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Evaluation du vendeur
Edité par Abbeville Press, 2006
ISBN 10 : 0789209063ISBN 13 : 9780789209061
Vendeur : HPB Inc., Dallas, TX, Etats-Unis
Livre
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Edité par United States Department of the Interior Bureau of Indian Affairs, Washingyon D.C., 1967
Vendeur : Flying Danny Books, Netosu, OR, Etats-Unis
Livre
Soft cover. Etat : Good. copy that is only good.Large format softcover in printed paper covers, reprint of Volume I of 1838 Philadelphia deition, no plates, Very Good condition with light edge rubs, spine slightly faded, clean and unmarked, xvi + 452 pages.
Edité par Ross & Haines, 1959
Vendeur : Jay W. Nelson, Bookseller, IOBA, Austin, MN, Etats-Unis
Membre d'association : IOBA
Livre
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Limited. Hardcover in jacket 1 of 1,500 copies.
Edité par Ross & Haines, 1959
Vendeur : Jay W. Nelson, Bookseller, IOBA, Austin, MN, Etats-Unis
Membre d'association : IOBA
Livre
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Limited. Hardcover in jacket 1 of 1,500 copies.
Edité par Indian Tribal Series, 1978
Vendeur : Virginia Martin, aka bookwitch, Concord, CA, Etats-Unis
Paperback. Etat : Very Good. Charles Bird King (illustrateur). Quarto, softcover, VG in beige pictorial wraps. 22 pp. Indian tribal series. The M'Kenney-Hall portfolios. Cover of Ma-Has-kah b & w photos throughout of Indian paintings (which were lost in fire at Smithsonian). Articles on Eskimo Country and Osage Peace medal at back. One in Indian Tribal Series. Book.
Vendeur : John K King Used & Rare Books, Detroit, MI, Etats-Unis
Bureau of Indian Affairs: Washington, DC 1967. 10 x 7", soft cover, 452pp, facsimile reprint of Volume I of the 1838 edition, without illustrations, ex-lib, spine sunned, internally clean & tight, reprint.
Edité par United States Department of the Interior, Bureau of Indian Affairs, 1967
Vendeur : Riverby Books, Fredericksburg, VA, Etats-Unis
Soft cover. Etat : Good. Softcover, edgewear and rubbing to cover, but no major folds or tears. Name of former owner written on inside cover corner. 452 pages, no markings or writing. Binding square and tight.
Edité par Rowman and Littlefield, Totowa, NJ, 1972
ISBN 10 : 0874711193ISBN 13 : 9780874711196
Vendeur : Yes Books, Portland, ME, Etats-Unis
Livre Edition originale
Hardcover. Etat : Very Good. Etat de la jaquette : Good. Reprint. Dust jacket has light damp staining on back flap and back cover. Mylar sleeve. Top edge of textblock is water damaged. Pages have a ripple and dampstain bleeding in "1/2 on some pages, including many plates. Volume 2 only. 458 pages.
Edité par John Grant Publ., 1934
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. 1934 John Grant hardcover - with some wear; no dj as issued, Volume 3, oversized, GOOD Oversized.
Edité par Rowman and Littlefield: Totowa, NJ, 1972
Vendeur : John K King Used & Rare Books, Detroit, MI, Etats-Unis
Volume III (only). Color portraits, 9 x 6.5, red cloth, 355 pp with index, covers worn, hinges loose, ex-lib with usual markings, text toned else an ok, usable copy in dust jacket. Reprint of 1934 ed.
Edité par Rowman and Littlefield: Totowa, NJ, 1972
Vendeur : John K King Used & Rare Books, Detroit, MI, Etats-Unis
Volume II (only). Color portraits, 9 x 6.5, red cloth, 458 pp with index, covers worn, hinges loose, inner hinges reinforced with cloth tape, ex-lib with usual markings, contents toned and worn with some soiling, else an ok copy in dust jacket. Reprint of 1934 ed.
Edité par Nimble Books, 2021
ISBN 10 : 1608882357ISBN 13 : 9781608882359
Vendeur : booksXpress, Bayonne, NJ, Etats-Unis
Livre impression à la demande
Hardcover. Etat : new. This item is printed on demand.
