JANSSONIUS, JOHANNES HENRICUS (14 résultats)

Etat : -. Gefaltete alt-kolorierte Kupferstich-Karte. Blattmaß: 61 x 47 cm. Mit kleinem Riss im unterem Rand. Alterbedingt leicht gebräunt. Fotos gerne auf Anfrage.

(22) 410 (10) pag. Opnieuw gebonden half Perkament, 4° (Pagina 65-72 verkeerd gebonden.).

2 werken in 1 band, (22) 410 (10), (4) 209 (7) pag., Opnieuw gebonden half Perkament, 4° (Eerste en laatste pagina gebruind, pagina 73-168 eerste werk in nette kopie.).

(12) 272 pag., lang geleden opn.geb. in half linnen band. De titelpagina en laatste pag. register zijn wat gekleurd. Goed boekblok, heldere pagina's. In goede antiquarische staat.

2 delen in 1 band, (10) 182, 183-350 pag., tweede druk, Origineel half Marokijn, 8°.

Copper-engraved map on laid paper, hand-coloured cartouches in lower left corner. Hand-colouring to entire map. Text on the verso in French, heading titled: Le Territoire de BASLE. Hand-coloured initial on verso. Signature mark on verso is IIi. Plate size is 49cm x 38cm, on a sheet measuring 55cm x 48.5cm. Old yellowed tape repair on verso at fold and edges, some splitting at fold, pin holes to margins, tears in lower margin, very good condition. Probably from the French edition of Jansson's "Nouveau Theatre du Monde ou Nouvel Atlas" [c.1640]. Numbered in pencil at upper right with the numeral "67". From WorldCat's description: "The first French editions of the Atlas Novus appeared in three volumes in 1639, a year after the inaugural Latin version. The promptness with which the translation was readied meant that these were largely identical to the Latin original in material and structure, although several revisions were made to the order of contents to better tailor Jansson's offering to the Francophone market: thus, the French part of the Atlas was given new precedence over the Dutch one, and the Spanish and Portuguese chapters were detached from the French section in order to give the latter a stronger thematic coherence than it had previously had. Despite these similarities, the publication of the French editions was quite different from the Latin. After issuing the latter together, by 1639 Jansson and Hondius had resolved to print their own copies of the French title under their own imprints, and this division of resources and duplication of editions has resulted in a distinct, more complex publishing history. Indeed, variations in the stock of plates available to the former partners resulted in two quite separate classes of Atlas, with as many as twenty-five different maps between them, Jansson's typically the more up to date. Matters are further complicated by both Jansson and Hondius' habit of regularly updating their imprints for several years from 1639 onwards, resulting in confusing arrays of dates across the volumes of a single set.".

Copper-engraved map on laid paper, hand-coloured cartouche in upper right. Hand-colouring to entire map. Imprint at lower margin: "Joannes Janssonius execudit". Text on the verso in French, heading titled Le Comte De WERTHAIM. Hand-coloured initial on verso. Signature mark on verso is YY. Plate size is 50.5cm x 39cm, on a sheet measuring 58cm x 50cm. Old tape repairs to central fold and a few short tears on verso, very good condition. From Volume III of the French edition of Jansson's "Nouveau Theatre du Monde ou Nouvel Atlas" [c.1640]. Numbered in pencil at upper right with the numeral "57". From WorldCat's description: "The first French editions of the Atlas Novus appeared in three volumes in 1639, a year after the inaugural Latin version. The promptness with which the translation was readied meant that these were largely identical to the Latin original in material and structure, although several revisions were made to the order of contents to better tailor Jansson's offering to the Francophone market: thus, the French part of the Atlas was given new precedence over the Dutch one, and the Spanish and Portuguese chapters were detached from the French section in order to give the latter a stronger thematic coherence than it had previously had. Despite these similarities, the publication of the French editions was quite different from the Latin. After issuing the latter together, by 1639 Jansson and Hondius had resolved to print their own copies of the French title under their own imprints, and this division of resources and duplication of editions has resulted in a distinct, more complex publishing history. Indeed, variations in the stock of plates available to the former partners resulted in two quite separate classes of Atlas, with as many as twenty-five different maps between them, Jansson's typically the more up to date. Matters are further complicated by both Jansson and Hondius' habit of regularly updating their imprints for several years from 1639 onwards, resulting in confusing arrays of dates across the volumes of a single set.".

