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Edité par Thesis Publishers, Amsterdam, 1991
ISBN 10 : 9051700911ISBN 13 : 9789051700916
Vendeur : Encore Books, Montreal, QC, Canada
Livre
Paperback. Etat : Good. Marked in pencil throughout, with some highlighting in the final pages. A page has been torn to replace the battery, which may or may not have been successful. A fascinating book that allegedly "never stops making music".
Edité par Kopenhagen / Paris. Art Print. 1963, 1963
Vendeur : Antiquariat & Verlag Jenior, Kassel, HE, Allemagne
184 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Einband, Ecken und Kanten sowie Buchrücken stark berieben Buchdeckel und Buchrücken zum Teil abgelöst. Inhalte des Buches sonst gut erhalten. Sprache: fra.
Vendeur : Vangsgaards Antikvariat Aps, Copenhagen, Danemark
Membre d'association : ILAB
Rhodos, Copenhagen 1963. 4°. 184 pages. Profusely illustrated in b/w. Publisher's soft cover with dust wrappers. Upper spine end worn. Name (Asger Fischer) on front cover. * Printed in 2000 copies.
Edité par Ludion, Gent/Amsterdam, 2003
ISBN 10 : 9076588511ISBN 13 : 9789076588513
Vendeur : Antiquariaat Digitalis, Amsterdam, Pays-Bas
Livre Edition originale
Hardcover. Etat : Very Good. 1st Edition. Cloth covered boards with dust jacket, 167 pages : illustrations (chiefly in color) ; 29 cm. Very good in a very good dj, clean, no internal marks. Text in Dutch and English; some contributions are in French and German.
Edité par Self published, Paris, 1963
Vendeur : studio montespecchio, Montespecchio, Italie
Livre
Soft cover. Etat : Fine. No. 4. Thick quarto, 184 pages among which 2 fold out pages, illustrated throughout. Illustrated wrappers. Edges slightly scuffed, still fine. - First edition. Contributions by Lech Tomaszewski, P. Simondo, M. Bucaille, W. Lietzmann, H. L. C. Jaffé, Aldo Van Eyck, Kalevalla, Lars-Ivar Ringbom, H. C. Doets, Julius Schwabe, G. R. Hocke, F. Kafka, Gaston Bachelard, James Joyce, Eduard Mazman, Gordon Fazakerley, Peter Schat, Lodewijk de Boer, Albert Seelen, Gerard van den Eerenbeemt, Rudi van Dantzig, Kees van Iersel and E. Meter Plant.
Vendeur : Vangsgaards Antikvariat Aps, Copenhagen, Danemark
Membre d'association : ILAB
Jacqueline de Jong, Paris 1967. 33 original litographies. Publisher's litographed wrappers. Colophone page loosened. * Among artists represented with original litographs are Pierre Alechinsky, Asger Jorn, Wifredo Lam, Roberto Matta, Hannes Postma, Antonio Saura and Arne Haugen-Sørensen. ** Printed in 2000 copies plus 500 hors commerce.
Vendeur : Vangsgaards Antikvariat Aps, Copenhagen, Danemark
Membre d'association : ILAB
Jacqueline de Jong, Paris 1967. 33 original litographies. Publisher's litographed wrappers. * Among artists represented with original litographs are Pierre Alechinsky, Asger Jorn, Wifredo Lam, Roberto Matta, Hannes Postma, Antonio Saura and Arne Haugen-Sørensen. ** Printed in 2000 copies plus 500 hors commerce.
Edité par Rhodos, Copenhagen,, 1964
Vendeur : Antiquariat Neue Kritik, Frankfurt am Main, Allemagne
Livre
Etat : Gut. 220 Seiten, mit zahlreichen Abbildungen. Schutzumschlag mit leichen Gebrauchsspuren und 2 kleinen Randläsuren, ansonsten gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1950 28 x 22 cm, Broschur mit Schutzumschlag.