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Edité par Edinburgh: John Grant, 1934
Vendeur : Riverby Books, Fredericksburg, VA, Etats-Unis
Livre
Hardcover. Etat : Fair. Hardcover. Blue cloth over boards. Title page dated 1934. 355 pages. Fair condition. Volume III only. Front cover features a relief of two hunters on horseback; gilt lettering on spine. Covers are smudged and faded with bumping to corners, head and foot of spine. Front gutter is cracked. Color frontispiece with tissue guard titled "Encampment of Piekann Indians Near Fort McKenzie, on the Muscleshell River." Page edges are worn and uneven. Binding is strong. This volumes contains 24 colorful plates with tissue guards as well as fold out maps located after the textblock. Originally published in the 1840's this reprint is a good, clean reading copy. Please email us with questions or to request photos.
Edité par John Grant, Edinburgh, 1934
Vendeur : Dogwood Books, Rome, GA, Etats-Unis
Livre Edition originale
Hardcover. Etat : Good. No Jacket. First Edition. Ex-library copy with the usual markings. The cover shows some edgewear with discoloration. The binding is sound. The frontispiece has been removed.
Edité par EP Publishing Ltd, 1972
Vendeur : Books From California, Simi Valley, CA, Etats-Unis
HARDCOVER. Etat : Good. 3 volume set complete. Dust jacket and edges shows minor tanning. Pages are clean and intact.
Edité par John Grant, Edinburgh, Scotland, 1934
Vendeur : river break books, Fort benton, MT, Etats-Unis
Hardcover. Etat : Near Fine. With an introduction by H.J. Braunholtz. Book is re-bound in library-style plain black hardback. Exterior is very clean and square. Title page contains date and publisher information; there is no copyright page. Brilliant white tone to pages; the artwork is in superb condition. Interior is very clean and tight. Contains two rear endpaper fold-up maps in fine/as new condition.
Edité par Philadelphia D Rice and A N Hart Lithography printed & col by J T Bowen, 1855
Vendeur : Versandantiquariat Christine Laist, Seeheim-Jugenheim, Allemagne
Handkolorierte lithographische O-Tafel mit der Ansicht des Winnebago Häuptlings nach der Natur gezeichnet. Tafelgröße: 17 x 26,2 cm. Handcolored Lithograph with the view of a Winnebago Chief drawn after nature. - - - McKenney worked as the superintendent of the war department for 16 years. He became a friend an admirer of the Native Americans. When Charles Bird King created paintings for the U.S. Government to make a survey of the appearances of the natives, McKenney intended to produce a portfolio of them along with written accounts. Thankfully, he employed the well-known artist Henry Inman to secretly make copies of them before they were destroyed in the fire at the Smithsonian in 1865.
Edité par Philadelphia D Rice and A N Hart Lithography printed & col by J T Bowen, 1855
Vendeur : Versandantiquariat Christine Laist, Seeheim-Jugenheim, Allemagne
Handkolorierte lithographische O-Tafel mit der Ansicht des Iowa-Kriegers Tahrohon nach der Natur gezeichnet. Tafelgröße: 16,7 x 26 cm. Handcolored Lithograph with the view of an Ioway Warrior Tah-Ro-Hon drawn after nature. Size of the leaf: 6.57 x 10.24 inch. - - - Die Iowa oder Ioway sind ein Indianervolk Nordamerikas, das zeitweise im US-Bundesstaat Iowa ansässig war und dem Stamm seinen Namen gab. Der Name Iowa geht auf "ayuhwa = schlafend" zurück. Die Selbstbezeichnung der Iowa war "Pahotcha" oder "Bah-kho-je", was so viel wie "Staubgesichter" oder "Grauer Schnee" bedeutet. Die Iowa sprachen eine Sioux-Sprache namens Baxoje. McKenney worked as the superintendent of the war department for 16 years. He became a friend an admirer of the Native Americans. When Charles Bird King created paintings for the U.S. Government to make a survey of the appearances of the natives, McKenney intended to produce a portfolio of them along with written accounts. Thankfully, he employed the well-known artist Henry Inman to secretly make copies of them before they were destroyed in the fire at the Smithsonian in 1865.
