or tears. Like New. *** WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. *** WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 38 YEARS. *** please note: Over seas orders will cost more to ship than the standard shipping price to ship. N° de réf. du vendeur 003126B

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Description de l'article : Harcourt, Brace and Company, New York, 1956. Etat : Fine. Etat de la jaquette : Good. First Edition. First American edition, INSCRIBED BY CHAGALL AND WITH STUNNING ORIGINAL FULL-PAGE COLOR DRAWING of Moses receiving the tablets on title page. With important provenance. The astonishing original Chagall drawing, which fills nearly the entire title page (10.5x14 inches) depicts Moses receiving the Ten Commandments with an angel to his side. On the right border a dove emerges from a tree and above all is a rich, blue sky. Composed with orange, blue, and green crayons, pencil, and ink. Complete with 16 lithographs in color, 12 in black and white, plus the lithograph cover, all specially created for this book. Also illustrated with reproductions in heliogravure of the 105 etchings made by Chagall for the illustrations of the Bible. Provenance: Inscribed by Chagall: "Pour Lenette et George Nayor --> NJ 1966 Marc Chagall" and from the collection of Herman Krawitz, former assistant general manager of the Metropolitan Opera House. Krawitz was the son-in-law of the dedicatees Lenette and George Nayor. "Herman Krawitz worked for the Metropolitan Opera for nineteen years, with nine of those years as Assistant General Manager. During this time he worked closely with Marc Chagall. In 1966, Chagall painted two monumental murals for the outside of the Metropolitan Opera in New York. On display in the lobby, the murals are approximately 30 ft (9.1 m) by 36 ft (11 m) and visible to the outside plaza. The south wall holds the work entitled The Triumph of Music while the north wall contains The Sources of Music" (Llyn Towner, "Herman Krawitz 'Working with Chagall'"). Note: The inscription is dated 1966, the same year Krawitz was working with Chagall on the murals. New York: Harcourt, Brace and Company, 1956. Folio, original pictorial (lithographed) boards, original dust jacket. Book with tape residue to endpapers, otherwise book and lithographs fine; extremely scarce dust jacket (almost never seen) with chipping, edgewear, and damage to spine. Housed in a stunning custom box by noted book artist Sjoerd Hofstra. A REMARKABLE, ORIGINAL CHAGALL WORK. N° de réf. du vendeur 1645

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Description de l'article : New York: Editions Hemispheres, 1946, 1946. First Edition. One of 300 numbered copies signed by Goll. Minor staining and some rubbing; about very good. All books described as first editions are first printings unless otherwise noted. N° de réf. du vendeur 34443

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Description de l'article : L'Association Des Musees D'Israel, Israel, 1951. Paperback. Etat : Very Good. First Edition. Scarce exhibition catalog for the first showing of Chagall's works in the newly formed state of Israel. This copy SIGNED and dated in 1951 by Chagall on the front cover. Text in French and Hebrew. About very good condition in bound wrappers with age spotting to covers. Signed by Author. N° de réf. du vendeur 008497

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