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Edité par Anvers, Em. Maeyens, s.d. (ca. 1945?), 21, 55 pp., ill., 1945
Vendeur : Au Vieux Quartier, NAMUR, B, Belgique
La republication du texte de l'auteur (1827-1883) contient aussi trois textes de P.G. HAMELTON sur le vernis mou et la pointe sèche (pp.46-53).
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
Edition originale
2. Anvers ( Antwerpen), Em. Maeyens , s.d. (ca. 1940-1950), in-8°, 55 pp, black/white ills. Sewn, original stiff wrapper. (wrapper discoloured and dustsoiled). The publisher states that this is the second edition. It is not clear if he refers to his first edition (?) or to the real first edition (Paris, Cadart, 1873). Book in French. Livre en français.
Edité par Beillet, Paris and London, 1862
Vendeur : Certain Books, ABAA, Bolivia, NC, Etats-Unis
Etat : Very Good. Image of a mid-nineteent century Paris corner street-scene, "Dufour Jeune M. de Meubles" on building, dance instructor sign & street sign on upper story, women vendors at front of arcade, ancient stonework, carriages in cobblestone street; beautifully accomplished etching by A.P. Martial (Adolphe Potemont, French artist and illustrator 1828-1883); image approx. 4 1/4" x 8", plus approx. 4-6" generous margins; dated and titled below the image and in the plate, Beillet imprint; light edgewear, a little spotting outside the image area; very good condition and an evocative image.
Edité par Paris: Cadart & Luquet , circa 1860s., 1860
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Art / Affiche / Gravure
Etat : Good. Etching on rag paper and chine collé. Pieece missingt in lower right margin. 49 x 33 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.
Edité par Paris: Cadart & Luquet , circa 1860s., 1860
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Art / Affiche / Gravure
Etat : Good. Etching on rag paper. 33.5 x 28 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.
Edité par Paris: Cadart & Luquet , circa 1860s., 1860
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Art / Affiche / Gravure
Etat : Good. Etching on rag paper. Piece missing in lower right margin. 49 x 32 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.
Edité par Paris: Cadart & Luquet, 1870
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Art / Affiche / Gravure
Etat : Good. Etchings. 46 x x 29 cm. to 49 c 32 cm. Reference: Beraldi, II, no. 3, -11.
Edité par Paris: Cadart & Luquet , circa 1860s., 1860
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Art / Affiche / Gravure
Etat : Good. Etching on rag paper and chine collé,.Mostly in the range of 39.2 x 29 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
Signé
0. Original etching, ( ca. 1870), size 260 x 140 mm . Signed at the bottom of the plate. With title and '' A. Cadart, Edit. Imp. Rue Nve des Mathurins 58 Paris''. Printed on strong paper 294 x 460 mm. This etching was published by Alfred Cadart in his '' L'Illustration Nouvelle par une Société de Peintres-Graveurs a l'eau-forte'' with the number 151. (n° on the upper right hand corner). Nice strong printing.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
8. Paris, A. Cadart, 1873, in-8°, xxiii + 59 pp + (4) nn pp + 13 full page engravings by the author, made with different techniques. Sewn, original printed wrapper. (wrapper slightly frayed and with some dustsoiling). With an introduction by W. Bürger and Th. Gautier. Nicely illustrated technical treatise on the art of engraving.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
10. Paris, Imprimerie Cadart et Luce, écriture gravée sous les planches, 1872, album in-folio, format oblong, 38 x 29,5 cm, contenant 12 gravures, imprimées sur grand papier velin . Relié en plein toile rouge, avec titre sur le plat supér., feuilles de garde marbrées. ( reliure un peu souill.) Rare suite de gravures qui montrent d'une façon ''artistique '' le sort malheureux de la capitale française en 1871. Gravée par Adolphe Théodore Jules Martial Potémont (1828-1883) connu sous le nom Martial.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
14. Paris, Imprimerie Beillat, 1874, album in-folio, 46 x 31,5 cm, contenant 31 gravures ( dont le titre et le justificatief) + 30 petites vignettes , imprimé sur papier vergé . Broché, dans sa couverture originale, avec titre gravé sur la couverture supérieure. Dos cassé, petite déchirure marginale dans la couverture , pour le reste en très bon état, sans tâches ni piqures . Belle suite de gravures. Quelques gravures contiennent un texte explicatif dans le champ de la gravure. Un des 239 exemplaires imprimé sur papier vergé ( exemplaire n° 186). Le tout gravé par Adolphe Théodore Jules Martial Potémont (1828-1883) connu sous le nom Martial.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
12. Paris, Cadart et Lucé, 1867, in-folio, 43,5 x 33 cm, collection of 48 engravings with engraved texts. The engravings (size 23 x 15,5 cm) are individually mounted on large stiff boards. Bound in publisher's red cloth with gilt title on front cover. (Cover restored, spine expertly rebacked , interior fine ). This collection of 48 brilliant engravings is bound here to lure prospective buyers searching for a 1867 World Exhibition souvenir album. We have also encountered this publication as a collection of loose engravings in a printed wrapper - portfolio. This wrapper contained the publisher's details and did not stress the special interest this collection had regarding the 1867 Exhibition. ( original engravings, Paris 1867 World Exhition, Exposition Universelle ).