Edité par John Grant Publ. Edinburgh, 1934
Vendeur : David Kaye Books & Memorabilia, Woodland Hills, CA, Etats-Unis
Edition originale
First Edition ~1st Printing Hardcover Volume 3 only, near fine in blue boards with embossed illustration on front cover featuring two Native American riders, no dust jacket as issued; gentle softening to head and heel of spine, "Property of Max Factor & Co." stamped on half-title page else a remarkably clean tight square unmarked copy; all color plates are present, bright and intact with their corresponding identifier tissue-guard overlays; both rear fold-out maps are clean and present; a very attractive well-preserved copy with original gilt top edge and unrubbed gilt lettering on spine; brightness of endpapers suggests they have possibly been replaced.
Edité par EP Publishing, 1972
Vendeur : The Small Library Company, London, Royaume-Uni
With Biographical Sketches and Anecdotes of the Principal Chiefs. In 3 volumes [Illustrated] Very good. Edinburgh. Slight sunning on top edge. Dust jacket of volume 1 torn in one place with cellotape used. Ex libris of former owner on inside cover of all volumes., Republished by EP Publishing from the 1933/1934 edition published by John Grant. 1st in this edition. Dust jacket: Good. Hardback.
Edité par E.C. Biddle, Philadelphia, 1836
Vendeur : Donald A. Heald Rare Books (ABAA), New York, NY, Etats-Unis
Art / Affiche / Gravure
Hand-coloured lithograph. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. Also known to his tribe as The Sacred Pigeon-hawk Which Comes Walking, Little Crow was a noble Sioux chief of the Kaposia band, which resided on the east bank of the Mississippi. He fought for the British in the War of 1812 and traveled to Washington in 1824 as the leader of a Sioux delegation. His grandson, the renowned chief Little Crow, was a key leader in the Great Sioux Uprising of 1862 in Minnesota. The Sioux, one of the most formidable and largest tribes, which included a substantial aboriginal population, inhabited the North American Plains and Prairies. McKenney and Hall's 'Indian Tribes of North America' has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Cornplanter, and Osceola. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee , and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1839, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath). Cf. BAL 6934; cf. Bennett p.79; cf. Field 992; cf. Howes M129; cf. Lipperhiede Mc4; cf. Reese, American Color Plate Books p. 24; Sabin 43410a.
Edité par E. C. Biddle, Philadelphia, 1836
Vendeur : Donald A. Heald Rare Books (ABAA), New York, NY, Etats-Unis
Art / Affiche / Gravure
Hand-coloured lithograph. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. Ongpatonga or Big Elk (c. 1765- 1846) was the chief of the Omahas from 1800 until his death in 1846. He was a celebrated orator and made two visits to Washington: 1821 and 1837. During his lifetime, his tribe was not required to move and was able to maintain fairly calm relations with the Americans. McKenney and Hall's 'Indian Tribes of North America' has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Keokuk, and Black Hawk. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee , and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath). Cf. Howes M129; cf. Bennett 79; cf. Field 992; cf. Lipperheide Mc 4; cf. Reese American Color Plate Books 24; cf. Sabin 43410a.
Edité par Volair Limited, Kent, 1978
Vendeur : William Chrisant & Sons, ABAA, ILAB. IOBA, ABA, Ephemera Society, Fort Lauderdale, FL, Etats-Unis
Etat : Fine. Limited Edition. Full tan leather with gilt decoration to boards, as well as 5 raised bands and gilt particulars to spine. All edges gilt; purple moire endpapers; silk ribbons present. 120 full color portraits, one for each Native American, throughout. Contains three black and white maps at back of volume 2. Introduction by Dr. Herman J. Viola. Light wear to boards and small abrasions to base of page edges. Small amount of sunning to endpaper edges. No previous owners' names or other markings. Pages bright and clean. Please expect extra postage as this is a heavy set. Vol. 1: xxviii, 470 pp.; Vol. 2: vii, 534 pp., 3 maps. 6 3/4 x 10 1/4 inches.