Edité par The Situationist Times, Hengelo (Netherlands() Copenhagen, Paris, 1964
Vendeur : ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, Etats-Unis
Edition originale
Softcover. Etat : Near fine condition. First edition. Quartos. Original illustrated stiff wraps with lettering in variant colors on covers, protected by modern mylar. The Situationist International (SI) was formed by a group of international social revolutionaries from a variety of fields, including avant-garde artists, intellectuals, and political theorists in 1957. The theoretical foundation was derived from so-called libertarian Marxism and avant-garde art movements like Dada and Surrealism. Its theoretical underpinnings relate to the concept of the spectacle as it was developed by Guy Debord in his book "The Society of the Spectacle." Jacqueline de Jong, a Dutch artist and graphic designer, had joined the movement in 1960 and advanced quickly into its Central Committee. She decided to start "a completely free magazine, based on the most creative of the Situationist ideas," and published the first issue in 1962, a broad representation of the movement and its efforts to synthesize the diverse fields and theoretical disciplines into a comprehensive critique of advanced capitalism. Six issues of the magazine were published until 1967 before the student uprising of May 1968, leaving the seventh issue compiled but unpublished. The first two issues were co-edited by the French pataphysician Noël Arnaud. The magazines contained literary contributions, artwork, found objects and used quotations relating to such issues as topology, politics and "spectacle culture." It was originally released in offset print and starting with issue # 4 switching to full color lithography, printed to different quality paper of variant color and weight with text in English, French and German. Issue one: 30 leaves. Includes an essay by Noel Arnaud, an extensive certified transcript of the Criminal Court in Munich relating to accusations of production and distribution of lewd writings in the magazine "Spur" and public slander against Dieter Kunzelmann, Helmut Sturm, Heimrad Prem and Hans-Peter Zimmer, including facts of the case and an answer of the court, comics by R. Gasché and others, a Proclamation for L'Internationale Situationiste! and other contributions. Small strip of sunning along top and foredge. Issue two: 32 leaves, two folding. Includes a declaration concerning the conviction and imprisonment of the Situationist Uwe Lausen, various contributions relating to the trial mentioned in issue one, including the verdict and a reaction to the trial by Rodolphe Gasché, artwork by Gail Singer and others, a musical concept on two folding pages, poetry by Marcel and Gabriel Piqueray, among other contributions. Issue three (International British Edition): 48 leaves. Includes an essay by Anton Ehrenzweig "Meditations on the Future of Art," artwork by Ann Hagen, an extensive contribution on the patterns of Situological Aspects found in a) the "Early Christian monuments in Scotland and b) the "Principles of topological psychology" by Kurt Lewin, with a mathematical (analysis situs) introduction by Max Brucaille, and other contributions. Some light staining on front cover. Issue four: 184pp. Focusing on labyrinths this issue includes contributions Lech Tomaszewski, by Italian artist Piero Simondo, the Max Bucaille, W. Lietzmann, H. L. C. Jaffé, the Dutch architect Aldo van Eyck, Lars-Ivar Ringbom, Julius Schwabe, Gaston Bachelard, Kalevalla (A Finnish Myth), and Franz Kafka (An Imperial Message) and James Joyce, among other contributions. Profusely illustrated with drawings and photographs throughout. Issue five: 110 leaves. Articles by Asger Jorn "Mind and sense" and "Art and Orders," various contributions by Max Bucaille, excerpts from the opera "The Labyrinth" by Jim Ryan, "Kreisen, Kreissegmenten und Wellenlinien etc." by F. van der Waals, "Some mathematical aspects" by H. C. Doets, drawings and poems by Karl Pelgrom and Jim Ryan, and many other contributions. Editor's note at rear: "In this No. of the Situationist Times (5) do we try to open up the problem of the ring, interlaced rings and consequently, chains. Half an inch chip on edge of back cover. Issue six: 32 card stock leaves: Contains thirty-three full page original lithographs, including cover, in color and b/w by Pierre Alechinsky, René Bertholo, Martin Engelmann, Maurice Henry, Jacqueline de Jong, Asger Jorn, Peter Klasen, Wilfredo Lam, Lea Lublin, Milvia Maglione, Roberto Matta, Lucio del Pezzo, Antonio Saura, Yasse Tabuchi, and others. Cover by Ulf Trotzig.