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
11. Paris, Cadart et Lucé, 1867, format in-8°, 23,5 x 16,5 cm, collection of 48 engravings with engraved texts. Bound in a modern half cloth binding. Originally published as a collection of loose engravings in a printed wrapper - portfolio. This wrapper (giving the publisher's details) has not been retained and has been replaced with a simple half-title page. The publication is complete but for this wrapper. This rare collection of fine engravings deals mainly with the 1867 Paris World Exhibition.
Edité par Vve A. Cadart, Paris, 1878
Vendeur : Royoung Bookseller, Inc. ABAA, Ardsley, NY, Etats-Unis
Edition originale Signé
Hardcover. First edition. Folio, 48 x 34 cm, Inscribed and signed by Martial on the etched title page. 48 etched india proof plates with descriptive text mounted to stiff paper. Each plate about 6 1/2 x 5 inches. This exposition, larger in scale than any previous covered some 66 acres. More than 13 million people paid to attend, making it a great financial success. The French exhibit filled one half of the entire space, the United Kingdom occupied one third. Alexander Graham Bell's telephone was on display, as was Thomas Edison's megaphone and phonograph. On June 30, 1878 the completed head of the Statue of Liberty was showcased in the garden of the Trocadero Palace. There are two separate images of the latter herein. Another advance consisted of low cost temporary building materials for statues and exhibit structures invented two years earlier in Paris -- consisting of jute fiber, plaster of paris and cement. Interior contents clean and fresh, gilt front cover lettering. Both a fine etcher and painter, Martial studied under Cogniet and Felix Brissot. He was a regularly invited exhibitor at the prestigious Paris Salon from 1846 to 1882. By 1865 etching dominated almost all his creative output [see: (Potemont) BRYAN Vol. IV, p.148]. OCLC lists one entry: Bibliotheque Nationale De France. Interior contents clean and fresh, gilt front cover lettering, marbled endpapers. Three quarter red morocco, original red aubergine cloth recased with original leather spine label laid-down. Teg. Near fine.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
18. Paris, éditeur-imprimeur Cadart et Luce, 1870-1871, réunion de 8 suites de 12 gravures avec en total 94 (des 96) gravures; donc 6 suites complet et 2 suites avec manque d'une gravure. In-folio, 47 x 31,5 cm. Les gravures sont reliées, avec leurs couvertures illustrées de devant ans une reliure demi-maroquin rouge d'époque, avec le dos à 5 nerfs, avec décoration et titre doré. Plats marbrés, feuilles de garde marbrées. Reliure avec légères traces d'usage, surtout aux extrémités. Il manque l'arrière feuille de garde. Sinon bel exemplaire. Avec deux ex-libris imprimés d'Arthur Christian (un daté 1900). Arthur Christian ( 1838 - 1906) devient directeur de la Bibliothèque Nationale à Paris en 1895. [1] Paris pendant Le Siège ( par Martial). 11/12 eaux-fortes. Gravures pourvues de commentaires gravées en cursive. [2] Souvenirs artistiques du Siège de Paris 1870-1871. ( par Lalanne). 12 eaux-fortes. [3] Paris et ses Avant-Postes pendant le Siège. (par L.Desbrosses). 12 eaux-fortes. [4] St. Cloud Brûlé. (par F.Pierdon). 12 eaux-fortes. [5] Autour de Paris après la guerre. (par Edmond Yon). 11/12 eaux-fortes [6] Les Prussiens chez nous. ( par Martial). 12 eaux-fortes. [7] Paris sous la Commune ( par Martial ). 12 eaux-fortes. [8] Paris incendié. ( par Martial ). 12 eaux-fortes. Commentary: Some of these engravings are based on photographs. In this early stage photographs could only be reproduced for mass production by means of wood-engravings or engravings on copper or steel. A few years after these turbulent years in the history of Paris new reproduction methods such as photo engraving and zincography made obsolete this beautiful but expensive method . These suites will remain a beautiful and poignant visual testimony of Paris history in the 19th c.
Edité par Paris: Cadart & Luquet , circa 1860s., 1860
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Art / Affiche / Gravure
Etat : Good. Etchings on rag paper and chine collé,.Mostly in the range of 37 x 26 cm. to 49 x 32 cm. For the etchings that are dated after 1850, the etcher used his own drawings as the source. For the ones dated in the 1830s and 1840s the etcher followed the drawings of the following artists:After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.