Edité par EP Publishing Ltd., East Ardsley, England, 1972
Vendeur : Young & Sons Enterprises, Apache, OK, Etats-Unis
Livre
Hardcover. Etat : Near Fine. No Jacket. Republished Edition. Three volume set in near fine condition. No dustjackets.
Edité par EP Publishing Limited, 1972
ISBN 10 : 0854097805ISBN 13 : 9780854097807
Vendeur : Welcombe Books, Dorset, DORSE, Royaume-Uni
Livre Edition originale Signé
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. A fine first printing 3 volume set of the 1972 issue in likewise unclipped dust wrappers with the original price of £35 intact, having a vertical faint crease to all wrappers and the odd toning / handling mark with all the quite superb portraitures intact.Overall a handsome set, very attractively priced. BOXED DESPATCH. Signed by Author(s).
Edité par Volair Limited, 1978
ISBN 10 : 0931480140ISBN 13 : 9780931480140
Vendeur : Griffin Books, Stamford, CT, Etats-Unis
Livre
leather_bound. Etat : Very Good. Two volume leather bound set stated first edition looks unread with faint speckling to gilt edges and touch of shelf wear. Missing the slipcase. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.
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Offres neuf à partir de EUR 773,92
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Edité par Key & Biddle, Philadelphia, 1836
Vendeur : Donald A. Heald Rare Books (ABAA), New York, NY, Etats-Unis
Art / Affiche / Gravure Signé
Hand-coloured lithograph. In excellent condition. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. A highly regarded chief of the Shawnee tribe, Kish-Kallo-Wa participated in several major battles during his lifetime, the most significant of which was the 1774 Battle of Point Pleasant at the mouth of the Great Kanawha River in West Virginia. After valiantly fighting the Osage alongside the Delaware and Cherokee tribes in the war of 1818, he signed the Treaty of St. Louis, in which the Shawnee traded their territory near Cape Girardeau for a tract of land in Kansas and a sum of money. It was while serving as a delegate for his tribe in Washington that Kish-Kallo-Wa met McKenney. An Algonquin speaking tribe, the Shawnee inhabited the Southeastern region of the United States. McKenney and Hall's 'Indian Tribes of North America' has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Keokuk, and Black Hawk. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee , and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath). Cf. Howes M129; cf. Bennett 79; cf. Field 992; cf. Lipperheide Mc 4; cf. Reese American Color Plate Books 24; cf. Sabin 43410a.
Edité par E. C. Biddle, Philadelphia, 1837
Vendeur : Donald A. Heald Rare Books (ABAA), New York, NY, Etats-Unis
Art / Affiche / Gravure
Hand-coloured lithograph. In excellent condition. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. McKenney and Hall's 'Indian Tribes of North America' has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Cornplanter, and Osceola. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee , and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath). Cf. Howes M129; cf. Bennett 79; cf. Field 992; cf. Lipperheide Mc 4; cf. Reese American Color Plate Books 24; cf. Sabin 43410a.
Edité par Volair Limited, 1978
ISBN 10 : 0931480140ISBN 13 : 9780931480140
Vendeur : Nightshade Booksellers, IOBA member, Atlanta, GA, Etats-Unis
Membre d'association : IOBA
Livre Edition originale
Hardcover. Etat : Fine. 1st Edition. A full leather set in slipcase. Brown leather with gold stamping, ribbed spine and all edges gilt with moire silk endpapers and satin book marks. #44 of 5000 customized plate pasted in. A fine copy with some light wear to the cloth slipcase. Fabulous colors plates throughout (120 total). See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #MC.
Edité par Daniel Rice & James G. Clark, Philadelphia, 1841
Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
unbound. Etat : very good. Portrait. Lithograph with original hand coloring. Page measures 20.25" x 14". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians while they visited Washington D.C. as treaty delegates. Most of the original oil paintings were destroyed by fire in the Smithsonian Museum in 1865. These lithographs, published 1842-58, are all that remain and are still hailed as one of the best visual records of influential Native Americans of the nineteenth century. As a Chippewa chief, Pashanine was known mostly for his marksmanship. Light overall toning, a few chips to edges. One of many Native American portraits in our collection.