Copper-engraved map on laid paper, hand-coloured cartouches in upper right & lower left corners. Hand-colouring to entire map. Text on the verso in French, heading titled: Description Du Duche de STIRIE. Hand-coloured initial and tailpiece on verso. Signature mark on verso is HHHh. Plate size is 51cm x 38.5cm, on a sheet measuring 58cm x 49.5cm. Old yellowed tape repair on verso at fold and edges, some splitting at fold, chipping at lower fold, pin holes to margins, very good condition. Probably from the French edition of Jansson's "Nouveau Theatre du Monde ou Nouvel Atlas" [c.1640]. Numbered in pencil at upper right with the numeral "90". From WorldCat's description: "The first French editions of the Atlas Novus appeared in three volumes in 1639, a year after the inaugural Latin version. The promptness with which the translation was readied meant that these were largely identical to the Latin original in material and structure, although several revisions were made to the order of contents to better tailor Jansson's offering to the Francophone market: thus, the French part of the Atlas was given new precedence over the Dutch one, and the Spanish and Portuguese chapters were detached from the French section in order to give the latter a stronger thematic coherence than it had previously had. Despite these similarities, the publication of the French editions was quite different from the Latin. After issuing the latter together, by 1639 Jansson and Hondius had resolved to print their own copies of the French title under their own imprints, and this division of resources and duplication of editions has resulted in a distinct, more complex publishing history. Indeed, variations in the stock of plates available to the former partners resulted in two quite separate classes of Atlas, with as many as twenty-five different maps between them, Jansson's typically the more up to date. Matters are further complicated by both Jansson and Hondius' habit of regularly updating their imprints for several years from 1639 onwards, resulting in confusing arrays of dates across the volumes of a single set." A map of Styria in Austria, based on Blaeu's map of 1635.

Copper-engraved map on laid paper, hand-coloured cartouches in lower right & left corners. Hand-colouring to entire map. Text on the verso in French, heading titled: LEON ET ASTURIE. Hand-coloured initials and tailpiece on verso. Signature mark on verso is E. Plate size is 49cm x 38cm, on a sheet measuring 59cm x 49.5cm. Old paper tape repair on verso at lower fold, some splitting along fold, clean and in very good condition. From Volume III of the French edition of Jansson's "Nouveau Theatre du Monde ou Nouvel Atlas" [c.1640]. Numbered in pencil at upper right with the numeral "4", which corresponds to this title on the contents list provided by WorldCat. From WorldCat's description: "The first French editions of the Atlas Novus appeared in three volumes in 1639, a year after the inaugural Latin version. The promptness with which the translation was readied meant that these were largely identical to the Latin original in material and structure, although several revisions were made to the order of contents to better tailor Jansson's offering to the Francophone market: thus, the French part of the Atlas was given new precedence over the Dutch one, and the Spanish and Portuguese chapters were detached from the French section in order to give the latter a stronger thematic coherence than it had previously had. Despite these similarities, the publication of the French editions was quite different from the Latin. After issuing the latter together, by 1639 Jansson and Hondius had resolved to print their own copies of the French title under their own imprints, and this division of resources and duplication of editions has resulted in a distinct, more complex publishing history. Indeed, variations in the stock of plates available to the former partners resulted in two quite separate classes of Atlas, with as many as twenty-five different maps between them, Jansson's typically the more up to date. Matters are further complicated by both Jansson and Hondius' habit of regularly updating their imprints for several years from 1639 onwards, resulting in confusing arrays of dates across the volumes of a single set." This issue is virtually identical to that issued by Blaeu in 1634, save for the addition of the second scale of distance in the cartouche/table at the lower right (Milliaria Germanica communia), and some minor reworking of the cartouche itself.

