Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par The Minneapolis Institute of Arts, Minneapolis, MN, 1980
Vendeur : Fahrenheit's Books, Denver, CO, Etats-Unis
Membre d'association : RMABA
Edition originale
Trade Paperback. Etat : Very Good+. 1st Edition. First edition, trade paperback, has very slight bumps to spine ends and corners, light sunning to spine with slight offset to back cover, very slight edgewear, and some light rubbing, otherwise a solid VG+ copy.
Edité par Elvehjem Museum of Art, 1979
Vendeur : Ammareal, Morangis, France
Softcover. Etat : Bon. Légères traces d'usure sur la couverture. Edition 1979. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Edition 1979. Ammareal gives back up to 15% of this book's net price to charity organizations.
Edité par Peter Pauper Press, New York, 1965
ISBN 10 : 0880883596ISBN 13 : 9780880883597
Vendeur : BuchSigel, Weikersheim, Allemagne
Livre
Pappe. Etat : Gut. OPbd. mit OSu, 62 S. Zustand: etwas bestossen und berieben, Stempel auf Buchdeckel innen slightly bumbed and rubbed, stamped inside cover.
Edité par Minneapolis Institute of Arts 1980, 1980
Vendeur : Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nouvelle-Zélande
Membre d'association : IOBA
Oblong quarto softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.
Edité par Minneapolis, MN: The Minneapolis Institute of Arts, 1980, 1980
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.
Edité par Minneapolis, MN: The Minneapolis Institute of Arts., 1980
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 4to. 183 pp. Soft, glossy brown and color illustrated wraps. Good with edgewear along spine, scratching along front wrap and marginal creasing. Mostly black and white plates, some color. Includes works by Otto Dix, Christian Schad, Karl Hubbuch, George Grosz, Rudolf Schlichter, Carl Grossberg et al. Includes an introduction by Gregory Hedberg, texts by Istvan Deak, Peter Selz (title essay), Wieland Schmied and Emilio Bertonati. Catalogue created on occasion of exhibition ?German Realism of the Twenties: The Artist as Social Critic,? first held at the Minneapolis Institute of Arts from September 18 through November 3, 1980 before traveling to Chicago. From the Collection of the Art Historian Peter Selz.
Edité par Minneapolis, MN: The Minneapolis Institute of Arts., 1980
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. [Exhibition catalogue]. 4to. Oblong. [76 pp.]. Soft, glossy yellow and color illustrated wraps with red text. Very good. Black and white and color plates. Includes an acknowledgments by Samuel Sachs II and Frederick J. Cummings, an introduction by Gregory Hedberg and an essay by Robert L. Herbert, Robert Lehman Professor of the History of Art, Yale University. Includes a selection of appendices in back of catalogue including texts and letters both written about and by Fernand Leger. Also includes artist biography. Catalogue created to accompany the exhibition ?Leger's Le Grand Dejeuner?, first organized by and held at The Minneapolis Institute of Arts from April 9 through June 1, 1980 in Minneapolis, Minnesota before being held at the The Detroit Institute of Arts from July 10 through August 24, 1980 in Detroit, Michigan. Half-title page signed and dated by previous owner in red ink along top right of page: ?Peter Selz, 1980.? Scarce. From the Collection of the Art Historian Peter Selz.
Edité par The International Society of Copier Artists, New York, 1988
Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Softcover. Etat : Near Fine. Magazine. Oblong octavo. 94pp. Comb bound with some publisher's material laid in. Fine. A quarterly issues from The International Society of Copier Artists founded by Louise Neaderland as a non-profit group to help establish electrostatic art or xerography as a legitimate art form. The quarterly magazine was started in April of 1982 as a way to distributor the work of artists with the first issue distributed as loose sheets. Starting with this issue spiral bound volumes were released along with an annual box of books each summer. The magazine and organization finally ceased publication in 2003. Each page of this issue of the magazine represents a different artist with many contributions signed and numbered along with a collation stamp on the verso of each. Contributors include David Bolyard, Curtis La Follette, Phyllis Cairns, Sally Blakemore, Panchal Mansaram, Stephanie Regen, Florence Weisz, Zella Funck, Ralph Neaderland, Steve Harp, Fitzgerald-Stasa, Elisabeth Relin, Pat Roberts, Carol Neiman, Al Nigrin, Shirl Green, David Jarvis, Randy Koppang, Carolyn Berry, Jenifer Cairns, Amie Oliver, Kake Art, Gail Smuda, Sarah Jackson, Millie Becker, Dave Winchester, Carolyn Bell-Tait, Clare Forster, Janet Higgins, Kathy Thompson, Sara Roberts, Barbara Bishop, Homer Springer, Maggie Walker, Heino Partanen, Minoy, Fruit Basket Upset, Walter Zimmerman, Kedayhoff, Mae Lee Thomson Foster, Marcello Diotallevi, T.E. Good, Ioan Bunus, Ed Powis Jones, and Jan Lincoln.