2 delen in 1 band, (10) 352 pag., Fraai exemplaar in volledig perkament, opnieuw in de band gezet. De pagina's lijken bijna nieuw te zijn, zo schoon en helder, goed boekblok. In goede antiquarische staat.

Copper-engraved map on laid paper, hand-coloured cartouches in upper right & left corners. Hand-colouring to entire map. Text on the verso in French, heading titled: BERGAMASC. Hand-coloured initial and tailpiece on verso. Signature mark on verso is L. Imprint at lower right: "Amstelodami Ioannes Ianssonius, Excudit." Plate size is 49cm x 37.5cm, on a sheet measuring 59cm x 48cm. Old paper tape repair on verso at lower fold, yellowed tape on verso at upper fold and left margin, short tears to margins, very good condition. Probably from Volume III of the French edition of Jansson's "Nouveau Theatre du Monde ou Nouvel Atlas" [c.1640]. Numbered in pencil at upper right with the numeral "16". From WorldCat's description: "The first French editions of the Atlas Novus appeared in three volumes in 1639, a year after the inaugural Latin version. The promptness with which the translation was readied meant that these were largely identical to the Latin original in material and structure, although several revisions were made to the order of contents to better tailor Jansson's offering to the Francophone market: thus, the French part of the Atlas was given new precedence over the Dutch one, and the Spanish and Portuguese chapters were detached from the French section in order to give the latter a stronger thematic coherence than it had previously had. Despite these similarities, the publication of the French editions was quite different from the Latin. After issuing the latter together, by 1639 Jansson and Hondius had resolved to print their own copies of the French title under their own imprints, and this division of resources and duplication of editions has resulted in a distinct, more complex publishing history. Indeed, variations in the stock of plates available to the former partners resulted in two quite separate classes of Atlas, with as many as twenty-five different maps between them, Jansson's typically the more up to date. Matters are further complicated by both Jansson and Hondius' habit of regularly updating their imprints for several years from 1639 onwards, resulting in confusing arrays of dates across the volumes of a single set.".

Copper-engraved map on laid paper, coloured cartouche in upper right, another at bottom centre. Hand-colouring to margin and divisions on map. Imprint at lower right: "Amstelodami Sumptibus Ioannis Ianssonii". Text on the verso in French, heading titled ESTAT DE MILAN. Hand-coloured large tailpiece on verso. Signature mark on verso is Ff. Plate size is 49cm x 38cm, on a sheet measuring 58cm x 49cm. Old tape repairs to central fold on verso, chip from lower right blank margin, very good condition. From Volume III of the French edition of Jansson's "Nouveau Theatre du Monde ou Nouvel Atlas" [c.1640]. Numbered in pencil at upper right with the numeral "31", which corresponds to this title on the contents list provided by WorldCat. From WorldCat's description: "The first French editions of the Atlas Novus appeared in three volumes in 1639, a year after the inaugural Latin version. The promptness with which the translation was readied meant that these were largely identical to the Latin original in material and structure, although several revisions were made to the order of contents to better tailor Jansson's offering to the Francophone market: thus, the French part of the Atlas was given new precedence over the Dutch one, and the Spanish and Portuguese chapters were detached from the French section in order to give the latter a stronger thematic coherence than it had previously had. Despite these similarities, the publication of the French editions was quite different from the Latin. After issuing the latter together, by 1639 Jansson and Hondius had resolved to print their own copies of the French title under their own imprints, and this division of resources and duplication of editions has resulted in a distinct, more complex publishing history. Indeed, variations in the stock of plates available to the former partners resulted in two quite separate classes of Atlas, with as many as twenty-five different maps between them, Jansson's typically the more up to date. Matters are further complicated by both Jansson and Hondius' habit of regularly updating their imprints for several years from 1639 onwards, resulting in confusing arrays of dates across the volumes of a single set.".

Copper-engraved map on laid paper, three coloured cartouches and three coloured coats of arms. Hand-colouring to margin and divisions on map. Text on the verso in French: Description de l'ancienne & nouvelle CASTILLE. Hand-coloured Initial on verso. Signature mark on verso is H. Plate size is 51cm x 41cm, on a sheet measuring 59cm x 49.5cm. Old tape repairs to verso, some repaired tears, very good condition. Presumably from Volume III of the French edition of Hondius's "Nouveau Theatre du Monde ou Nouvel Atlas" [c.1640]. Faint number in pencil at upper right, the numeral "7", which corresponds to this title on the contents list provided by WorldCat (for the Jansson edition). From WorldCat's description: "The first French editions of the Atlas Novus appeared in three volumes in 1639, a year after the inaugural Latin version. The promptness with which the translation was readied meant that these were largely identical to the Latin original in material and structure, although several revisions were made to the order of contents to better tailor Jansson's offering to the Francophone market: thus, the French part of the Atlas was given new precedence over the Dutch one, and the Spanish and Portuguese chapters were detached from the French section in order to give the latter a stronger thematic coherence than it had previously had. Despite these similarities, the publication of the French editions was quite different from the Latin. After issuing the latter together, by 1639 Jansson and Hondius had resolved to print their own copies of the French title under their own imprints, and this division of resources and duplication of editions has resulted in a distinct, more complex publishing history. Indeed, variations in the stock of plates available to the former partners resulted in two quite separate classes of Atlas, with as many as twenty-five different maps between them, Jansson's typically the more up to date. Matters are further complicated by both Jansson and Hondius' habit of regularly updating their imprints for several years from 1639 onwards, resulting in confusing arrays of dates across the volumes of a single set." Nearly indistinguishable from the map produced by Blaue in 1635; a notable difference is at the upper margin of the Blaue map where the 'n' from Septe/ntrio is lacking; it has been added in this and later issues.

Copper-engraved map on laid paper, hand-coloured cartouches in upper right & both lower corners. Hand-colouring to entire map. Text on the verso in French, heading titled: BRESSAN. Hand-coloured initial on verso. Signature mark on verso is M. Imprint at lower left: "Amstelodami Apud Ioannem Ianssonium." Plate size is 49cm x 39cm, on a sheet measuring 58.5cm x 49.5cm. Old paper tape repair on verso at lower fold, yellowed tape on verso at upper fold, some splitting at fold, pin holes to margins, very good condition. Probably from Volume III of the French edition of Jansson's "Nouveau Theatre du Monde ou Nouvel Atlas" [c.1640]. Numbered in pencil at upper right with the numeral "17". From WorldCat's description: "The first French editions of the Atlas Novus appeared in three volumes in 1639, a year after the inaugural Latin version. The promptness with which the translation was readied meant that these were largely identical to the Latin original in material and structure, although several revisions were made to the order of contents to better tailor Jansson's offering to the Francophone market: thus, the French part of the Atlas was given new precedence over the Dutch one, and the Spanish and Portuguese chapters were detached from the French section in order to give the latter a stronger thematic coherence than it had previously had. Despite these similarities, the publication of the French editions was quite different from the Latin. After issuing the latter together, by 1639 Jansson and Hondius had resolved to print their own copies of the French title under their own imprints, and this division of resources and duplication of editions has resulted in a distinct, more complex publishing history. Indeed, variations in the stock of plates available to the former partners resulted in two quite separate classes of Atlas, with as many as twenty-five different maps between them, Jansson's typically the more up to date. Matters are further complicated by both Jansson and Hondius' habit of regularly updating their imprints for several years from 1639 onwards, resulting in confusing arrays of dates across the volumes of a single set.".